The Legacies of Two Women Interpreted by Two Women
The new production American Captives: Lena Baker and Sandra Bland, a social justice piece influenced by Michelle Alexander’s The New Jim Crow, focuses on the lives and deaths of Lena Baker and Sandra Bland, two Black American women, who both died at the hands of the police state and an indifferent U.S. judicial system.
Activist-turned-victim Sandra Bland is more familiar to most people; however, Lena Baker is probably not. She was the first and only woman to sit in the electric chair in the State of Georgia.
Written and performed by veteran actor Connie Winston, and directed by Audelco winner Rhonda “Passion” Hansome, the play will run at Dixon Place experimental theater the next two weekends through Oct 20. This experimental social justice piece combines the two stories of Lena Baker and Sandra Bland. After a one-day trial in 1945, an all-white male jury deliberates for under an hour and sentences Lena Baker to death for killing her abusive lover. Three days after being pulled over by a Texas State Trooper in 2015 for not using a turn signal, Sandra Bland was found dead in a Waller County jail cell.
American Captives: Lena Baker & Sandra Bland articulates how little has changed in the relationship between Black women and the United States justice system during the 60 years between the deaths of Lena and Sandra. This unapologetic personal accounting bares new awareness of timeworn atrocities. The production will run on Fridays and Saturdays through October 20th at 7:30pm.
Tickets for American Captives: Lena Baker & Sandra Bland are on sale now at Dixon Place. Tickets are $18 in advance, $22 at the door, and $15 for students and seniors. Group rates are available. For tickets and further information please visit www.dixonplace.org or call 866-811-4111 for tickets.
Connie Winston has performed at numerous New York City venues and created numerous original ‘docu-drama’ performance pieces: My Name is Harriet Tubman (commissioned by Plays For Living), The Autobiography of Dorothy Dean (first presented by Dixon Place), Confession, and On Griffin Alley (workshopped with the Drama Department of Bennington College). She has directed productions of August Strindberg’s, The Stronger, Trifles by Susan Glaspell, and No Good War by Tali Ariav, developed with the Playwrights’ Workshop at the University of Iowa. She adapted Eudora Welty’s short story A Worn Path for the stage, and has been published in the African American National Biography (Oxford University Press) Black Masks Magazine, and Nka Journal of Contemporary African Art. Connie received her MFA in dramaturgy from the University of Iowa, an MA in performing arts from Emerson College and a BA in theatre from SUNY/New Paltz. Connie is seen on re-runs of TV series’ Conviction and Law & Order in her recurring role as Judge Shirley Taylor.
Rhonda “Passion” Hansome has directed over thirty-five productions, including Saviour? (Dwyer Cultural Center), Another Man’s Poison, Antigone Asata Shakur, T’was The Night Before Kwanzaa (Black Spectrum and Billie Holiday Theaters), and Real Black Men Don’t Sit Crosslegged On The Floor (New Federal Theater, Best Ensemble AUDELCO Award.) At the National Black Theater Festival, Bermuda Festival and New Federal Theater she directed Melba Moore’s Sweet Songs of the Soul; and in the NY International Fringe Festival she directed Damon & Debra and Black Martian. Other festivals include Voices From The Edge, NYU Festival of New Works, Chekov NOW, Potpourri, Estrogenius, and Going To The River. Hansome is a member of the Workshop Theater Company, Lincoln Center Theater Directors Lab, Women’s Project Directors Forum, SDC and is an AUDELCO Outstanding Pioneer Honoree. (Cynthia A. Tate)