Denzel Washington and Viola Davis Tear Down Fences on Broadway
Time is running out to check out Denzel Washington’s powerful performance in the hit revival of Fences.
His acclaimed role as patriarch Troy, in the first Broadway revival of August Wilson’s classic drama, has earned him amazing critical raves, sold-out performances, and a prestigious Tony Award for Best Actor in a Drama. Fences is running at the Cort Theater until July 11.
After a five-year lapse from the New York theater, the two-time Oscar winner (Glory and Training Day) and New York metro area native has returned triumphantly to the stage. Now, its under the direction of Kenny Leon, who won acclaim bringing Sean Combs to Broadway in the Tony winning revival of Lorraine Hansberry’s Raisin in the Sun. Leon, now Broadway’s leading African-American director, was mentored by both Wilson and Lloyd Richards, Wilson’s longtime director who headed Yale University’s drama school and directed the original production of “Raisin in the Sun.” Leon, the director of August Wilson’s “Century Cycle” of plays at the Kennedy Center, had been nominated for Tony Awards for August Wilson’s “Gem of the Ocean” and “Radio Golf.” Through his brilliant production of “Fences,” the play picked up a coveted Tony Award for “Best Play Revival.”
Weeks before the star-studded opening of “Fences,” I found myself sitting at a roundtable interview at Sardi’s Restaurant with Washington and the cast. It gave me flashbacks to attending a special 1987 press dinner with August Wilson, James Earl Jones, director Lloyd Richards and the original cast of “Fences” at the Alconquin Hotel, another legendary theater gathering space.
I had covered Washington during his New York Off-Broadway theater days at the Negro Ensemble Company and Woodie King’s New Federal Theater. Back in the late 70’s and early 80’s, Washington was considered a major New York theater actor. He was a leading actor in high profile Off -Broadway productions like his Obie Award -winning performance in the Negro Ensemble Company production of Charles Fuller’s “A Soldier’s Play, which earned a Pulitzer Prize (he revived his role on film in “A Soldier’s Story”). Portraying Malcolm X in Laurence Holder’s “When The Chickens Come Home to Roost,” produced by Woodie King, mesmerized audiences, including a young Spike Lee, who later cast Washington in his Oscar-nominated role of Malcolm X.
Yet his Broadway turns in the Ron Milner-Woodie King production of “Checkmates” and later in the drama “Julius Caesar” received little accolades.
The idea to come back to the New York stage began when Hollywood producer Scott Rudin brought Washington a screenplay of “Fences” and tried to persuade him to make the film. Instead, it compelled Washington to read August Wilson’s play.
“I went and read the play and cried. Then laughed. It’s a great, great, great, great play,” recalled Washington, casually dressed in jeans and a tee shirt and still strikingly handsome in his fifties.
“Very rarely to you get to work and interpret the work of a master. A grand master. And August Wilson is one. He is Eugene O’Neill. He is Tennessee Williams and Arthur Miller. It’s a masterpiece,” Washington stated. “I’ve been around. I’ve read a lot of plays and screenplays. “Knowing he’s gone and I fortunately got a chance to meet him. You can feel him. His plays are spiritual.”
The international movie star likes his new role being back on the New York stage. “What I love about theater and what I love about it now, given the position that I’m in, is that it gives me a chance to be one of the guys,” he stressed. “I’m another member of the cast. I have a role to play. This is what I love.”
“This is how I started as an actor in the theater right up the block at Lincoln Center,” he explained. “When I left New York in 1982, I was doing a Pulitzer Prize winning play. I had just done When The Chickens Come Home to Roost and followed that up with A Soldier’s Play, which won a Pulitzer Prize. I left to go to LA to do what I thought was a 13-week job called St. Elsewhere. Four kids and 25 years whatever years later, I started working my way back. I never really felt that LA was my home. New York is my home. Now we have a home here.”
Although at 55, he is a similar age to James Earl Jones, when Jones created Troy on Broadway, Washington brings a different type of theatrical magnetism to the role.
“They are specific about this African American family, but the themes are universal. The husband and wife relationship, the bitterness of the husband about not being successful in life, dreams deferred, and the father and son relationship,” said Washington. “All of those themes-black, white, blue, green and yellow-we all relate to them.”
Viola Davis, who portrays wife Rose, was undeterred about possible comparisons with actress Mary Alice, who was in the original production. Davis is a Broadway star and August Wilson favorite. She won a Tony, Drama Desk and Outer Critics Circle Awards for Wilson’s King Hedley II and grabbed Tony, Drama Desk and Outer Critics Circle nominations for his drama Seven Guitars.
“It’s always easier when people have no expectations, because then you are always going to be surprised,” said Davis, who believes the audience has to be open. “You have to come with a blank slate and then you have to allow whatever the actors are doing to infuse you, to move you.”
The Julliard trained actress has been appearing in TV and films since 1996. She’s been featured in director’s Steven Soderberg’s Traffic and Syriana and Jim Sheridan’s Get Rich or Die Tryin.’ Also, she’s been popular with Black directors like Denzel Washington’s Antoine Fisher, George Wolfe’s Nights in Rodanthe and Debbie Allen’s Lifetime film The Fantasia Barrino Story: Life is Not a Fairy Tale.
Yet, it was her heartbreaking performance in the film Doubt as the mother of the lone African American child in a strict Catholic school in the sixties that earned her national acclaim. The scene stealing performance with Meryl Streep scooped up Oscar, Golden Globe, SAG and Critics Choice Awards nominations. Audiences can currently see her on HBO’s United States of Tara and the Tom Cruise movie Knight and Day. This summer, she plays Julia Roberts’ best friend in the highly awaited Eat Pray Love.
Returning to the work of August Wilson and creating such a poignant performance as Rose in Fences has won the actress raves and another Tony Award. “We all have a little Wilsonisque in us,” explained Davis. “Because it’s our experience. It an African-American experience. Our mothers, fathers, sisters, brothers our grandparents.”
Parks Commish Jack Linn Halts Soil Dump In Charlie’s Place Court as Area Residents Play Hardball Against Unsanctioned “Green” Effort
“You’re telling me, someone came to our community, took a pile of dirt, didn’t bother to come to us, and just dumped it on a playground’s handball court?” that was the question local architect Michael McCaw raised at a meeting called by CB3 chair Henry Butler, yesterday at Bedford Stuyvesant Restoration community room. “Are they crazy?”
The site is the handball court at Charlie’s Place playground on Hopkins Avenue, between Tompkins and Throop. The player is a wealthy funding organization that has a long history of good works in and intentions for the area, the Parks Department and the Department of Education.
There’s CB3 and very vocal residents of the North Brooklyn neighborhood, occupants of houses and apartments near and around the park. The CBO and the enclave were left out of the picture. One day, the handball court was there, as it always has been since the playground’s naming, in 1957, after Charles Lubin, founder of Sara Lee company. The next day the handball court was under ground, beneath a generous attempt to create a small farm or garden in the space.
This green initiative elicited big groans that increased in intensity yesterday when the residents – mostly strong, focused and able young men – and CB3 officers met with Parks Assistant Commissioner/Senior Counselor Jack T. Linn and a Mr. Hunte, representing the greening agency “to design a plan relative to the community’s needs.”
“Not enough,” said a community member buoyed by CB3 member Beatrice P. Jones’ remarks. She said, to applause: “We’re not opposed to gardens. We love gardens. We love fruit, vegetables and flowers.
“But the community will not allow a garden to be established in that handball court. So I think we need to take our shovels and remove it. I need manure for my garden, anyway. Somebody in your agency . maybe not you, but someone, made a big mistake. Our young people are here trying to resolve this. Give them back their handball court. If you don’t have the manpower, we will get it.”
Butler, staunch community advocate, stated that the Community Board should have been approached about the project or plans for potential projects before they even come into the neighborhood. “Not informed of what already has been done.”
And although a few residents were willing to compromise on a half court; half garden arrangement, most everyone came to the conclusion – with Butler and Linn in agreement -the process had to start all over and done the correct way.
So, Next steps: The community has called for a tour of Charlie’s Place, Wednesday, July 7 at 6pm to find a more appropriate site for the garden, other than on the 50-plus year old handball court.
Meanwhile, Linn stated that in the interests of the community, “Mr. Hunte will stop work; a decision will be made on where he should move the work; and on how it will be moved.” With the involvement of the Board and the community at every decision-making level.
CB3’s Parks, Arts & culture chair Marion Little assured residents the park is being is placed at the top of the Board’s priority list, and he will be working with Mr. Butler to have some Board meetings in the North Bedford Stuyvesant area. He said, “That the handball court, used daily, is shut down at the start of summer.. now that’s a big problem.”
Manager Charlene Phillips, CB3 District Manager, closed with a reminder to everyone in the room: “Anyone who pays taxes should be kept informed of what’s going on where they pay taxes, and they should have a say in where those taxes go. You have rights, you need to exercise them.”
Ultimately, “it’s about respect,” said both Nilo Jordan and Rafael Dominguez who frequent the park, and exercise there.
Jordan, Dominguez and Anthony Mercado strongly urge the public to come out and see community empowerment in action and to wrap their thoughts around, yet, another Charlie’s Place pressing situation they’re tackling: the parking lot and people who should not be parking there- mostly teachers and hospital personnel. Stay tuned.
Our Time Press will follow this story. – BGreen
Dr. William Pollard: At it Again
Do you Know Dr. William Pollard?
Dr. William Pollard is the newly appointed President of Medgar Evers College. His actions have been brought to our attention several times during the past year and I think the community needs to contemplate his dismissal.
It was brought to our attention in February that Pollard secretly moved the MEC student graduation to BAM and away from the campus and our community. The students staged a one-day protest and suddenly Dr. Pollard had a change of heart. Recently, Dr. Pollard cancelled a million dollar program to bring young Black male ex-offenders to Medgar Evers College and expressed his dislike for the cliental and personnel.
At the recent graduation (June 5th, 2010) he limited the remarks of all local elected officials to two minutes. What an Insult! Dr. Pollard must not realize that this college came into existence as a result of community protest. The community (elected officials as a part) had fought for this college and we would not let any outsider change the direction of Medgar Evers College.
The final insult of Dr. Pollard was the cancellation of the annual Jazzy Jazz Festival, a 14-year old institution started by the Late Dr. Mary Umolu. This program brought music to our community every Friday night during the long hot summer.
But because of constant community pressure, the MEC Administration has relented and the Jazzy Jazz Festival will begin its 14th year on Friday, July 16th, 2010. Let’s have a great community turnout and we will keep you updated on our negotiations with MEC Administrators including its infamous President Dr. William Pollard.
By Jitu Weusi