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The D.R.E.A.M. Adams and Cuomo do not want

By Nayaba Arinde
Editor-at-Large

At Our Time Press deadline, news broke that federal judge Dale Ho has dismissed corruption charges against Mayor Eric Adams with prejudice, meaning they cannot be revisited.
An elated Adams said, “My fellow New Yorkers, today finally marks the end of this chapter…As you have heard, this case, the judge has dismissed it with prejudice, making it clear that it never can be brought back.”


Public Advocate Jumaane Williams said, “Let’s be clear: this wasn’t an exoneration. Instead of fighting for his innocence in court, the mayor relied on power and privilege to avoid accountability…He’s refused to stand up to Trump, and now we have to ask: Was it fear of the president, or was it agreement?”


Meanwhile, a grassroots D.R.E.A.M. movement is not what Dr. Martin Luther King, Jr. or mayoral candidates Eric Adams or Andrew Cuomo ever had in mind.
The United Auto Workers (UAW) and a grassroots political action committee came up with the acronym D.R.E.A.M.–“Don’t Rank Eric or Andrew for Mayor.”
Brandon Mancilla, the director of UAW Region 9A, stated that under Mayor Adams, “We’ve seen a lot of cuts, a lot of misplaced priorities, taking a knee to whatever Donald Trump wants, essentially just not running the city.”


Mancilla said that during the UAW strike at upstate General Motors auto plants, then-Governor Cuomo “never made an appearance at any of their picket lines.”
Praising their “working-class agenda,” last December, UAW Region 9A endorsed Assemblymember Zohran Mamdani, state Sen. Jessica Ramos, and City Comptroller Brad Lander, telling their union rank-and-file not to rank Adams nor the former governor. But, even as Cuomo was surging at 41% in the polls, the union said, “We are telling our membership to leave both Eric Adams and Andrew Cuomo unranked and off our ballots.”
The remaining declared candidates include City Council Speaker Adrienne Adams and former Assembly Member Michael Blake.


With a reported $8 million in his campaign coffers, Zohan Mandami is in second place to Cuomo.
“I am interested in cross-endorsements as we get closer to Election Day because we must turn the page on this failed leadership, and we must utilize every single tool at our disposal to ensure that all of our supporters understand that where they have five options, they should use them, and that none of them should be Eric Adams or Andrew Cuomo,” he told The Intelligencer.


Brooklyn State Senator Zellnor Myrie said, “I’m excited about what ranked-choice voting provides for voters. I think it gives people the opportunity to express their preferences in a way that they might not have had in the past.”
Speaking to Dahved Levy on WBLS a few days ago, Adams slammed “those bogus charges that my attorney has fought and even the current Department of Justice has pointed out how problematic they are.”

He asked instead that “People don’t look at the last 15 months. Look at the last 40- plus years…from the reforms I fought for in the Police Department, to what I did as a senator, as borough president… mayor. Look at my legacy.”

Calling Cuomo “New York’s #1 Nepo Baby,” the UAW declared that he “jerked New Yorkers around for years as our governor. Now he’s running for mayor to punch his ticket back to the big time, after sexual harassment and corruption scandals drove him out of office in disgrace. In office, Andrew has treated subways, schools, and even our bodies as his personal playthings. To this day, he’s paying private lawyers with taxpayer money to fight his legal cases. Just imagine what he would do as our mayor.”


As for Adams, the UAW continued, “Whether it’s gutting schools and libraries to hire more of his buddies in blue or violating the law for Trump to stay out of jail…Let’s make him a one-term mayor.
“To end the Adams nightmare and prevent a Cuomo catastrophe, you have to DREAM: Don’t Rank Eric or Andrew for Mayor.”
But Queens Congressman Greg Meeks said, “We need a person who can communicate the Democratic Party’s issues and stand and tell the truth. We have seen him do this before. The last person that Washington, DC wants to see become mayor of the City of New York is Andrew Cuomo.”


The Guardian called Zohan Kwame Mandami “The socialist millennial and first South Asian man in the state assembly.”
The Ugandan-born, New York City-raised mayoral candidate said, “This campaign is for every person who believes in the dignity of their neighbors and that the government’s job is to actually make our lives better.”


Asked if he is actually currently campaigning, the Mayor said, “It just happens that my mayoral duties is being present in the public, is meeting you in the street.”
Last week, Adams said that he didn’t want to “put New Yorkers through this see-saw,” regarding the five-count indictment he noted, “I agree with the independent observer who stated that this case should be dismissed. I said I did nothing wrong.”


However, he added, “I cannot apologize to New Yorkers enough for having to go through this. And I’m hoping that they saw, in spite of what I was going through, that they were my north star and I continued to deliver for the city.”


Spokesman Rich Azzopardi said that in response to D.R.E.A.M., the Cuomo campaign is focusing on the point that, “Our city is in crisis – a crisis of affordability, of quality of life and of leadership, and in this race, Governor Cuomo, and Governor Cuomo alone, is the only proven, tested leader to tackle these issues head on and who voters know can get the job done.”


New York City politicking may be a microcosm of the political theater nationwide. On Monday through to Tuesday, New Jersey Senator Cory Booker spoke on the Senate floor for 25 hours and four minutes to protest the 71 days of constitutional havoc he said the President Donald Trump and his DOGE head Elon Musk is upending the nation with.

“Journalism Is Not a Luxury”

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In his most recent book The Message (One World, 2024), National Book Award winner Ta-Nehisi Coates presents readers with his personal journey as he travels and explores the prevalence and impact of racism on peoples throughout the United States, the Middle East, and Africa. His message represents a call to action for him, his students, and the world.

As is in his award-winning book, Between the World and Me, Coates uses the epistolary genre of letter writing to provide readers with reflections on an emotional, haunting, critical, political, and philosophical personal journey. Readers meet poets, novelists, historians, scholars, artists, and musicians who have influenced him and will gain insight into his writing, thinking, and belief that journalists must accept the social responsibility of documenting the multi-varied stories and history of people in our global community.


The Message begins with Coates’ inaugural trip to Dakar, Senegal. In the section titled, “Journalism Is Not a Luxury,” Coates visits the island of Gorée in Dakar and rather than taking a guided tour of Gorée, he wanders the grounds alone as he reflects on the tragedy, enslavement, and abuse experienced by those who endured captivity at Gorée and its “Door of No Return.”

He also affirms the importance of spiritual, historical, and cultural pilgrimages in sustaining history and cultural legacies. His “walk” conjures up memories of the annual pilgrimages that people take to commemorate historical experiences such as the March across the Edmund Pettus Bridge in Alabama, a march that resulted in Bloody Sunday.


At the beginning of his journey, Coates opines: “I think the tradition of writing, of drawing out a common humanity is indispensable to our future if only because what must be cultivated and cared for must be seen.” All that Coates witnesses as a journalist and traveler is underscored in the concluding section of the book. By the end of his journey, he understands deeply that journalism is not a luxury and that he must both “see” and “embrace” a “walk which will enable him to represent history, politics, and embedded racism in a truthful manner. In his words, “you can see the world and still never see the people in it.”


Coates confronts a series of moral and political issues throughout the text. He visits Yah Vashem, the World Holocaust Remembrance Center in Jerusalem and points out that he does not think he has ever seen a more striking symbol of mourning. He comes to understand that reparations is a global issue and much larger than what he could have imagined. He engages readers by sketching pictures for them and describes in detail what it is like for Palestinians who are living in Israel and in occupied Palestine.

He notes that the treatment of Palestinians is very disturbing. In bearing witness to this treatment, he reframes it as a form of apartheid and ethnic cleansing while also articulating his understanding of the need for Zionists to fight for a land at all costs. In listening to Palestinians invoking the traditions of James Baldwin, Amiri Baraka, and Angela Davis, he reflects on the fact that these American writers and activists symbolize the Palestinian struggle of resistance and activism.


A core reality for Coates is understanding the analogy between the oppression of the Palestinians, the oppression of Africans under apartheid in South Africa, and the history of racism in the United States in the form of enslavement, lynchings, Jim Crow, voter suppression, and the misrepresentation of the experiences of Blacks in history and literature, Although Coates sees an alignment between the oppression of people in the United States, Africa, Palestine, and Israel, he is clear that he cannot tell the Palestinian story as a Palestinian would tell it. He argues that people must bear witness to their own stories and that as a journalist he has a responsibility to go beyond what is in traditional media and to look for the truth expressed by the people who are experiencing it. He further argues that journalists must feel free to write about controversial topics and subjects and while doing so must gather all perspectives and engage in careful research and analysis. At the same time, he reminds educators to refrain from what Paulo Freire calls a banking method of education and to develop a critical consciousness in students by encouraging them to interrogate their history, literature, and politics.


The Message is not a book that one can read and digest in one sitting. It is layered with complex and complicated themes and has been critiqued because of Coates’ description of the Israel-Palestinian conflict. I encourage readers on both sides of the Israel-Palestinian conflict to read and consider Coates’ call to action in The Message.


Ta-Nehisi Coates is a journalist, public intellectual, and novelist. He is the author of The Beautiful Struggle, We Were Eight Years in Power, The Water Dance, and Between the World and Me and is currently the Sterling Brown Endowed Chair in the English Department at Howard University.

Dr. Brenda M. Greene is Professor of English and Founder and Executive Director Emeritus of the Center for Black Literature at Medgar Evers College, CUNY.

Bessie Nickens: A Hidden Figure in Black Art

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Fern Gillespie


In the 1980s, while most retired seniors downsized their lives, Bessie Nickens changed her life. At age 80, she sold her laundry business in Louisiana and moved to Manhattan’s Chelsea neighborhood to live her daughter Barbara and become an artist. Born in 1906, during her childhood, she grew up with her sharecropping parents migrating through Louisiana, Texas and Arkansas working in fields and picking cotton. Since childhood, painting and art were her passion.


In New York City, she delved into a career as a self-taught folk artist creating vivid artwork about her life in rural early 20th Century South as a Black child. The paintings depicted childhood games, iron hot tubs for bathing, jumping rope in the woods, carrying water from the wells, going to country markets, her mother doing hair with a hot comb in the kitchen, ironing and washing clothes with tubs and a furnace, and picking cotton in the fields.


A neighbor in Chelsea was fascinated by her work and persuaded Nickens to develop a storybook based on her folk art paintings. In 1994, when she was 88, the prestigious art book publisher Rizzoli published her paintings as a storybook for children. Her editors Manuela Soares and David Eli Brown helped her pen her family tales in her voice. Rizzoli published Nickens’ Walking the Log: Memories of a Southern Childhood, packed with tales about her childhood in rural Louisiana and illustrated with her wonderful paintings.


Walking the Log: Memories of a Southern Childhood has been honored in Hofstra University Museum collection Children’s Pleasures: American Celebrations of Childhood and in the Smithsonian’s National Museum of African American History and Culture’s select Reading Resources for school children and educators.


By 1997, the art world took notice of the poignant paintings by Nickens. At age 91, she had a major art exhibit at Baruch College that was covered by both the New York Daily News and the New York Times. “Her paintings are part family history, part artistic expression, part social commentary,” Lena Williams wrote in The New York Times. “They tell the story of a Black sharecropper’s daughter who, despite growing up in austere surroundings, enjoyed the simple pleasures of life, from the childhood games she played with her brother and sister to exploring the lush landscapes of Louisiana.”


Ellen Sragow, founder of the Sragow Gallery in Manhattan, was Nickens’ first art dealer. Sragow was known for representing Black artists and her clients included print work for Elizabeth Catlett. Through Sragow, Nickens was introduced to famed Black art collectors Oprah Winfrey and Bill Cosby, who own her paintings in their collections. Ellen died in 2024, but her husband Alphonse von Woerkom warmly remembers Nickens. “Ellen really loved Bessie’s paintings,” he told Our Time Press. “Her paintings were pure and fresh. It was well painted and it came from somebody who had never painted before. It was very unique.”


Every year, Nickens would exhibit and sell her folk art at the Harlem Fine Arts Show (HFAS), the largest Black-owned and operated Black Diasporic art show in the United States, which is now held in Downtown Manhattan. Through Sragow, Nickens began a long time relationship exhibiting at HFAS. “Bessie was unique not just because she was a senior citizen,” Dion Clarke, founder of HFAS told Our Time Press. “She was also unique because she was a woman artist and that she helped start that trend towards more Black women artists. Because in the 80s and 90s, it was not a typical sightseeing African American women selling their art.”


Nickens’ paintings have been exhibited at the Pennsylvania Academy of Fine Art, Fisk University, Pennsylvania State University, Vanderbilt University and Augusta, Georgia’s Morris Museum of Art and other locals.


In 2004, Bessie Nickens died at age 98. She was still painting. “I think Bessie was an outstanding artist,” said Clarke. “I think she was a trailblazer. I think she opened up doors and she told great stories. She has a great legacy with the works she has left us.”
The public can still have a piece of Bessie Nickens’ art through her book Walking the Log: Memories of a Southern Childhood, which is available online at secondary market booksellers like Ebay.

My Journey to the Underground

By Da’Nelle Mason, at Age 9


It’s not everyday that a person gets to go back into the past. On February 28, 1998 I did that and experienced things I never thought I would ever experience.
I got to travel to Peekskill, New York, as an Our Time Press junior reporter, to participate in a “Sisters in the Spirit” event. It was in honor of Harriet Tubman.


One of the activities was a tour of a station on the Underground Railroad. I was excited about it because I could walk in the path of a woman I admire, Harriet Tubman, the great conductor. It started like this:
Hundreds of us met in front of The Fern Tree African-American Gift Shop and walked over to the historic Park Street AME Church, and went inside twenty at a time because it was very small and very old.

Junior Reporter Da’Nelle Mason with Viola Plummer in 1998.
Photo: Barry Mason


Downstairs, guides showed us where the (enslaved) hid and described how the church protected them. One of the women guides told us that the Black people probably traveled along a stream that was underneath the church. But no one knew where it was exactly.
Outside the church, a group of teenage reporters from Harlem Live! went to an open gutter, looked in with a flashlight, and saw gushing water. One of the writers held his tape recorder down through the iron bars. It was the sound of history.


Actress Gloria Terrell portrayed Harriet Tubman in front of a large estate once owned by Harriet Beecher Stowe’s brother. Ms. Terrell was excellent! We were mesmerized by her. She became Harriet Tubman.

Investigating a mystery with Harlem Live! at Underground Railroad stop. Photo :Barry Mason


Then we were guided down a steep hill and crouched down to walk through a long tunnel. The entrance was covered by tree branches. It was cold and dark, and even with 300 people going through the tunnel that day, it was still scary.


There were rocks, spiders, and water droplets. My father (Barry Mason, who took the pictures) told me to feel the rocks and the stones and to wet my cheek with the water. He said I would always remember the experience. It was dark in the tunnel. I brought my flashlight, but our ancestors did not have that back then.

Da’Nelle with her father Barry Mason.
Photo: Barry Mason


Finally, we came to the opening, which was very narrow and small. Some of us got on our knees and crawled and wiggled through, but we didn’t care because we could see the light, and we were glad to see it! Some of the adults said they felt they were “emerging” from the womb. They said they would never be the same.


It was a wonderful thing for us to see what our ancestors had to go through to survive. They would stay in these caves by day, hoping and praying bounty hunters would not catch up with them. Then they traveled by night. Everything was dark for them except the stars
A week later, I went to a meeting at the Harriet Tubman Learning Center in Harlem. My father introduced me to a modern-day Harriet Tubman. Her name was Ms. Viola Plummer of Sistas Place in Brooklyn. We took pictures together.
To find out about Harriet Tubman, place her name in any search engine.

Griot Ethel L. Jackson Honored in Peekskill By Sisters Living the Message of The Million Woman March

-Bernice Elizabeth Green

In late winter 1998, artist-photographer Barry L. Mason, his daughter, Da’Nelle Mason and I attended an Underground Railroad tour event hosted by LaFern Joseph in Peekskill, NY. Joseph, proprietor of The Fern Tree gift shop in the city introduced us to historian-writer Ethel Lipscomb Jackson. After the tour, we visited Ms. Jackson at her apartment in her home city and quickly learned the reason Joseph insisted we meet the elder who personified the message of the Million Woman March, held the previous October. In the photos, Elder Jackson is seen, as a toddler; as the only African American in her graduating class at the city’s Oakside H. S., and, in Barry’s photo, working at her faithful electric typewriter on a book about her travels. The article emphasized how Elder Jackson. A nonagenarian, at the time, was “making her mark and embracing the future.”


The spirit of Harriet Tubman is vibrant and strong in Peekskill, N.Y., more than a century after she led runaway slaves to the shelter of the AME Zion Church on Park Street. The small building, a study in resiliency of formerly enslaved Africans, abides in the sentiments and actions of Ethel Lipscomb Jackson, 94 (1998), author of “My Memories of 100 African American Peekskill Families,” and in the convictions of LaFern Joseph, owner of The Fern Tree, an African Gift Shop on South Division Street.


Like their activist ancestor, both Ms. Jackson and Sister Joseph are committed to providing resources for African American families to keep them strong and proud; Elder Jackson, through her book and the stories she shares so generously; Sister Fern, through her work with Sisters in Support, a health, education, and employment referral service for women of African descent and their families living in northwestern Westchester County, 35 miles north of New York City.


Peekskill was established as a town around the time of Harriet Tubman’s birth in Maryland. Ms. Jackson, the daughter of Joseph Lipscomb and Hattie Scott, was born in 1904, in Peekskill, nine years before Tubman’s death in Auburn, N.Y. In her book, “Memories …”, she describes African American families that she had known during her lifetime: The Amorys, Hicks, Hortons, Moshiers, Petersons and others.


In fact, Ms. Jackson has known most of the black families who ever lived in that city. She can recall the names of men and women who made their living as domestics, coachmen, boarding room owners, butchers, music teachers, taxi owners, wrecking car owners, beauty and barber shop owners, and more. She knew people who worked Peekskill’s foundries forging iron into stoves for homes across the nation; she knew seed and grain dealers, like her father.


She knew the relatives of Lydia Hicks Hutchinson, who was at the Peekskill Railroad Station when President Lincoln spoke from the platform off the rear of the train in 1861. She knew the families whose cars were stoned by whites standing on either side of the road 88 years later, in 1949, as they drove up the hill from the famous Paul Robeson concert. She knew the struggling Hallenbecks, who arrived in Peekskill in an old houseboat, and lived on it until it started falling apart, then moved to an outbuilding at Annsville Creek. “They taught three generations of boys how to swim,” she recalls.


At the annual Lincoln Banquets in the 1920s, held at church on Black History Day (then Lincoln’s birthday), she learned about the struggles and contributions of her people. She recalls how “Colonel” William Singleton, born in Newborn, N.C., “the son of the slave owner’s brother and a slave woman,” often spoke of being sold a number of times. “He could not read nor write until he was 38 years old. And when he spoke of slavery, he shed tears. He was a tall, big man.” His life story, she says, is recalled in an autobiography published in Peekskill in 1922 entitled “My Recollections of Slavery.”


Mrs. Jackson, whose parents, Hattie Scott Lipscomb and Joseph Lipscomb, moved to the area in the 1890s, once lived with her husband, William, at 668 Harrison (a house they planned, built, and later sold to the black Mt. Lebanon Baptist Church, next door).


The couple meticulously manicured the front lawn, creating a backyard-Eden which yielded zinnias, peonies, dahlias, lilacs, cannas, hollyhocks, apples, peaches, plums, oaks, a red maple, and vines of plump, sweet grapes, which they canned as jelly. It’s no wonder Mrs. Jackson with her cat, Gray Cloud, appeared in the home section of The New York Amsterdam News. (November 22, 1952)


In another life, she might have been a travel writer or a columnist, but Ethel L. Jackson — a constant letter-writer — chose the health field. She was a licensed practical nurse for 40 years and volunteered at the Peekskill Hospital for 22 years. Despite the condition of her health (her fingers are challenged by arthritis), she crochets (Afghans) and is writing a book about a 35-day cross-country trip in 1969.


As she did for “Memories…,” Elder Jackson is typing her manuscript on an old electric Smith-Corona. (She gave up bowling at age 90 and driving a car “when it became too difficult to downshift” at about the same time).


She loves Peekskill’s “rocks and rills” she wrote in her book. She also pined, “Each time a tree is cut down, I feel the saw within me. I age as buildings are renovated or torn down. If I could plan a city, I would leave some old, some new so that them memories would not all fly away to a tiny city within my mind.”


Jackson says she compiled the information for “Memories …” because “there are so many new people coming to Peekskill who didn’t know about the old ones.”


La Fern Joseph shares similar concerns for different reasons. So many young people, Joseph told us, were drifting through life and needed mentoring. Many families need support systems, she told us. And that too was rallying cry of the Million Woman March in Philadelphia, for which Joseph and her friends were New York State coordinators.


When Joseph sought an answer to the “Now-that-the-Million-Woman-March- has-happened, now-what?”-queries directed at her and others, she realized there was work to be done right where she lives: from referral networks for the embattled to the process of seeking approvals and placing plaques indicating landmarks in the history of Africans in the area where she lived. Joseph looked around and saw there were no markers where Harriet Tubman once walked, no testaments to the legacy of those families she freed, no reminders of the courage of Paul Robeson.


As part of a sister-support network, she saw a need: finding a way to connect with young people who knew much about Little Kim, and not enough about Kemet: “no knowledge of the roads traveled by their historical ancestors like Tubman or Robeson.” Or even Ethel Lipscomb Jackson who will be honored February 28 by LaFern and her sister New York State Million Woman March coordinators, among them Dr. Vickie Gholson of New York City, Janice Williams of Queens, and Elizabeth Fulcher of Brooklyn.


The all-day event will benefit the work of a mentoring and referral service for women of African descent and their families. The day’s highlights she informed us will include a gala performance by Gloria Lynne, a tour of Historical Peekskill Underground Railroad sites, and workshops — one directed by Regent Adelaide Sanford.


There also will be a special award given to Ethel Lipscomb Jackson
In a recent meeting with La Fern and Dr. Gholson, Mrs. Jackson revealed she will wear “an African gown made in Senegal” for the gala tribute, and that of all the numerous honors she has received over the years, the one she receives on February 28 with generations of family members present, is the highlight of her life. “It is because the award is being given to me by African American women,” the elder activist told us.


Commented Dr. Vickie Gholson, who accompanied Sister Fern on our visit to Elder Jackson’s apartment, “This is what it is all about. This is what we are trying to teach young people: that in growing old gracefully — to get old — is to win.”