Home Blog Page 662

Why Cincinnati?

Part One

The ERJ140 is a twin-engine regional jet, compact and efficient, designed for shorter flight routes. American Airlines uses the ERJ140 for many of their regional routes. This 44-seat passenger airplane can take you anywhere you need to go within a 3-hour range, and the ride is as smooth as bourbon from the Bluegrass State.

But the cabin is only 6 feet in height. I’m 6’-4”.

I think this is the perfect place for me to begin my story about my travels to Cincinnati, Ohio.

So, I crammed myself into the compact jet feeling oafish as I made my way to my seat, only to find that my carry-on was too big to fit overhead. The stewardess was great, very accommodating. I’m sure she has experience dealing with big oafs with big bags. She smiled, and then took my bag and placed it into the closet up front. I sat in 3B, an aisle seat. No sooner than I sat down, the patrons for seats 3A and 3C arrived. Really, I could hear them before I could see them, two British-sounding women on the jet bridge arguing with a worker about having to leave their suitcases on the bridge to be placed in the baggage area. They were only flying in to Cincy to connect to another flight going to Chicago. The Chicago flight was leaving at virtually the same time as our plane was scheduled to land. They did not want to miss that flight. They made that clear, and then stomped into the cabin to take their seats.

In this particular plane, the A seats are on one side of the plane, and the B and C seats are on the other, the aisle separating the A seats from the B seats. Being in 3B and realizing that they were due to sit on either side of me, I quickly came up with a plan that would work for them and for me as well.

“Excuse me? If you like, I could move to seat 3A so that you and your friend can sit together. No worries, really.”

The taller of the two waved me off, “Whatever would we want to do such a thing? We will all sit in our assigned seats, thank you.”

Fine, lady. Suit yourself.

Everyone was seated and buckled in. The lovely stewardess did her mime routine to the recording about the oxygen masks and exit routes, and just like that we were off. Here is the part where I could complain about my two British neighbors passing cookies and conversation across me, proving undeniably why my idea to switch seats made sense. But I won’t complain about all of the infringement of personal space, because the truth is that 20 minutes into the flight I fell asleep, and I had one of those wicked plane ride naps where your head flops to-and-fro and you snore so loudly that it wakes you up two or three times. My calling the hogs had to have made it difficult for them to talk across me. In the “annoying passenger category,” I would score our combined experiences a wash.

I awoke just in time to see our jet gliding effortlessly over the rolling bluegrass hills of Kentucky. When you fly into Cincinnati, the airport is in Hebron, Kentucky. This part of America, as seen from the skies, is right out of a Bob Ross Joy of Painting episode. Pillowy clouds throwing shade over acres of hunter green fields, rivers etching themselves across the land, drawing themselves between the hills to form valleys; if art reflects reality then there could be no better muse for landscape painting than to see the Greater Cincinnati Area from the sky. We landed as gently as a jet can land, I bid my seating adversaries safe travels, and I began my journey.

James Brown, Mural Art

In the Cincinnati/Northern Kentucky Airport, there are small museum exhibits in various places throughout that are tagged with signs that say Curate My Community. The phrase caught my attention. It speaks to ownership and accountability. First impressions are everything, and the exhibits with these signs impressed me and set the standard for the lens through which I would look at Cincinnati.

The drive to Cincy from the airport is quick, no more than 20 minutes. One of the catch lines that Cincinnati natives will say is that you can get from basically anywhere in Cincinnati to anywhere else in Cincinnati in about 20 minutes. As we rode over the Ohio River into Downtown, to my right I spotted something that looked familiar. It was the Brooklyn Bridge, only smaller. I shouted to the driver, “Hey, that’s nice the way you guys built a miniature version of our Brooklyn Bridge!” I could see him crack a smile through the mirror. With pride, he replied, “It’s the other way around. Our bridge was first.”

Derrick Braziel and William Thomas, Co-Founders
of Mortar entrepreneur training program.

New Yorkers think they invented America. Everything, we look at from a New York eye. So, when he told me that this version of our Brooklyn Bridge came first, I had to find out the truth. The truth is, my driver was correct. The John A. Roebling Suspension Bridge was opened for use in December 1866, 17 years before the Brooklyn Bridge was completed. The designer for both bridges was John A. Roebling. It was the beauty of the finished product in Cincinnati that inspired him to replicate it on a larger scale in New York. Although he designed the Brooklyn Bridge, he never got to see our bridge completed. He died in 1869 due to complications from an accident that happened while he was fixing the location for the Brooklyn Bridge at Fulton Ferry. Seeing both bridges, it is undeniable that Roebling’s work in Cincinnati is the catalyst for one of New York’s most famous landmarks. The bridges aren’t the only things that New York and Cincinnati have in common. The Carew Tower is a 49-story art deco building in the heart of Downtown Cincinnati, and if a New Yorker should find his way into the lobby of this tower they would surely be aghast at the fact that the Carew Tower completely mirrors the Empire State Building. The Carew Tower was the model used to design the Empire State Building, from the outer structure all the way down to the decor and moulding. So, yes, Cincinnati gets a point for architectural swagger.

One of the first things that you notice as you make your way through Cincinnati is the wonderful murals that adorn the communities. In total, there are 147 public murals in Cincinnati, most of them beautiful enough to stop you still, just so you can take your time to give it the proper attention. Rosemary Clooney, Ezzard Charles and James Brown are just a few American icons emblazoned along the side of various buildings and homes. Clooney and Charles are homegrown talents, while Brown’s significance to Cincinnati is that his career was launched by Federal Records, which was owned by Cincy’s iconic King Records. Each and every mural tells a story about Cincinnati. The last passenger pigeon in America died at the Cincinnati Zoo. Her name was Martha. She has a mural. The “flying pig” is an old Cincinnati term. Eras ago, Cincinnati was known for its pork market. When pigs were being led to slaughter, if one happened to break free and take off, the pig farmers would yell “flying pig!” The flying pig is depicted in a mural. Every mural gives you a lesson into the history of the city, and what makes this even more fascinating is that most of these murals are painted by high school and college kids. Artworks is an award-winning nonprofit that hires and trains local youth to be impactful in their communities using art. This organization has literally transformed this city with its work, and in the process, it has empowered local youth while giving them the buy-in they need to maintain accountability in their community. If I have a hand in creating something when I’m young, I’m more likely to continue to care for it as I get older. You remember the signs in the airport that I mentioned? Curate My Community? Yeah, that’s certainly happening in Cincinnati. They get a point for cultural impact, and an extra point for creativity.

Any city you visit, the truest determination of its climate and temperament can be found in the words and actions of its people. Coretta Scott King once said that “The greatness of a community is most accurately measured by the compassionate actions of its members.” I mean, bridges and buildings are nice, art is cool, but none of it matters if the people are in turmoil. Every aforementioned point would fall moot if the common man and woman of Cincinnati weren’t in accord. I remember hearing about Cincinnati in 2001 when the death of Timothy Thomas sparked riots in the Over the Rhine neighborhood. So, I wanted to talk to the people. I wanted to shake their hands, look them in the eye and learn about the city from their words and actions. I met guys like William Thomas and Derrick Braziel. William and Derrick are the co-founders of a company called Mortar. Mortar works in the Over the Rhine community training local men and women to become business entrepreneurs. 175 members of the community have graduated from the Mortar Program. 90% of those are African-American, 70% of those are women. The goal is to change lives through entrepreneurship, knowing that people take pride in ownership. Pride breeds involvement and that turns people into doers. Curate My Community. I was beginning to realize that this was more than a slogan, this is the soul of Cincinnati. Mortar and the businesses that it has produced are part of the reason why the Over the Rhine community, a community that was destroyed in the 2001 riots and was one of the poorest communities in Cincinnati as recent as six years ago, is now one of its most progressive and promising.

 

When you talk to William and Derrick, or Susan Lomax who heads Source Cincinnati, or Darren Redus, Sr., who is the Executive Director of the Minority Business Accelerator, what you hear in their words and what you see in their eyes is a deep and loving pride for their city. You hear camaraderie. You hear faith. You hear inspiration. The people of Cincinnati have taken it upon themselves to define their city. Somewhere along the way, they decided that working together to solve community problems makes more sense than trying to go it alone. So,they tossed aside race and political divisions and they worked at it, one community at a time until the entire city began to change. I don’t think I’ve ever been to a city where people were rooting for each other as much as the people that I met in Cincinnati were. If Coretta King’s words are to be adhered to, then Cincinnati is indeed a great community, measured by the compassion of its members. Give them a point for the people. In fact, give them two.

Next week, I will discuss cuisine and the Cincinnati Music Festival. I will explain what a 5-way with a Coney Cheese chaser is, I will let you know how Goetta tastes and I will tell you about one of the longest-running music festivals in the nation.

New York Counts 2020

New York Counts 2020, a coalition of more than 80 organizations in New York, on Tuesday in a press call urged the public to voice opposition to the inclusion of a citizenship question in the forthcoming census by commenting on the proposal in the Federal Register. The comment period will close on Aug. 7.

Commerce Department Secretary Wilbur Ross on March 25 instructed census officials to include the question in the 2020 Census, and the decision set off a wave of concern about the chilling effect this might have on participation in the decennial census, which is supposed to count every resident of the U.S. The results can have a far-reaching and long-lasting effect: for the decade following the Census, demographic shifts recorded can determine not only voter redistricting but also the apportionment of federal funds. New York State, with nearly 4.5 million immigrants, will suffer greatly in the event of a population undercount. In April, attorneys general from 19 states, six cities and the bipartisan U.S. Conference of Mayors joined in a lawsuit to block the adoption of the citizenship question by the federal government.

“As we’ve argued, the Trump administration’s plan to demand citizenship status as part of the Census is unlawful – and it would potentially cause a huge undercount that would threaten billions in federal funds and New York’s fair representation in Congress and the Electoral College,” said New York Attorney General Barbara D. Underwood.

Added Shamier Settle, co-chair of New York Counts 2020 Communications Committee and policy analyst at the Fiscal Policy Institute: “We need to knock this untested question off the Census survey. Otherwise, it will depress response rates and reduce the accuracy of what we know about ourselves and our communities. The census is a pillar of our democracy and if we get it wrong it will distort political power and the funding of our communities for the next decade.”

New York Counts 2020 also released a series of information graphics in several languages, aimed at educating New Yorkers about the 2020 Census.

 

The Nelson Mandela Foundation Approves BSMAA’s Annual Mandela Humanitarian Award Event

The Bedford-Stuyvesant Museum of African Art (BSMAA) has received an official letter from the South African-based Nelson Mandela Foundation sanctioning its annual event as the “Madiba” Humanitarian Award: Celebrating the Legacy of Nelson Mandela. Ruth Carter, the costume designer for the Black Panther movie, will be honored at the fourth annual event, Saturday, October 13th at the Brooklyn Museum from 7 to 9 p.m. This year’s theme is: “Education: A Forceful Weapon Empowering the World’s Children.”

“This year is very special,” said Vira Lynn Jones, the foundation’s founder and executive director. “Nelson Mandela would have been 100. BSMAA has planned an incredible party with music and entertainment to celebrate the life and legacy of this incredible man.”

Jones went to some lengths to get in touch with the right people to make this year’s tribute a great and legitimate one. She was directed to Sello Hatang, the Nelson Mandela Foundation’s Chief Executive.

“Mr. Hatang even approved BSMAA’s request to commission an artist to create a bust of Nelson Mandela that Waterford Crystal in Ireland would produce. “Since it would be given as an award and not sold, we were given the foundation’s approval.” Prominent Brooklyn artist Otto Neals has been working on a rendering.

BSMAA has held its Annual Nelson Mandela Humanitarian Award event since 2014.

During their September 2017 meeting, Mr. Hatang explained that the Nelson Mandela Foundation had licensed the brand name the “Nelson Mandela Humanitarian Award” to the United Nations. Every five years, the General Assembly selected two laureates, a woman and a man, who have dedicated their lives to the service of humanity by promoting the purposes and principles of the United Nations while honoring and paying homage to Nelson Mandela’s extraordinary life and legacy. Namibian ophthalmologist Dr. Helena Ndume was selected as the first female recipient because she has dedicated her life to treating blindness and eye-related illnesses in her country and throughout Africa. The male recipient was a former President of Portugal, Jorge Fernando Branco, who has dedicated his efforts to restore democracy in his country.

“I told Mr. Hatang I felt the United Nations list would select many prominent and world-renowned individuals for its award. There were so many people on the grass-roots level making incredible contributions toward humanity and they never receive the recognition they deserve. Nelson Mandela was a very humble man and I know he would have embraced these people,” she said. “I also reached back to 1990 and explained Mr. Mandela’s historical visit to New York.”

“I explained to him that the late South African President’s first stop in New York was not to rub shoulders with celebrities. He traveled to Bedford-Stuyvesant in Brooklyn. He visited the Boys and Girls High School where the athletic track and field is named after him. I also told him there was another school, the Mandela High School for Social Justice, located inside the building.”

Vira remembered Mr. Hatang sat forward in his chair, laughed and said, “You can call it the ‘Madiba’ Humanitarian Award: Celebrating the Legacy of Nelson Mandela. The name ‘Madiba’ is a very endearing term for Mr. Mandela in South Africa. When I return to South Africa, I will instruct the staff member in charge of writing official letters to e-mail you an official letter.” A month later, Vira received the e-mail.

“When the letter arrived in my e-mail, you would have thought that someone was killing me in my apartment. I ran through each room while screaming because I was so excited. I was fist-bumping the walls with my hands,” said Vira.

Community Calendar

Saturday, August 4th

We Are Brooklyn: A Community Block Party, Ingersoll Community Center, 177 Myrtle Ave., 1-5PM, FREE w/RSVP. Paint a mural w/ Groundswell, do Afro-Haitian Dance with Peniel Guerrier, or a Community Bike Tour w/ Courtney Williams. Also games, sports, workshops and performances by Arin Maya, Najee Omar, the Brooklyn United Marching Band, DJ Reborn, Ms. K’s Double Dutch and Dance Academy, Ma*JID & more. RSVP at Eventbrite.

Hattie Carthan Community Farmers Market on Saturdays thru Nov. 17th @ Clifton Place at Marcy Ave., 9AM-3PM. Shop for fresh, locally grown fruits and veggies, herbs, cage-free eggs and specialty farm products. Enjoy youth cooking demos, communal dinners in the marketplace, the smoothie blender-bike and more. WIC/Senior Market Coupons and EBT cards accepted. Get FREE Health Bucks coupons!

Sunday, August 5th

5th Annual International Day of Friendship @ Brooklyn Borough Hall and Columbia Park, 209 Joralemon St., 1-5PM, FREE. This cultural festival encourages Brooklyn residents from across the world to celebrate their countries and cultures of origin. Many were brought to the U.S. as children and haven’t experienced firsthand the colors, sounds, flavors, music, dance and dress of their native lands. BK Boro President Eric Adams brings it all downtown so they and Brooklynites of all backgrounds can enjoy. For info: 718-802-3798.

Hattie Carthan Community Farmers Market #2 on Sundays thru Nov. 18th @ 49 Van Buren St., bet. Tompkins & Throop, 1PM-6PM. Shop for fresh, locally grown fruits and veggies, herbs, cage-free eggs and specialty farm products. Enjoy youth cooking demos, communal dinners in the marketplace, the smoothie blender-bike and more. WIC/Senior Market Coupons and EBT cards accepted. Get FREE Health Bucks coupons!

Monday, August 6th

Plant-Based/Vegan Meetup @ Brooklyn Borough Hall, 209 Joralemon St., 6-8PM. FREE with RSVP. The Office of the Borough President invites all to see the documentary, Forks Over Knives, followed by a discussion. Meet vegan chefs, restaurant owners and caterers and sample delicious foods. For information and to RSVP, call 718-8-2-3946 or visit Brooklyn-usa.org/plant-based.

Free Roller-Skating at Brooklyn Bridge Park, Brooklyn Bridge Park Rink, Pier 2, 150 Furman St., 3:30-6PM Skate rental $6 (if needed). Bring your family and friends every Monday and Friday for skating to Top 40 hits while enjoying the best views in NYC.

Meditation Mondays at MetroTech Commons (across from Luciano’s), Flatbush and Myrtle Aves., 12:30-1:00PM, FREE. Enjoy a lunchtime moment of Zen with Vajradhara Meditation Center.

Wednesday, August 8th

Johnny Gill, Vivian Green and After 7 at The Wingate Concert Series, 2018 Wingate Park, Brooklyn Ave. bet. Rutland Rd. & Winthrop St. Doors at 6PM, Showtime at 7PM (but line up early), FREE. Opening night is an R&B Fest and Borough President Eric Adams will present a key to Brooklyn to some living legends. La Loco of 103.9 is on the mic as well, with Chubb Rock digging in the crates. 

The More Things Change, The More They Stay the Same. Restoration Plaza, 1368 Fulton St., FREE. Exhibition presented by RestorationArt and Fulton Art Fair, with visual artists Otto Neals, Emmett Wigglesworth, Karl McIntosh, Sadikisha Collier, Diane Collins, Larry Weekes, Olivia Cousins, Ruben Holder and others revisiting the past and comparing it to the social, economic and political conditions of today. [Through Aug. 26th]

 Thursday, August 9th

Afro-Caribbean Night at The Wingate Concert Series, 2018 Wingate Park, Brooklyn Ave. bet. Rutland Rd. & Winthrop St. Doors at 6PM, Showtime at 7PM (but line up early), FREE. Dayved Levy hosts an evening featuring global sounds of the Islands. Featuring Alandon, Dovey Magnum, Tifa, Kappa, Sugar Bear and Flyame. DJ sounds by Tropical Blendz, DJ Mad Out and DJ Apache.

 Vivian Sessoms First Baptist Church of Crown Heights, 45 Eastern Pkwy. @ Rogers Ave., 6-8PM, FREE. (Concert is outside w/chairs provided) Hailed by Rolling Stone and Billboard as an “exquisite” singer, Sessoms has worked w/ Stevie Wonder, Marvin Gaye & other icons at venues worldwide. A range of genres define her music, including jazz, soul & R & B. Her new CD (LIFE) focuses on today’s racial and social issues and her love for jazz. She’s joined by keyboardist Anthony Wonsey, bassist Chris Parks and drummer Brandon Saunders. For further info call 917-685-3508.

Saturday, August 11th

3rd Annual Bed-Stuy Music Festival @ Herbert Von King Park, 670 Lafayette Ave., 7AM-7PM, FREE. 500 Men Making A Difference presents all-day activities and performances by Maino and others. Featuring a Family & Friends, a 5K Run/Walk Fitness Competition, Child-Friendly fun, Food, Games, Vendors and more. Bring a Friend!

 Black Vegfest @ Herkimer St. bet. Ralph and Howard Aves., 10AM-5PM. Organized by G.A.M.E. (Grassroots Artist MoveEment) and Brooklyn Borough President Eric Adams. Vegan Food, Health and Fitness; Music, Fun, Community Justice; Children and Families; Animal Welfare; Small Business and Fashion. RSVP at Eventbrite.

Board the Replica of Slave Mutiny Ship Amistad @ Pier 11, Atlantic Basin, next to NYC Ferry Red Hook stop at the foot of Pioneer & Conover Street, 10AM-1PM and 2PM-5PM, FREE. In 1839, Mende captives from Sierra Leone took control of the Amistad. Unable to navigate back to Africa, their ship was captured and towed into New London, Connecticut, where they faced slavery or execution. Some vocal residents adopted their cause, it was taken and the courts, including the U.S. Supreme Court, ruled in their favor. They were freed in 1841. For information call 917-414-0565.

Sunday, August 12th

Jazz Fusion @ Milk River Café, 960 Atlantic Ave., 5-10PM, $40. Brooklyn Metropolis Lions Clubs, Inc. invites you to an evening of wonderful music at a lovely venue. Enjoy veteran vocalist Steve Cromity and his Caribbean Jazz Band. For tickets, call Sylvia Bayobeni at 347-678-4613.

 

 

 

View From Here: Our Strength is in Our Vote

It is becoming more and more obvious that we have a President of the United States that is treasonous in his support of an enemy and maintains his position by his ability to rouse the mob. And it is the street mob that rules today and would rule with ferocity if they win the midterm elections. But they will not win, because we will fight.

The only weapon we have is the vote and we must cast it against Republicans wherever we find them and support efforts against them wherever they are. They’ve removed the funding for cybersecurity and have given every indication they would like the Russians to help them, at least in the midterms, if they do, then the Republicans promise to take action against the Russian “meddling” in the election process.

And I do not understand the insistence and assurances that no votes were changed. The “meddling” as they call it, was overwhelmingly on the Internet with tens of millions of impressions all focused on changing the voter’s preferences for a candidate, or willingness to even vote at all. There is no record of those results because it is the mind that was changed, the perfectly secure machine with its paper ballot which never has to be meddled with.

On the other hand, if the Democrats win the House, then everything changes. Trump will be the center of attention for Democratic House committees and subpoenas will be issued and public hearings held. Knowing this, Trump is already readying the mob by saying the Russians will meddle on behalf of the Democrats. Then when he loses, “I told you so,” will be his whine and there will be no graceful exit for this president. Only a nasty Senate fight after a House impeachment, and then hopefully we can cut to the steps of Marine One and an angry Trump giving his middle finger to the world.

To get him onto those steps will require acknowledgement of the forces working on his behalf: gerrymandering, voter suppression, Russian social media posts and the hundreds of millions in public relations and advertising supported by multibillionaires like the Koch Brothers and the Mercer family and major corporations with their six-figure lobbyists working the halls of Congress.

Our strength lies in our vote and the knowledge that every vote counts and we can help get out the vote in Brooklyn and with contacts around the country. Our collective person-to-person efforts can overwhelm the Russians and all the others.