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Sister’s Community Hardware – Paying Homage to Black History and Women’s History Months

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Sister’s Community Hardware, located at 990 Fulton Street between Washington and Waverly Avenues since 2002, attracts the attention of pedestrians and motorists during the day or night.  The store’s front is all glass.  By day, an artist’s rendition of a giant globe encircled by children of diverse ethnicities holding hands is easily visible. At night, decorative exterior lights exposes the name of the store carved in a wooden plaque as well as the globe.  If the name  Sister’s Hardware didn’t attract attention, the gateless artistic glass window with a view of the merchandise inside certainly would.

Unity as in Partnership
 Maulana Karenga’s first Kwanzaa Principle is Umoja/Unity and evidence continues to mount that until we, African-Americans, heal our relationships with each other, we will not attain the remaining principles.  Sister’s Community Hardware is a partnership between Atchutda Bakr and Robert Bridges.  When asked what he felt the necessary ingredients were for a successful partnership, he answered “1. Common view of the world; 2. Common value system; 3. Common interests; and 4. Common aspirations”. 
Stating that he and Atchutda shared those in common and their meetings were geared towards “How to get things done, not haggling about what.” Bob agreed that the same principles apply in successful relationships period and certainly apply for business.
A common concern to portray positive perceptions resulted in the decision not to use gates, making a statement against the stereotype about the Black community and crime.  “We’ve been here eight years with no incidents.”  Since men are usually connected to hardware, they thought Why not a Sister’s Hardware Store and .Why not a Black Sister’s Hardware Store?  Hanging on the walls are 1 « X 2 « ft. photographs of Ida B. Wells, Toni Morrison, Alice Walker, Ella Baker, Fannie Lou Hamer and Septima Clark.

The Partners
Atchutda Bakr was born in Bedford-Stuyvesant, attended P.S. 93, JHS 258 and Wingate High School, the oldest of four daughters born to Robert and Marjorie Henderson.  There is evidence that Atchutda exhibited strong managerial skills at an early age since her mother entrusted her with the care of her younger siblings. Atchutda has two children – Tracy Benjamin, an attorney living in Maryland and practicing government transactions and litigations and Ali Henderson, Brooklyn, who’s a member of the store’s team.  When five-year-old Brian, her only grandchild. comes to town, Atchutda invites youngsters for playdates and becomes the chef for the occasions.
In 1975, Atchutda joined the EAST Organization, working in the headmaster’s office.  She was transferred to the Uhuru Food Co-op where she worked until she left to manage Jitu Weusi’s campaign for City Council in 1985 and became active in the Black United Front. She handled field operations in the campaigns of Roger Green, Stan Kinard, Bob Law, Job Mashariki, Al Sharpton and Dennis Rivera’s campaign for President of the 1199 Union. In 1989, she ran for City Council against Enoch Williams, garnering 49 percent of the vote. She worked for 1199 as coordinator of a Home Mortgage Program, designed a Homeowner Education program that aided 1,000 people in purchasing homes.
Robert “Bob” Bridges joined the newly formed Black United Front (BUF) and became a member of its Economic Development Committee along with Mel Corbett and Mark Hinckson. It was here that Atchutda and Bob met.  As a BUF project from 1983 to 1985, they operated “Our Heroes” at Uhuru Food Co-op, 1107 Fulton St., a sandwich shop selling heroes with names such as Marcus Garvey, Rosa Parks, Malcolm X, Ella Baker, Jesse Jackson, Martin L. King and Sojourner Truth priced at $2.50 to $3.75 with a Reaganomics Special selling for 75 cents.
In 1985, Bob, Mel and Atchutda formed the New Horizon Management and Development Company, managing 30 buildings in Fort Greene and Clinton Hill.  They purchased seven buildings and sold most of them.  The company dissolved in 1990. Bob and Mel opened Brother’s Community Hardware Store on Myrtle Avenue in 1989.  As Brother’s was closing in 2001, Atchutda was looking for a partner. Having done an internship at Pratt in Community Development – Regional & City Planning, she said a Pratt Area Community Council survey had determined that the community needed a drugstore, hardware store, and book store.  “I wasn’t a pharmacist, wasn’t really up to a book store so Hardware was my choice.”  So the partnership for “Sister’s” was formed.
Atchutda says her biggest challenge at Sister’s has been learning over 5,000 different products that the store carries while her greatest reward is being able to employ locals.  The workers are trained to treat all customers with decency whether they’re a homeless person buying tape or a well-dressed rich individual.   She also says a neat, organized store leads to good customer service.
I often compare the customer service at Sister’s to that at Trader Joe’s. Bob, Ali, Richard, Aaron, Fallou and Mohammed make customers feel valued.  Their energy and availability is rare.

Acclaimed Quilt Artist Phyllis Stephens Launches First Limited-Edition Fine Art Portfolio Documenting Stories of “The Stolen Girls” of the Civil Rights Movement

A Tribute to the Children of the Civil Rights Movement
Preview Exhibit, House of Art Gallery, Brooklyn, New York March 27, 2010
(March 10, 2010) – Internationally acclaimed quilt artist Phyllis Stephens – today announced the publication of her first fine art limited-edition portfolio and quilt storybook entitled For Crying Out Loud.  The creation of the portfolio stemmed from an article printed in an Essence magazine, June 2006 article entitled “Civil Rights Movement” by Donna Owens.  The article reported on the brutal and horrific treatment of 33 girls wrongfully arrested and imprisoned in an abandoned Civil War stockade. The For Crying Out Loud portfolio will be previewed March 27, 2010 from 6:00pm – 10:00pm during a special meet-the-artist reception to be held at the House of Art Gallery, located at 373 Lewis Avenue in Brooklyn, New York.  The gallery will also host a special screening of the emotional and inspiring, award-winning documentary  ,, 1963 produced, directed and written by Travis W. Lewis and Richard J. McCollough.
The profound impact of the article on Stephens inspired a historical visual documentation of the children within the civil rights movement.  “The article stopped me in my tracks, I literally could not move. My mind raced with questions, images and dumbfounded curiosity. What kind of human beings could incarcerate little girls for participating in a freedom march? Where were their parents? Why would they, at such a young age, be involved? “Stephens explained.
The boxed portfolio is comprised of eight limited edition Gicl‚e prints and quilt story book published by Platinum Fine Art Publishing and Fine Art Concierges. The story book contains a certificate of authenticity with the foreword written by famed politician, diplomat and pastor Andrew Young. The portfolio is encased in a cloth-embossed box. The edition of 90, with 9 artist proofs and 9 embellished remarques were published under the careful supervision of the artist. 
“The quilts contained in this portfolio document the strength, faith and courage of the children and young adults committed to making a better way of life for all of us,” stated Richard Beavers, curator of House of Art Gallery.  “This will be one of the most significant fine art portfolios of the 21st century.”
The gallery will also host a special screening of the award-winning documentary LuLu and the Girls of Americus 1963, on March 28th from 2pm – 4pm.  This powerful documentary is an original and untold civil rights story of young people in the rural, and then segregated, town of Americus, Georgia. The focus is on several children who became aware of racial injustices at an early age. Trained by members of the Student Non-Violent Coordinating Committee (SNCC) they were beaten, arrested and unrightfully jailed for six weeks in an abandoned civil war stockade where they faced the most inhumane treatment, including sexual abuse while being locked up.
 “I have heard many of the stories of the stolen girls over and over again,” stated Stephens. “Each time I hear one of the stories, something new is revealed to me, and each time I feel a little freer.   I am so thankful to everyone who walked that hard road to freedom.  Because of them, my road is easier.”
For additional information about the exhibit or screening, call 347-663-8195 or visit the Web site at www.nychouseofart.com.

Attorney General Cuomo’s Wavering Relationship With Black Voters

After two weeks of investigating allegations against Governor David Paterson, requested by the governor himself, NYS Attorney General Andrew Cuomo has recused himself. Cuomo’s appointment of former state Chief Justice Judith Kaye solved a political conundrum: the unannounced Democratic candidate for governor investigating his chief rival – the state’s current governor.  The timing of Cuomo’s recusal is questionable.

Mainstream media’s journalistic harassment of Governor Paterson reached a crescendo in the aftermath of domestic violence allegations against David Johnson, the governor’s closest aide. Paterson’s poll numbers dropped as the public reacted to news that the governor spoke by phone to Johnson’s girlfriend, Sherr-una Booker, one day before she was scheduled to appear in court to pursue an order of protection. Two top state police officials have resigned during investigations of state police involvement in the matter.

Meanwhile, Cuomo, who had enjoyed high approval ratings as the unannounced Democratic candidate for this year’s gubernatorial race, saw his poll numbers drop precipitously. According to the latest Marist poll, Cuomo’s approval ratings dropped from 67 percent to 54 percent. Among nonwhite voters, Cuomo’s numbers dropped 22 percent. In NYC, the AG dropped 17 percent. 

Voters seem to give Governor Paterson the benefit of the doubt as the investigation continues. After support for the governor emerged from two summit meetings with Black and Latino elected officials led by Rev. Al Sharpton, that Marist poll found 68 percent of NYS voters support the governor completing his term in office. Only 28 percent thought the governor should resign, with 4 percent remaining unsure.

Many questioned Cuomo’s role in investigating Governor Paterson, including Alton Maddox, who asked if a conflict of interest was taking place. Maddox said that by rights, the Bronx DA Robert Johnson should be investigating the issue. “The Bronx is being disenfranchised,” and asked, “If a crime occurs in a county, shouldn’t the prosecutor in that county investigate?”
The media attacks on Governor Paterson seemed orchestrated to provide NYS Attorney General Andrew Cuomo an unobstructed “red carpet walk” to the governor’s mansion. Yet no one knows how Cuomo would govern, or even what positions he would take. As Governor Paterson leads the state from budget crisis to budget crisis, Cuomo has remained silent regarding what direction he would take the state and its finances.

Cuomo’s silence may be calculated for another reason: to keep him from putting his foot in his mouth. The AG’s tempestuous political relationship with Black voters is illustrative.
Just two short years ago, Andrew Cuomo saw fit to insert himself into the race for the Democratic primary for the presidency. Then-candidate Barack Obama, fresh from an unprecedented, yet convincing win in Iowa, went into New Hampshire with a confidence that was no match for the shrewdness of Hillary Clinton’s campaign combined with the political “free thinking” of that state’s voters. The Obama campaign’s loss to Clinton was sobering.

Andrew Cuomo, then a Hillary supporter, had this assessment of the New Hampshire primary, which he expressed during a radio interview: “It’s not a TV-crazed race. Frankly, you can’t buy your way into it . You can’t shuck and jive at a press conference. You can’t just put off reporters, because you have real people looking at you saying answer the question, you know, and all those moves you can make with the press don’t work when you’re in someone’s living room.”

“Shuck and jive” is known as an African-American colloquialism, and was widely seem as just one of many racially tinged comments from Hillary supporters designed to remind voters that Obama is Black. The comment did not sit well, especially among Black voters.
Almost a decade ago, Carl McCall ran for governor of NY. McCall had an impressive track record, including winning the statewide office of Comptroller in 1994 and 1998. Andrew Cuomo, fresh from a stint as HUD Secretary, ran against McCall in the Democratic primary. McCall’s statewide support was eroded by Cuomo’s campaign, effectively splitting the Democrat vote. On the eve of the state’s Democratic Convention, Cuomo withdrew his name from consideration. In September of 2002, Cuomo saw the writing on the wall and withdrew from the race. His name remained on the ballot as the Liberal Party candidate, however. Cuomo received 14% of the vote in the primary and only 16,000 votes out of 2.2 million in the general election. Cuomo’s poor showing cost the Liberal Party its automatic spot on the NY ballot. Cuomo was also seen as contributing to McCall’s defeat in the general election against Pataki.

If Cuomo does announce his candidacy for NYS governor, it will be interesting to see how he courts Black voters, a key Democratic block. With his history, it will not be easy.
(Future articles will explore Andrew Cuomo’s tenure as HUD Secretary and NYS Attorney General.)

Women's Herstory Month

Thursday March 19 through Sunday, March 21: The Women’s Project: NOT A FAIRY TALE workshop production to be presented at Mt. Pisgah Baptist Church by Dr. Johnny Ray Youngblood, Senior Pastor. The production runs three performances only – Friday, March 19 at 7pm; Saturday, March 20 at 3pm, Sunday, March 21 at 3pm. in Mt. Pisgah Baptist Church Spann-Jones Fellowship Hall, 760 DeKalb Avenue at the corner of Tompkins Ave. Brooklyn.. Suggested donation: $20. For tickets and more information: 718.388.3900, ext. 20, www.womenproject.com.  Directed by Jesse Wooden Jr., the production is based on the true stories of three women coming to terms with the scars of their past and triumphantly facing the future. The script combines the adapted words and experiences of the women with spoken word by Nuyorican Slam poet and project ensemble member Jennifer Falu; and contemporary and gospel music. Three young women, who were also lifelong friends, approached Rev. Youngblood and revealed that they were survivors of some form of abuse; sexual or physical and they wanted to share their stories. The pastor suggested that they go beyond testifying in front of the congregation and allow themselves to be vehicles of healing in a bigger way. He decided that the bigger vehicle was the theater. The three women, along with several other women who are actors, poets or dancers by profession and had also experienced some form of abuse, came together to form an ensemble. The ensemble and the creative team participated in an intense four-day workshop with Shawnee Benton-Gibson, a psychodrama therapist, to develop the framework for their stories and to begin their healing.
The ensemble members are Brigette Barfield, Maya Bishop, Naeemah Brown, Soyini Crenshaw, Jennifer Falu, Demitrachs Hawkins, Jasmine Mejias, Katrina Pegues and Deirdre Simmons. The production’s creative team includes Temishia Johnson (lighting design), Patrice Davidson (set design), Hopie Lyn Burrows (Costume design), Rev. Ina Alisa Anderson (musical director), Naeemah Brown (choreographer), Nykolla Sweeney (production stage manager), Mary Brooks (assistant to the director) and Denise S. Gray (associate producer and CEO/SeasonWalk Productions).
A question and answer session will follow each performance. Members of the Mt. Pisgah Baptist Church healing ministry will be present to offer support to anyone affected by the production.

GREAT VIBES: Last Sunday, The Internationally-Acclaimed Spelman College Jazz Ensemble jammed, for the fourth year, at Brooklyn’s famed Jazz 966 as part of the Friday night jazz spot’s Women’s Herstory Month concerts. The Ensemble’s 14 gifted vocalists and instrumentalists wowed the packed house. Organized in 1983 under the direction of Professor Joe Jennings, the Ensemble has toured throughout the nation. Jazz lovers can look for more Sunday Jazz Specials and regular Friday night live concerts as Jazz 966 approaches 20 swinging years of showcasing great live performances in an atmosphere that’s warm, fine and mellow. Hosts are Harold “Keeper of the Secrets” Valle and Sam Pinn. Visit: www.jazz966.com, Telephone: 718.638.6910, or Email: spinn@fortgreenecouncil.org. Location: 966 Fulton Street, nr. Grand. Photo: Watermark Management, Inc.

Thursday, March 19: 8:00a-10:00a, “Herstory” Induction Ceremony and Celebration at Borough Hall Courtroom and Rotunda hosted by Borough President Marty Markowitz honors contributions of Brooklyn women to the arts, sciences and business and public service. 209 Joralemon St., Downtown Brooklyn.  This year’s honorees include: Barbara Winslow, Ph.D, associate professor, Brooklyn College School of Education and Women’s Studies programs, and founder and director of the Shirley Chisholm Project of Brooklyn Women’s Activism: 1945 to the Present. (Lucy Burns Activist Award); Elwanda Young, CEO, United Way of NYC (Shirley Chisholm Award); Betty Kahn, board member, Brooklyn Public Library and Reel Works (Emily Roebling Stewardship Award; Brenda M. Greene, Ph.D., English Professor at Medgar Evers College and executive director of the college’s Center for Black Literature (Betty Smith Arts Award); Elizabeth Streb, founder, Streb S.L.A.M. 9Lab for the Mechanics (Lady Deborah Moody Founders Award); Iris Jimenez-Hernandez, svp, North Brooklyn Healthcare Network (Dr. Susan Smith McKinney Humanitarian Award; and Tracie Williams, President, Junior League of Brooklyn (Jr. League of Brooklyn Centennial Award).

Saturday, March 20, 1p-4p: 2nd Women of Distinction Scholarship Luncheon at Boys & Girls H.S.  The luncheon salutes distinguished women for their unwavering support of and service to the community and Boys & Girls High School and supports a great scholarship- creation opportunity for some of New York’s best and brightest graduating students. Money raised through ticket sales, a Silent Auction and donations at the event go to the scholarships.  As we see it, the Women of Distinction Awards refers to both the students and the distinguished honorees, who include Pamela Green, Weeksville Heritage Center; Crystal Bobb-Semple, ounder and owner, Brownstone Books; educator Dr. Renee Young; guidance counselor Dorothy Harper (celebrating 43 years in the education field); Miss Kelly Roberts, school safety agent; Dr. Sheila Evans-Tranumn, retired associate commissioner for the NYS Education Department; and Ms. Nebert Jackson, retired educator who taught for some 30 years at Boys & Girls H.S.  The Boys & Girls H.S. graduating seniors who worked hard throughout the school year to raise funds for college needs include:  Alicia Rogers, Areya Cortes, Shatiqua Watson, Brittany George, Adana David, Melissa DeVore, Amandla McMillan, Shardei Lewis and Deborah Akinbowale. The event is the culminating activity of the year-long campaign and anyone wanting to support the effort can donate items or services for the silent auction; food for the March 20 luncheon;and/or contributions to the students’ scholarship fund. Contact:  Miss Andrea Toussaint of The Sisterhood.Tickets: $25. 718-467-1700.  (See Centerfold photo.)

Saturday, March 21, 3:00p-7p: BOOK FAIR hosted by the Brooklyn Alumnae Chapter of Delta Sigma Theta Sorority:  Theme: Reading is Chicken Soup for the Mind.  At Boys & Girls H.S., 1700 Fulton Street, Brooklyn.  For everyone.

Friday, March 26: Tribute to “The Creative Power of Women” sponsored by NYS Sen. Bill Perkins and the Caribbean Cultural Center of the African Diaspora Institute will honor such women as Wilhelmina Obatola Grant for their work in the arts and the cultural community. Adam Clayton Power Jr. State Office Building, 163 West 125th St., 8th Fl. A reception will follow the program.  RSVP 212-222-7315
Friday, March 26-31: Opening of MUSLIM VOICES: THE FEMALE PERSPECTIVE at BAM. Seven feature films that explore women’s lives in Muslim countries including Afghanistan, Algeria, Iran and Lebanon.  For details visit: www.BAM.org or call 718-636-4100.  

Sunday, March 28: HARRIET’S PLACE: Underground Railroad and Beyond. New exhibition of photographs capturing the essence of Harriet Tubman, the woman, by educator/artist/historian/preservationist Dr. Olivia Cousins, opens today at Magnolia Tree Earth Center of Bedford-Stuyvesant.  Admission Free. Details to be announced. Contact: Andrea Brathwaite at 718-387-2116.

Sunday, March 28: 12:00p-4:00p, One-Day Only! CARIBBEAN-AMERICAN WOMEN ARTISTS Exhibition. St. Francis College, 182 Remsen St.  Reception: 2:30pm. Admission  Free.
Monday, March 29: At the YMCA today Congressman Ed Towns salutes community activists Vivian Bright and Sharonnie Perry; Dr. Emma Jordan Simpson, Executive Director, Childrens Defense Fund-New York; Jeannette Turner, Retired Health Care Professional; Kim William Clark, Dean, Institutional Advancement and Student Affairs, LIU; Entrepreneur Tremaine Wright; Deborah Clark-Johnson, Principal of P.S. 56; Lena Gates, Principal of P.S. 5; Sharlene Brown and Kay Wilson-Stallings of the Bedford Stuyvesant YMCA staff.

 Monday, March 29: Herbert Von King Park’s Third Phenomenal Women Awards Brunch: Culinary and Drama Teens at the Park, and Parks Administrator Lemuel Mial with volunteer instructor-wife Charlotte Mial, and community friends will honor community media women.
-Bernice Elizabeth Green

AT HOME … Road to Recovery Crossing the Mason-Dixon Line First of 4 Parts

Over the past year, Upstate Roundtable journalist Kimberlee Currans-Leto has provided her singular perspective on current  socio-political conditions  from her writing studio just outside of Albany.  This winter, Currans-Leto and her husband plowed through the ice and snow of the Capital Region in their 960 Volvo station wagon to visit relatives in the South.  The Leto’s 3300-mile round-trip journey is the subject of a 4-part Road to Recovery series offering an enlightening view — for the nation’s engineers of the infrastructure and all of us – of the shared struggles and common strengths of everyday people coping in heartbeat places of America.

The Road to Recovery is not paved in optimism nor gold, but rather deep insecurity.  In fact, much of Recovery suffers from clear “class divide”.
While middle-class families in Hampton, VA worry about the rate of foreclosure and affording private school education because public schools are too dangerous, other poor families in New Orleans stand in line at Wal-Mart to cash this month’s welfare check.  And all of this hinges on infrastructure because without roads, people have no future. Without roads, people have no way of acquiring knowledge or the tools for a better tomorrow.
Crossing the Mason-Dixon Line, the roads change from the North; they are pit-eaten and uneven.  In Hampton, VA one must commute for work unless you’re in the military. The failure has been to link Hampton with Virginia Beach or Newport News.  There is a half-built public transportation system that no one can use because the city ran out of money.  The average commute is 45 minutes. 
Leaving Hampton, traveling across the south, one is reminded of our country’s history but also sawnothing but outlet stores in North Carolina.  JR’s is a smoker’s paradise where a carton costs only 20 bucks.  After leaving Atlanta, which was the largest metropolis we encountered with its skyscrapers and seven-lane highways, I wondered, “How far have we really come?”
The stretch of highway between Atlanta and Montgomery, AL has two automobile plants: Kia and Hyundai.  There are Wal-Mart trucks, muddy clay, red soil and a sign for the Tuskegee Airmen site. For a place so rich in history, where are the people? 
We are depending on the same roads Martin Luther King, Jr. marched for equality more than one-half century ago.  As the borders disappear and blend into each other between states, there are numerous orange and blue signs: “PROJECT FUNDED BY THE AMERICAN RECOVERY AND REINVESTMENT ACT: Putting America Back to Work”.  Yet the rest stops are closed, where are the workers?  Where’s the bailout?
While physical infrastructure matters, without the concrete (and the trucks hauling goods from one state to another), people would not have food on their tables and all the towns between Troy, NY and New Orleans, LA would be barren.  Truck stops, all-you-can-eat buffets, and occasional McDonald’s would be ghosts. 
Physical infrastructure is important to rebuilding America; we need better roads, better public transportation systems to get around, to be at work, to be at school, to be other places, but it is the emotional infrastructure that also matters. 
People need confidence in the economy; they need to feel valued. Judging from the state of our country’s roads, we are far off the mark
Leaving New Orleans for Ole Miss is like crossing an endless bridge of broken promises.  Some of the worst roads are just outside of Jackson, Mississippi. 
If not for a need to stay over on the way to somewhere else, a culture, a way of life, a rich history is all but lost because driving on the roads there are like driving on broken glass.  That’s done very carefully. 
Still, we were warned about Jackson’s reputation after nightfall: “It’s best to stay home.” The crime rate is devastatingly high-poverty and drugs.  Yet, the nicest lady greeted us at the hotel with a smile big enough to light up the state.  She said, “Y’all ain’t from around here, are you?”  We – with our New York license plates – got that a lot. It was the same warm feeling in New Orleans as well.
Still, there is work to be done but how does one even begin to scratch the surface?  I felt guilty, people from New Orleans, Jackson, Montgomery and towns in between, our town even, deserve so much better.  It was not until we arrived in Chattanooga, TN, we felt a sense of calm, a new kind of pace and an upbeat attitude.  I mention that as a ray of hope. These are places where if there was economic blight, they now are moving and shaking toward reinvention.
Still, clearly recovery has not reached places like Montgomery or New Orleans, still mired in struggle and tragedy.  Recovery is not the first priority, survival is. Sounds dismal but economic recovery cannot be found in retail therapy, vacations or even paying the rent. It can only be found in work, hard work. 
Meanwhile, it is clear from traversing these roads that truckers are this country’s lifeblood.  If they stop, what little progress has been made will be defeated.  Independent operators are hauling – not just consumer goods- but building materials.  And with this there’s hope. 
Still, there are broken links that are easily mended.  Improving the roads will not only make driving and seeing our country easier and a pleasure but also it will bring people together, stimulate business growth.
Instead, all the rest stops from Virginia to Louisiana will be state-of-the-art, buildings of beauty, odes to bragging rights – “Our visiting center is better than Georgia’s!” 
The joke is on the American people; money is flushing down the toilet at rest stops. Those orange and blue signs are not signs of recovery but rather mismanaged funds.  There is outrage over those signs; citizens believe money could have been appropriated better without so many signs. 
The funds from each $350 sign should have been going toward repaving and retrofitting the roads. Instead, we are still a work in progress.  Unfinished.