spot_img
More
    HomeArts-TheaterMy Mother in Me: MaryLouise Patterson on Louise Alone Thompson Patterson

    My Mother in Me: MaryLouise Patterson on Louise Alone Thompson Patterson

    Published on

    spot_img

    Known as Weez, Squeeza, Lou or Louise – she was just Mom to me until I reached somewhere around 10 when she became Louise to me also; that is, when I became more fully aware of who else she was besides just being my mother.

    Photo of scholars Louise Thompson
    and Langston Hughes
    in Renaissance-era Harlem graces
    the cover of a book
    by Evelyn Louise Crawford, a retired
    arts administrator and consultant,
    and MaryLouise Patterson, a
    pediatrician in clinical practice.
    From the official press release:
    “Letters from Langston is a
    collection of unguarded and
    candid letters—both personal
    and political—between American
    literary giant and leading figure in
    the Harlem Renaissance, Langston
    Hughes, and four of his closest
    African-American friends, Louise
    Thompson Patterson, William L.
    Patterson, Matt N. Crawford and
    Evelyn Graves Crawford. The
    four exchanged letters with Hughes
    for nearly forty years.”

    Since I was big enough to run she’d taken me to demonstrations, usually with my father or to meetings with or without him or to the Communist Party headquarters where I’d watch her write a leaflet with a lit cigarette in a nearby ashtray, then type the leaflet, then run off hundreds of mimeographed copies, fold them all, stick them in envelopes, seal and stamp them and make sure it all got to the post office. Then she’d pull together the committee, plan the meeting, discuss and chose the speakers; she’d write the speech she’d give later, get the place, get the refreshments and decorations, make sure the out-of-town speakers had places to stay, often at our house, and afterwards cook a fabulous meal which fueled hours of stimulating table talk, debate and laughter.

    I learned many of those tasks at her side and didn’t realize until I had to do some of them how hard they actually were. One of the best lessons I learned from her was the value of “menial” work and to respect those who were relegated to doing it their entire lives.

    She stood tall, although she was only 5 feet. She was an impeccable smart dresser thanks to being a keen-eyed bargain shopper plus she recognized the importance given to appearance – especially if one was Black and in “the movement”; she had a generous spirit that took a struggling Black male teenager, Bojack, who delivered groceries from our neighborhood supermarket and guided him over several years to the point where he was off to college. That same spirit brought the actress Beah Richards to live with us after encouraging her to come to New York. Beah stayed with us for many years, becoming a cherished “family member”.

    I remember the wonderful parties she threw, bringing all manner of people together for a good time, her and my father playing cards or scrabble with me every weekend, her teaching me to love the arts and culture, her genuine understanding and love of people, especially Black people and her deep intense hatred of any kind of oppression which was the fountain from which flowed the life she dedicated to the noble freedom struggle that Black people forever valiantly waged.

    I realize now how much I subconsciously patterned my own life after my mother and how indebted to her I am for the life I’ve made. I’m sure my love for children comes from her. Because of it, I became a general pediatrician.

    MaryLouise Patterson

    Because of it, I always try to show compassion, with a gentle touch and tender voice and remind my African-American patients how beautiful they are, especially the girls – which invariably brings out a smile. I encourage them to study medicine and to read and stretch their little minds and unleash their dreams.

    Because of it, I went to Attica prison; after the rebellion there, to examine a young inmate who’d been shot in the back by the State Police and was paralyzed and had been denied parole. As a result of my examination, he was released. Because of it, I went to Mississippi to examine a young paper mill worker who had lost a hand in a mill machine. My review of the medical records allowed his lawyers to file suit for a sizeable financial compensation, which he won.

    How proud I am to be the daughter of my parents and hope they are as proud of me as I am of them.

    Louise Alone Thompson Patterson (1905-1999) was an esteemed Civil and Human Rights advocate during the Harlem Renaissance era and close friend of Langston Hughes, who dedicated his “Shakespeare in Harlem: From the Harlem Renaissance to the Red Scare and Beyond” to her.

    This recurring series responds to recent derogatory comments from a world figure referencing our starmaker mothers.

     

    Latest articles

    Joyful Noise in Downtown Brooklyn: The ‘We Outside’ Tour Takes Over the Paramount

    The We Outside Tour, led by three-time Grammy winner Tye Tribbett, alongside Transformation Worship...

    Brooklyn DA Obtains Sentencing of Disbarred Attorney for Stealing Deeds of 11 Brooklyn Properties, But What About Others

    By Mary Alice MillerBrooklyn District Attorney Eric Gonzalez announced on November 12 that disbarred...

    “Mass Blackout” Says Support Black and Local Businesses

    By Nayaba ArindeEditor at LargeSomebody shoot off an email to HR. Black money is...

    Brooklyn Curator Pamela Ford and Sculptor Helen Ramsaran Check Out the New Studio Museum in Harlem

    Fern GillespieWhen Brooklyn sculptor Helen Evans Ramsaran returned to the Studio Museum in Harlem...

    More like this

    Brooklyn Curator Pamela Ford and Sculptor Helen Ramsaran Check Out the New Studio Museum in Harlem

    Fern GillespieWhen Brooklyn sculptor Helen Evans Ramsaran returned to the Studio Museum in Harlem...

    Kwame Brathwaite’s “Beautiful” Story Praised by Family

    The documentary Black is Beautiful: The Kwame Brathwaite Story, directed by Yemi Bamiro (white sneakers) and produced by Joan Boateng (orange blouse) of Misfit Entertainment, with Lizzie Gillett, Ian Bonhote, and Andrew Calof made its North American debut, last Thursday, Nov. 13 during the DOC NYC 2025 Festival for Documentaries presented at the SVA Theater in Manhattan. Executive producers include (in photo, at right) Brathwaite's son, Kwame S. Brathwaite and daughter in-law Robynn Brathwaite, who are featured in the film with Sikolo Brathwaite (Kwame's wife, unpictured) other family members

    Another Look at Bed-Stuy’s Watson Mere

    Artist & Urban Griot Makes the Connections That Matter …in Life and On Canvas...