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Celebrating An Educator Through The Eyes of His Heirs

By: P.S 256/Benjamin Banneker Elementary School Student Council with the support of  T. Henry,

Parent coordinator, Ms. L. Gray,
Counselor, and Teacher Ms. I. Payne

The 256 Student Council, along with, far right, Terry Henry, the parent coordinator, and school counselor Lenice Gray, greeted Vann upon his arrival in the school library which now is named after him.
Photo credit: Bernice Elizabeth Green

On Friday, December 13, 2013, 5th grade students of P.S. 256/The Benjamin Banneker School assisted in the salute to one of our heroes, Mr. Albert Vann, the long-time politician, pioneer education advocate and son of Bedford Stuyvesant, who started out his career more than four decades ago in the field of teaching.

In celebration of Mr. Vann’s outstanding service and commitment to education, the principal, Sharyn Hemphill organized a tribute which included the dedication of the P.S. 256 library and renaming it to Councilman Albert  Vann Library.

The morning celebration was held in the library and included music, drums, reading and special messages about Mr. Vann’s work.  It also included presentations to Mr. Vann, speeches by noted community leaders and the unveiling of a photo copy of the plaque to be placed on the library door.

Following the ceremony, the Student Council discussed their feelings and thoughts about the event.

 

Mr. Vann Walks Tall

At the dedication, many people came. Mr. Vann’s brother Charles Vann, his best friend Joan Eastmond and some of our community leaders, like Renee Collymore were there.  They all grew up in Brooklyn.

We learned a lot about Mr. Vann. He was a fourth grade teacher at P.S 256 for one year from 1959 to 1960 and he has done so many things for the community and for children.

If you want to be like Mr. Albert Vann, just keep on keeping on and walk tall.

          -Tamia Cannonboney, Class 5-218/
Ms Courtney

 

We also learned from Mr. Vann. He told us that before he became a teacher, he was in the military. By the time he finished one year at P.S.256, at dismissal his students walked from the second floor down to the first without talking or making noise, without him.

-Melody Gomez, Class 5-218

The students were quiet and stood up. He said he was NOT afraid of the children because he had been in the military.

We also learned that our principal Ms. Hemphill taught Mr. Vann’s two daughters.  One of the daughters=, Binta D., attended the celebration, and she read something special she wrote at the dedication.  Other guests were CEC director David Goldsmith, Robert Cornegy and District Leader Renee Collymore.  She came to our school recently for our elections. She came back to attend the dedication of the P.S. 256 school library to honor Mr. Vann. She told us to do our best and listen to our teachers.

          – by Sincere Nwogo, Class 4-203/Teacher: Ms. Courtney

The dedication happened in Bedford-Stuyvesant where the school is located and where Mr. Vann was born and raised. The event took place in the library which is now called Councilman Albert Vann Library. We did not know that education is Mr. Vann’s first love. Everyone had a great time and thanked the principal and the students.  The school was asked to be part of Mr. Cornegy’s inauguration on January 4 that will take place at Bed-Stuy Restoration on January 4, 2014.

-by Samantha J. Mebane/ Teacher:
B. Williams

In addition to special guests Oma Holloway, Renee Collymore who is the district leader for the 57th district, Robert Cornegy who is the upcoming councilman, Joan Eastmond who covers the community and education for Sen. Montgomery’s office, David Goldsmith and many others, there were people from Mr. Vann’s office including: Ms. Sparkle Davis, who is Mr. Vann’s scheduler, and Dynishal Harris who is his chief of staff.

— Ashley Lee, P.S. 256/ Class 5-207

 

The president of the student council Samantha Mebane gave a speech about Councilman Albert Vann.  She mentioned how Mr. Vann has served his Bedford-Stuyvesant community and Crown Heights for many, many years. Mr. Vann gave a speech about his career and how his career started. Mr. Vann told the story about how he was warned about his new class. He said he wasn’t scared because of his military background. Mr. Vann said he could tell his class to go from the second floor to the basement and stand there quietly. He said that he had disciplined the kids. Mr. Vann received an award from his friend, 256 principal Ms. Hemphill. Mr. Vann spent time with all the students and took many photos. Mr. Vann told me that as a teacher you can’t have a favorite subject because as a teacher your job is to help the students learn as much as they can. Also Ms. Hemphill taught Mr. Vann’s daughters Benita and Binta.

                          -by Sean ColClough, Class 5-207/ Teacher: Ms. B. Williams

 

Albert Vann loves to make things better.  He is very truthful and intelligent.  Albert Vann is a great man who has served Bedford Stuyvesant in his Bedford-Stuyvesant community and Crown Heights as an educator and elected official for many many years.  Robert Cornegy is taking Albert Vann’s spot as Councilman.  Albert Vann loves our school and our school children.  He helped formed the first organization for African American teachers in Brooklyn more than 40 years ago.

-By Isreal Olusanya, Class 3-220/
Ms. Meekins

Of note:

“Al Vann remains an inspiration to all fighting for quality education for our children. It is so fitting that the children of PS 256 will come to know about Al Vann and his work for social justice and education every time they visit their school library. What a moving ceremony. You could see the kind of guy CM Vann is by the way he chose to focus and interact with the children in the room. Like he said, “Once a teacher,  always a teacher!”

– David Goldsmith, President, Community Education Council for District 13 (CEC 13)  in Brooklyn, NY, in an email to Our Time Press, Dec. 15.

Winter Recess: Schools close: December 23, 2013 -students return to school: Thursday, January 2, 2014.

Fulton St. Sculpture Deserves Closer Look: Todd Williams Broke Barriers!

This stainless-steel sculpture at Boys and Girls High was designed by a pioneering African-American School of Visual Arts graduate who exhibited at the Whitney Museum.
Credit: US Dept. of State Archives

Angela Davis, Amiri Baraka, Mark Twain and Victor Hugo have spoken through the ages: the built environment we erect around us reflects our values and civic priorities!

By: Morgan Sankofa Powell

Consider Boys and Girls High School an art museum.  Its upcoming Fortieth Anniversary will mark the installation of 70s masterworks both outdoors and in.  Three freestanding sculptures – visible from the public sidewalk along Fulton Street–animate the school’s entry plaza.  Here, you see two dominant themes from that era: the Black Arts Movement and Abstraction.  Commanding the corner like a cookie cut in sections is “Untitled” by Todd Williams.

Sharing this tree-lined plaza stands “Air Afrique # 4”, composed of two bent rectangles by Chris Shelton.  Closest to the main entrance is the clear meaning of Ed Wilson’s “Middle Passage.”   This last work in metal and concrete offers a descriptive plaque.  To walk this open-air gallery is to witness a decade of turbulence and triumph.  How did these monuments get here?

Bed-Stuy’s own Ernest Crichlow (1914-2005), a celebrated painter, revealed all in a Hatch-Billops Collection interview from 1985.  “I got involved…myself and Jacob Lawrence were the people involved with the community when they first decided [to locate the new Boys and Girls High] school there…”  These icons of 20th century American art generated lists of African-American artists to engage.  The architect, Marty Stein, was also designing the Lorraine Hansberry School near the Bronx Zoo.  He contracted monumental outdoor sculpture by Todd Williams for both.  Recollecting Bed-Stuy in the 70s, Stein related much later, “It was the middle of Black Power… (the) whole environment was permeated.  There was the sense that Boys and Girls High School was part of the whole thing.”  We learn this from Michele Cohen’s 2002 manuscript, “Art to Educate: A History of Public Art in the NYC Public Schools, 1890-1976.”

Todd Williams came to the Boys and Girls Commission at the zenith of his career.  He broke barriers with his generation with a 1971 group show at the Whitney Museum of American Art.  That prominent Manhattan art venue had scarcely focused on African-American artists, however, they could not hold back the winds of change.  Top-notch Black artists were as organized as they were vocal—American art included them and they demanded to be shown.  They were in the streets, lecturing at libraries and colleges, captured in journals and knocking on gallery doors.  The Whitney’s “Contemporary Black Artists in America” group show was a watershed moment in the national arts scene.  Those heady days also saw the U.S. State Department make Williams a cultural ambassador; the New York Times had mentioned him more than once.  Dakar, Mexico City and Singapore have been stamped on this formerly Brooklyn-based sculptor’s passport.  Who’s Who in American Art listed his mailing address as 310 Atlantic Avenue (11201) in 1989.

Born to the Jim Crow misfortunes of Georgia (Savannah,1939), this lesser-known American post-modernist is collected from the Smithsonian Institute and Nelson Rockefeller Collection to corporate trusts like Pfizer and the National Insurance Co..  Over four decades, he’s exhibited in Michigan, New Jersey, Wisconsin, Iowa, Florida, North Carolina, California and leafy upstate cities like Ithaca and Elmira.  Would you like to find his other public jewels here in our town?  Prepare to cross Brooklyn and the East River.

J ust off Myrtle Avenue at 480 Knickerbocker is a gleaming silver panel composed of geometrics appearing to move. Along with a large rectangular field of like color it’s faceted to, this massive masterwork (circa 1983) commands the corner at Bleecker Street.  Look closely at the lower right end of this work to see Williams’ name welded in steel.  Also in the County of Kings, the community of I.S. 390 in Crown Heights enjoys a work (from 1984) that’s visible by appointment only.  Ten smooth-touching panels, each uniquely shaped and sized, greet anyone using the original main entrance at Park Place and Troy Avenue.   Nine feet tall from floor to ceiling, thirty-four wide feet of vivid color define this earlier portal (a side door now functions as the primary building entrance/exit).  Next stop, historic Harlem!

Minisink Townhouse for teens stands a few yards from a sculptural group at the corner of Malcolm X Boulevard and 143rd Street.  There, Williams’ work most resembles objects from everyday life, like his “Lollipops” sculpture even further uptown.  Here, his “Ligion” (circa 1970) resembles a giant jigsaw puzzle at the scale of living room furniture.  Just like Bed-Stuy, he’s shown with contemporaries: this time they are Melvin Edwards and Daniel Larue Johnson.

Still showing and growing in Maryland retirement, he continues to paint and make sculpture, represented by Peg Alston Gallery of Central Park West.

Of note: Lowery Stokes Sims, former director of the Studio Museum in Harlem wrote A Personal Recollection of the Black Art Scene of the 1970’s in their 2006 catalogue: Black Artists and Abstraction 1964-1980.  Her words may help explain Boys and Girls art commissions: “In the context of the Civil Rights (and by then Black Power) Movement, many in the black community felt that the stakes were too high to leave the matter of art to chance.  When the [Metropolitan Museum of Art] organized a symposium to discuss the situation of  black arts in America…, the participants were, for the most part, abstractionists, including Sam Gilliam, Tom Lloyd, William T. Williams and Hale Woodruff, or abstract figural painters such as Romare Bearden and Jacob Lawrence.  They had to discuss not only the role of the black artist in the community, but also what kind of art was appropriate for black artists to make.  It led to many articles on the nature of the art made by black people, but it was often missed that one of the sources of modernist abstraction was African art, so abstraction could – more than realism – constitute the quintessential black art.”

Morgan Powell is a horticulturist and landscape designer.  He began writing for OTP in October and also blogs for Outdoor Afro.  He was first inspired to write this essay by Blake T. Kimbrough and Melvin A. Marshall at the opening night of “From Challenge to Triumph: African-American Prints & Printmaking 1867-2002.”  They curated that show at the Museum of Contemporary African Diasporan Art (MoCADA), then located within Bridge Street Development Corporation.

Proposed Bed-Stuy Sanitation Garage Hits New Snag

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Location of the Nostrand Avenue site moves from 35th to 33rd City Council District

By Stephen Witt

With winter coming in like a hawk and a new mayoral administration, Bedford-Stuyvesant residents are wondering if after a 25-year wait they will finally get a sanitation garage to call their own.

Currently, all garbage, street cleaning and snow removal trucks operate out of a sanitation garage in Bushwick that also services Williamsburg, meaning that these services are logistically problematic when it comes to Bed-Stuy.

“That (Bushwick) is where our trucks are housed and when the garbage trucks get full they have to go all the way back to the other side of town so (sometimes) our garbage doesn’t get picked up until the evening,” said Community Board 3 Chair Tremaine Wright.

Since 1985, the Community Board has made the sighting of a sanitation garage closer to the community a major priority in its yearly lists of needs to the city. Having a garage in the community will ensure Bed-Stuy’s garbage will be picked up in an orderly manner and its streets will be plowed on time during snowstorms.

Many in the community thought the problem was solved when a city-owned site at 56 Nostrand Avenue was slated to house a new sanitation garage and capital city money was slated to build it.

It also had the support of former City Council and Public Advocate-elect Letitia James in whose 35th Council District the site was located.

However, the money for the garage project was pulled out of the fiscal year 2011-12 budget and put it towards two other projects that distribute garbage more equally around the city.

The community now has encountered more problems in that the Nostrand site was part of City Council redistricting and is now in City Councilman Stephen Levin’s 33rd City Council District, and is being used as a parking garage.

Sources say some in Levin’s new district are fighting having a sanitation garage there.

Wright said the Community Board met recently with Levin to discuss the issue.

“We told him the Community Board would like to see a sanitation garage there and that we need his support to allocate money out of the capital projects to build it. We let Mr. Levin know how important this project is for the community and would like to see the garage come to fruition,” said Wright.

Both Levin’s office and the city’s Department of Sanitation were unavailable for comment at press time.

Couple's Beautiful Mission Saves Babies' Lives

Nene’s Secret ethnic hair care collection founders Nene (pronounced Nay-Nay) and Brian K. Marks are a New York married, entrepreneurial couple who have made beauty and babies their mission.

Nene was born and lived in Liberia, West Africa until she was 17 and immigrated to the United States. Barely speaking English, a friend suggested she become a model in New York City. Nene was a success and broadened her modeling career as an actress appearing in music videos alongside Jay-Z, The Fugees and Heavy D. She’s the official model for Nene’s Secret and is pictured on each product box.

Brian K. Marks, born and raised in Brooklyn, attended Samuel Tilden High School. His career began selling African-Americans hair care products using the trunk of his car as warehouse. An award-winning innovator, Brian has spent 32 years creating products like All Ways Natural, African Pride, Ginseng Miracle, 911 and Dr. Miracle’s that continue to be popular today.

In 2013, the couple joined in creating Nene’s Secret, a new line of hair care products that include natural ingredients line inspired by her mother and grandmother in West Africa. Ingredients like baobab, kalahari melon and chocolate. She even created a signature fragrance that’s in each product.

Family is important to this dynamic couple, who have four children – two boys and two girls – ages 11 months to 12 years-old. Nene and Brian K. Marks have merged personally and in business. They have a 15 year quest saving babies lives in the US and in Africa. The couple are major supporters of The Birthing Project, an international organization and resource center for improving birth outcomes for women of color in the U.S. and Africa. (www.birthingprojectusa.org/). Over the last 15 years, they have donated approximately $1 million to The Birthing Project. For more information, check out www.nenessecret.com.

The Trouble with the Common Core

BY THE EDITORS
OF RETHINKING SCHOOLS

It isn’t easy to find common ground on the Common Core. Already hailed as the “next big thing” in education reform, the Common Core State Standards are being rushed into classrooms in nearly every district in the country. Although these “world-class” standards raise substantive questions about curriculum choices and instructional practices, such educational concerns are likely to prove less significant than the role the Common Core is playing in the larger landscape of our polarized education reform politics.

We know there have been many positive claims made for the Common Core:

That it represents a tighter set of smarter standards focused on developing critical learning skills instead of mastering fragmented bits of knowledge. That it requires more progressive, student-centered teaching with strong elements of collaborative and reflective learning.

That it equalizes the playing field by raising expectations for all children, especially those suffering the worst effects of the “drill and kill” test prep norms of the recent past.

We also know that many creative, heroic teachers are seeking ways to use this latest reform wave to serve their students well. Especially in the current interim between the rollout of the standards and the arrival of the tests some teachers have embraced the Common Core as an alternative to the scripted commercial formulas of recent experience, and are trying to use the space opened up by the Common Core transition to do positive things in their classrooms.

We’d like to believe these claims and efforts can trump the more political uses of the Common Core project. But we can’t.

For starters, the misnamed “Common Core State Standards” are not state standards. They’re national standards created by Gates-funded consultants for the National Governors Association (NGA). They were designed, in part, to circumvent federal restrictions on the adoption of a national curriculum, hence the insertion of the word “state” in the brand name. States were coerced into adopting the Common Core by requirements attached to the federal Race to the Top grants and, later, the No Child Left Behind waivers. (This is one reason many conservative groups opposed to any federal role in education policy oppose the Common Core.)

Written mostly by academics and assessment experts—many with ties to testing companies—the Common Core standards have never been fully implemented and tested in real schools anywhere. Of the 135 members on the official Common Core review panels convened by Achieve,Inc., the

consulting firm that has directed the Common Core project for the NGA, few were classroom teachers or current administrators. Parents were entirely missing. K–12 educators were mostly brought in after the fact to tweak and endorse the standards and lend legitimacy to the results.

The standards are tied to assessments that are still in development and that must be given on computers many schools don’t have. So far, there is no research or experience to justify the extravagant claims being made for the ability of these standards to ensure that every child will

graduate from high school, “college- and career-ready”. By all accounts, the new Common Core tests will be considerably harder than current state assessments, leading to sharp drops in scores and proficiency rates.

We have seen this show before. The entire country just finished a decade-long experiment in standards-based, test-driven school reform called No Child Left Behind. NCLB required states to adopt “rigorous” curriculum standards and test students annually to gauge progress towards reaching them. Under threat of losing federal funds, all 50 states adopted or revised their standards and began testing every student, every year in every grade from 3–8 and again in high school. (Before NCLB, only 19 states tested all kids every year, after NCLB all 50 did.)

By any measure, NCLB was a dismal failure in both raising academic performance and narrowing gaps in opportunity and outcomes. But by very publicly measuring the test results against benchmarks no real schools have ever met, NCLB did succeed in creating a narrative of failure that shaped a decade of attempts to “fix” schools while blaming those who work in them.

By the time the first decade of NCLB was over, more than half the schools in the nation were on the lists of “failing schools” and the rest were poised to follow.

In reality, NCLB’s test scores reflected the inequality that exists all around our schools. The disaggregated scores put the spotlight on long-standing gaps in outcomes and opportunity among student subgroups. But NCLB used these gaps to label schools as failures without providing the resources or support needed to eliminate them.

The tests showed that millions of students were not meeting existing standards. Yet, the conclusion drawn by sponsors of the Common Core was that the solution was “more challenging” ones. This conclusion is simply wrong. NCLB proved that the test and punish approach to education reform doesn’t work, not that we need a new, tougher version of it. Instead

of targeting the inequalities of race, class and educational opportunity reflected in the test scores, the Common Core project threatens to reproduce the narrative of public school failure that has led to a decade of bad policy in the name of reform.

The engine for this potential disaster, as it was for NCLB, will be the tests, in this case the “next generation” Common Core tests being developed by two federally funded, multistate consortia at a cost of hundreds of millions of dollars. Although reasonable people, including many thoughtful educators we respect, have found things of value in the Common Core Standards, there is no credible defense to be made of the high-stakes uses planned for these new tests.

The same heavy-handed, top-down policies that forced adoption of the standards require use of the Common Core tests to evaluate educators. This inaccurate and unreliable practice will distort the assessments before they’re even in place and make Common Core implementation part of the assault on the teaching profession instead of a renewal of it. The costs of the tests, which have multiple pieces throughout the year plus the computer platforms needed to administer and score them, will be enormous and will come at the expense of more important things. The plunging scores will be used as an excuse to close more public schools and open more privatized charters and voucher schools, especially in poor communities of color. If, as proposed, the Common Core’s “college- and career-ready” performance level becomes the standard for high school

graduation, it will push more kids out of high school than it will prepare for college.

This is not just cynical speculation. It is a reasonable projection based on the history of the NCLB decade, the dismantling of public education in the nation’s urban centers and the appalling growth of the inequality and concentrated poverty that remains the central problem in public education.

Nor are we exaggerating the potential for disaster. Consider this description from Charlotte Danielson, a highly regarded mainstream authority on teacher evaluation and a strong supporter of the Common Core: “I do worry somewhat about the assessments—I’m concerned that we may be headed for a train wreck there. The test items I’ve seen that have been released so far are extremely challenging. If I had to take a test that was entirely comprised of items like that, I’m not sure that I would pass it—and I’ve got a bunch of degrees. So I do worry that in some schools we’ll have 80 percent or some large number of students failing. That’s what I mean by train wreck.”

Reports from the first wave of Common Core testing are already confirming these fears. This spring students, parents and teachers in New York schools responded to administration of new Common Core tests developed by Pearson, Inc. with a general outcry against their length, difficulty and inappropriate content. Pearson included corporate logos and promotional material in reading passages. Students reported feeling overstressed and underprepared—meeting the tests with shock, anger, tears and anxiety. Administrators requested guidelines for handling tests students had vomited on. Teachers and principals complained about the disruptive nature of the testing process and many parents encouraged their children to opt out.

Common Core has become part of the corporate reform project now stalking our schools. Unless we dismantle and defeat this larger effort, Common Core implementation will become another stage in the demise of public education. As schools struggle with these new mandates, we should defend our students, our schools, our communities and ourselves by telling the truth about the Common Core. This means pushing back against implementation timelines and plans that set schools up to fail, resisting the stakes and priority attached to the tests and exposing the truth about the commercial and political interests shaping and benefiting from this false panacea for the problems our schools face.

Rethinking Schools has always been skeptical of standards imposed from above. Too many standards projects have been efforts to move decisions about teaching and learning away from classrooms, educators and school communities, only to put them in the hands of distant bureaucracies. Standards have often codified sanitized versions of history, politics and culture that reinforce official myths while leaving out the voices, concerns and realities of our students and communities. Whatever positive role standards might play in truly collaborative conversations about what our schools should teach and children should learn has been repeatedly undermined by bad process, suspect political agendas and commercial interests.

Unfortunately, there’s been too little honest conversation and too little democracy in the development of the Common Core. We see consultants and corporate entrepreneurs where there should be parents and teachers, and more high-stakes testing where there should be none. Until that changes, it will be hard to distinguish the “next big thing” from the last one.

 

Part 2 next week