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Project Education: Who Are You To Correct My Child?

Ballerina Misty Copeland

By Devin Robinson

We’ve all heard “It takes a village to raise a child”.

This way of life was developed by preceding generations. Relatives or not, adults all watched over the children of our community. Today, we complain about not having that same ideology in place but do we really want that? What we seem to really want is “It takes a village to PRAISE a child”. Follow me for a moment.

Our discontent for, especially nonrelative, adults’ interaction with our children is only voiced or contested when an adult corrects, chastises our children or puts them in a character-building situation.

Our voice is often silent in times when these same adults praise, or even overpraise, our child(ren). So the issue is not that we don’t want other adults interacting with our children whatsoever, we only want them to show up during the upside.

With 86% of all children attending schools outside of the home, 34% of them participating in extracurricular activities, 50% of marriages ending in divorce (with 62% of those persons remarrying), 73% of black children being born out of wedlock, and with the black community being the most religious group of all, our children are expected to end up in Sunday School without their parents. Our children are prone to interact with nonrelative adults who are in authority as they grow up.

The problem is we have evolved into a parental regime who views our children as our property, rather than separate people with separate visions, dreams, missions and ambitions. We protect them as if we are protecting our cars. We believe that a scratch on our children will make them ugly, rather than make them better. We have drifted away from letting our children feel discomfort and challenges. No wonder why we are finding “victims” of bullying resorting to massacring other children and adults in public places. They are taking other people’s lives because of some discomfort they felt and were not conditioned for.

Many parents make irresponsible statements in front of their children, sometimes to make their children feel secure, secure their relationship with them or look up to them but what it does instead is make the child feel invincible. Statements like, “NO ONE (had) better mess with my child…” “These people don’t know who your parent(s) are…” These statements are made when a teacher takes a pair of Beats headphones from their disruptive child who refused to put them away in class. These statements are made when a coach sits out their player during a team sport game as the child struggles to perform well.

If we parents truly want to prepare our children for the world, then we have to set our emotions aside and do that. Protecting them from every mosquito is simply giving them an unrealistic view of this world we live in. Now, if you are raising them to not migrate too far away from you forever, you are practicing the right techniques in coddling them.

We simply just can’t have it both ways. We have the power of future business leaders and community leaders in our voice. We are birthing them every day. We can’t think the village shouldn’t have the authority to praise and also punish.

Abuse? Now that is something altogether different. We simply can’t want our precious jewels to only be subject to positive life experiences. They, too, may develop Affluenza.

And when they do, we will begin to see that entitlement behavior carried out in our communities in many of the negative ways we are witnessing today. All because we refused to let them feel those negative experiences while they were younger.

Devin Robinson

Devin Robinson is a business and economics professor, author of 8 self-help books that teach individuals how to transition into entrepreneurship. His latest book is Power M.O.V.E.: How to Transition from Employee to Employer. As an entrepreneur, he is widely known for his work with beauty supply store owners.

Online View …

Mr. Harrison L. Page

Many young parents spend more time defending bad behavior from their child(ren). Practice poor, if any parenting skills, in raising healthy balanced children. The result over time does great harm to the children and creates a burden to our community. And in the end, enlarges the penal system.

An unruly 3rd-grade student, without guidance, will become a future resident in the criminal justice system. The numbers don’t lie.

Parents take heed, and take a moment to LISTEN to those who spend more time with your child. Children repeat the behavior encouraged at home. Harrison L. Page is Managing Editor, Indianapolis Online Community Magazine-ICIndymag.

Publisher’s Note:

The HomeSchool Web site is an invaluable resource for the parent or guardian whose child(ren) attend public school as well as the guardian who homeschools. Tips, essays, strategies, news-and-views work after school and weekends … at home. Mr. Robinson’s essay and Mr. Page’s view were culled from the site. Please send contacts for other parenting and student resources online and off to: bgreen2075@aol.com. (BG)

 

Confidence and MISTY COPELAND

They said her feet were too big, her body not right, at thirteen too old to start, didn’t have the “makings” or the “look”. Now ballerina dancer Misty Copeland, leaping boundaries, has captivated the world with an “I can and I will” movement that won’t stop. Her book, A Life in Motion: An Unlikely Ballerina, is a New York Times best-seller. A current sports company-produced video (an awesome alternative to some of the X-rated fare young boys and girls view) has gone viral. Check it out at: blackamericaweb.com/2014/08/01/ballerina-misty-copeland.

Growing up poor in San Pedro, Calif., Copeland was one of six children to a single mother. For a long while, her family lived in hotels. She was discovered by a ballet teacher who offered free classes at a local Boys and Girls Club where Misty had entered to study woodworking. Thirteen is considered a late start for prima ballerinas, but she persevered and scholarship opportunities followed. She was at the center of an ugly custody battle and, as BlackAmericaWeb said this week, “most significantly in terms of the ballet world, she was Black”. At 19, she joined the American Ballet Theatre’s Corps De Ballet as the third African-American soloist in the company’s history. She recently performed with Prince, a big fan, and is working on a children’s book. The world is showering her with praise for her dance skills. “I don’t think I had any idea of what the ballet world was, what my opportunities would be as a professional, where it would take me, that I could actually make money off of it and actually have a higher career and life built around it. But I knew I loved it, and I was being told over and over again that I had the potential … so it was like, ‘I’m not doing anything else’.” Share Misty Copeland’s story with your children.

 

Our Time AT HOME On Oak Bluffs: Close Encounters and Shared Stories

If what connects us is stronger than that which would divide us, the miles between, say the streets of Central Brooklyn and a beach on an island in the Atlantic, can fade in a moment with the sharing of a story or a close encounter.

We had such an experience within the span of some 24 hours during our Independence Day Weekend “getaway” to New England. Captured in these photos in a special place that inspires self-expression are people who exemplify the enormity of Our Story, which is a compilation of so many different ones.

Our “escape” was not from home, but from the complexities wrought from institutions. With these people, we found we were very much at home.

Interceptions on Circuit Avenue
Dr. George Branche III, an orthopedic surgeon from Virginia, is a fourth-generation medical practitioner, and he told Our Time Press he’s most proud of his daughter carrying on the family tradition with her studies toward a degree in Public Health. At the moment when he began to talk about the legacy of his hardworking father, a group of young men passed by. One slowed down, looking hard at Dr. Branche, but he continued walking with his friends. Thirty seconds later, the young man returned. “Excuse me, are you a doctor?” In that moment, Dr. Branche connected with his patient of some years ago, Iric Harris, a then-star high school football defense player. Dr. Branche administered delicate, minute surgery to Harris’ ACL injuty; he had to wait out his entire junior year. Dr. Branche asked him how he was doing. As a response, Harris called back his UMass Minutemen friends. Harris, majoring in Hospitality and Dr. Branch will stay connected through social media.

Renaissance Man Spins Romance

Skip Finley is known throughout the nation’s media industry as a master sales and marketing guru. Mr. Finley and his wife, Karen, were the subjects of a NY Times high-profile article on long-time married couples where they shared their success secrets (daily “I Love You’s” and naked Thursdays-don’t ask). A columnist for the Vineyard Gazette, Mr. Finley makes time to pursue his interests in sport fishing, yoga and model trains. And last month he added another item to his extensive resume: author. Finley and California broadcaster Kathleen McGhee-Anderson just published A Martha’s Vineyard Love Story. July 5, at the Cousen Rose Gallery’s “… Love Story …” book signing, Skip took a few moments to sign several copies of his book for friend David Smith, head of the Stuyvesant Heights History Association, and share stories.

Groovin’ in the Grove
Trumpet player Ted Daniel always remembers Sistas’ Place on Nostrand Avenue – even when he’s miles away from the Nostrand Avenue jazz bistro: because they always remember him. And so it was on the Fourth of July. He took a short walk over to a tree grove after performing an emotional Taps between a Hoops Game. “They (Sistas) can’t hear the music I’m playing,” he told us. “Just tell them it’s called ‘Improvisin’ in the Breeze under Oak Trees.”

Henrietta Rice
On July 4th Henrietta Rice watched young people play a Hoops game in Oaks Bluff a place which she says “gives children a sense of freedom and peace.” Making the decision to leave the Vineyard was not difficult. It was a matter of priorities; she and her late husband, John W. Rice Sr. sold the property in order to put their children through school. The Rev. John Jr., David, and Dr. Maria Rice Bellamy did not disappoint. Mrs. Rice visits the Island almost every year with her children, grandchildren and great grands, and where the memories of her late husband of 54 years, a former Korean War veteran who contributed to the Apollo II Space Project, are warm. To anyone who listens, she shares the stories of the Vineyard’s first Islanders of color and rich native and Black heritage, and the island’s first black school on Potato Road. The Maplewood, N.J. resident is seen here with her daughter, Dr. Bellamy, a professor of English at Staten Island College, CUNY, is author of Bridges to Memory: Postmemory in Contemporary Ethnic American Women’s Fiction.

Hoops! For One Family, that’s where it is
Dozens of teams have faced off over the years, thanks to one family that’s managed against the odds to keep their nonprofit Vineyard Streetball Classic tradition in motion for 12 years. Thanks to genius and dedication of Omar Daniel and his Uncle Michael Daniel, who put together the tournaments, in Oak Bluffs and in Atlanta, Georgia, many, many young people are having a ball. On July 4-5, the Island’s teams faced off in the Streetball 3-on-3 12th annual classic. The classic is primarily designed to promote exercise and improve and build basketball play areas for young people. The mission began with Omar and Michael but it is indeed a family affair, with Daniel family members leading the effort on every aspect of the games, dovetailing between Massachusetts and Georgia.

And …
Bringing it Home
During the public reading at the Inkwell Beach of Frederick Douglass’ Forth of July address, Dr. Valerie Williams Dargan, Director, Department of Human Services, Bergen County, NJ, seated comfortably in a beach chair, told an onlooker to not block the view. Later, the onlooker and Dargan briefly discussed the force of Douglass’ remarks. The women soon learn they were raised on the same block, Greene Avenue, between Tompkins & Throop, and lived there at the same time. So on the Inkwell Beach, two hundred and sixty miles from Brooklyn, Dr. Dargan called the names of Bed-Stuy families, individuals and businesses she once knew four decades earlier : “Mrs. Penny, Miss Essie Simmons, the Gibsons, Renee, Flossie, Preston, Giggy, Alfred Drake, Mrs. Gamble, the Millers, the Knowles, Sid & Al’s, Mr. Leo’s, the Cofields …” and on and on. Then she said, “Let’s meet there, and walk corner to corner to record the history.”
(Bernice Elizabeth Green)

Hold the Date!
A Powerful Place in History …

Oak Bluffs is one of 10 communities included in a national exhibit, “Power of Place,” planned to inaugurate The National Museum of African American History and Culture, set to open on the National Mall in Washington, D.C. in late 2015.

The exhibition will incorporate artifacts and local knowledge of the Oak Bluffs community, plus replicate two cottage porch scenes.

On August 14 at 4:00pm at the Union Chapel in Oak Bluffs, Martha’s Vineyard Magazine in association with the Smithsonian is hosting a panel discussion with U.S. Representative Barbara Lee, Dr. Lonnie Bunch, the museum’s director, and a panel of longtime Oak Bluffs residents. Says Museum Curator Paul Gardullo, the “Power of Place” exhibition “highlights that ‘place’ is not just a physical or geographic location in the world, but is where culture is made, where memories and histories are kept and/or lost, where identities are created and recreated.” For ticket information, contact Nicole Mercier, 508-627-4311.

Our Time AT HOME : Mr. Grannum’s Canvass: A Patch of Brooklyn Earth

 

Clinton Hill’s Jeff Grannum, Jr. is very much “at home” resurrecting lifeless spaces.

 

“As an artist, I’ve grown to love gardening and landscaping because of all the design aspects they incorporate. I guess you can say I specialize in revitalizing neglected, or even forgotten, yards or spaces.”

 

Jeff is pursuing a Bachelor’s Degree in Hospitality and Management from New York City Tech.  He is a graduate of Benjamin Banneker Academy and Kingsborough College where he earned a degree in graphic design.

 

“My green thumb was passed down from my mother whose beautiful yard was a highlight of Brooklyn’s 2013 Greenest Block competition.”

 

His mother’s Sterling Street block won the competition. 

 

Grannum’s contact:  e-mail to jeffsroselandscaping@gmail.com.  

PHOTO HEADLINE for before and after

From Weeds to Wonder ….

 

Caption
“The transformation from weeds to wonder took about 4 days (as I usually work alone). The biggest challenge was trimming and deweeding the hedges in the back which were engulfed in about 5 years of weeds.”

 

“I planted new grass which in about another two weeks or so will give the lawn a more defined color. One tip for the casual gardener: Mulch can be your best friend, mulch is cheap and can add vibrant color and contrast to any yard and also makes for a great weed deterrent.” –Jeff Grannum


PHOTO HEADLINE FOR TWO PHOTOS

Jeff’s Bumper Bench …

 

“Last summer, I decided to give my own backyard a makeover. I was digging up one of those weeds that after a year seemingly turns into an ‘oak’ tree; I felt the shovel hit metal. My first thought was ‘we found gold’! I wasn’t that far off: what I did find was very much a treasure.”

 

“Buried in my backyard was a fully intact car bumper! I’m no car expert but given its size, weight and shape, I would guess it’s from the 60’s or 70’s. Based on how rare the find was, and our budget, my roommates and I felt we had to find a way to integrate the piece into our backyard. I suggested a bench. We went on to find a discarded dresser whose wooden and metal drawers we used as legs.” – Jeff Grannum

Investigative Journalism Gets a Big Boost

Investigative Journalism
Gets a Big Boost

By Herb Boyd  Special to Our Time Press

Investigative journalism recently got a double dose of adrenalin with the launching of two new digital initiatives from noted editors and reporters.

Appearing on Amy Goodman’s “Democracy Now” on Monday, Jeremy Scahill and Glenn Greenwald spelled out their intentions of their newly formed digital magazine The Intercept.

“We’re really about a journalistic ethos,” said Greenwald, who gained international attention from his articles in the Guardian on Edward Snowden’s disclosures on the National Security Agency, “which is not doing things like helping the United States Government continue its targeting of U.S. citizens for death, like AP just did by withholding information and allowing it to continue, but by being adversarial to the government and telling the public what it ought to know and targeting the most powerful corporate and political factions with accountability journalism.”

Scahill, who began his journalistic career with “Democracy Now” and is currently an Academy Award nominee with his documentary “Dirty Wars”, expanded on his colleague’s comments, noting that “There is this attempt on the part of the director of National Intelligence James Clapper to imply that the journalists who are reporting on the Snowden documents are accomplices to a crime. My understanding, from a confidential source in the intelligence community, is that Clapper, two weeks before he publicly used that term of ‘accomplice’, that he also said that in a top secret classified briefing within the intelligence community–sort of floating it. You know, Mike Rogers [R-Mich.] also has just been on a rampage against journalists, also against Snowden, making totally unfounded allegations about Snowden being (somehow) a Russian agent or cooperating with Russian agents.”

The Intercept will be published by First Look Media, a venture started by eBay founder Pierre Omidyar, and with Scahill and Greenwald at the controls it promises to deliver the kind of stories that are often ignored or swept aside by the mainstream media.

A similar effort is underway by The Marshall Project, a nonprofit, nonpartisan news organization that will focus on the American criminal justice system.  Bill Keller, the executive editor of the New York Times, is aboard as the chief editor.  “It’s a chance to build something from scratch, which I’ve never done before,” said Keller, who leaves the Times in March for the new assignment.  “And to use the tools that digital technology offers journalists in terms of ways to investigate and to present on a subject that really matters personally.”

The Marshall Project was formed last year by Neil Barsky, a money manager who worked at the Wall Street Journal.  “Since the day I was born,” said Barsky, “I have been aware that the criminal justice system in America is bizarrely horrible and weirdly tolerated.  The main reason is that it’s been that way for such a long duration is that we don’t challenge it anymore.”

The arrival of The Intercept and The Marshall Project will provide a twin assault on international affairs, particularly the rampant violation of human rights and the domestic issues as they pertain to the abuses of our criminal justice system.

It’s been a while since the realm of investigative journalism has received such a promising boost, and we watch them with great hope and anticipation.

Ancestral African Presence in Early New York

 

New York’s Seventeenth-Century African Burial Ground in History
Enslaved Africans were the City’s first union of laborers , an unpaid workforce of men, women and children. They cleared the land, paved the roads and built the infrastructure.

New York’s African Burial Ground is the nation’s earliest-known African- American cemetery.

It has been called one of the most important archaeological finds in our time.  But it is more than that:  Though long-hidden and much violated, it remains the final resting place of some of New York’s earliest  African and African-American residents.  And it is an enduring testament to their history.

The first Africans arrived in New Amsterdam around 1625, although a record of their exact arrival  date to the region is unknown.  Along with European merchants, traders, sailors and farms these en-  slaved workers helped to establish the early colony.

Throughout the seventeenth and eighteenth centuries, Africans were an important part of the city’s  population, reaching a peak of over 20 percent at the middle of the eighteenth century. In fact, New York  became one of the country’s largest centers of slave-holding.

During Dutch rule, enslaved Africans were put to work building forts, mills and new stone houses.

The African laborers, some with previous experience building colonies in South America, did much of the  arduous work of building a European-style town in New Amsterdam.  They cleared land for farms and  shore areas for docks.   Former Native American trails were broadened (Broad Way) to accommodate  horse-drawn wagons. Operating and working in the colony’s sawmills, the enslaved laborers provided  lumber for shipbuilding and export back to Europe.

By 1640, about 500 people lived in New Amsterdam, which was a community of shops, a few dozen  homes and several warehouses belonging to the Dutch West India Company (WIC).

Enslaved farm workers oversaw the colony’s farms for absentee Dutch owners, planting, harvesting and  managing the day-to-day operations. These farming skills would soon win something very valuable for  some of New Amsterdam’s enslaved population–their freedom. During the worst fighting of  the Dutch  and Indian War, the first community of free blacks in the colonial United States was formed.

On February 25, 1644, eleven enslaved men were freed and given grants of farmland in the dangerous  frontier territory north of New Amsterdam. Their wives were granted freedom also, but their children re-  mained the enslaved property of the WIC.  In time, they were able to buy the freedom of their children.  The farms owned by the free blacks spanned the “Negro frontier”, or the “land of the blacks”, the central  region of Manhattan Island, extending eventually from what would later become Canal Street to 34th Street.

Freedom for these black farmers did not mean an end to slavery in New Amsterdam. Slave labor continued as a major element of the colony’s public works projects. In 1653, upon Governor Peter Stuyvesant’s orders, the colony’s enslaved workers helped to build New Amsterdam’s most famous fortification, “The Wall” (Wall Street), which spanned Manhattan Island from the East River to the Hudson River. In 1658, the same labor force constructed the region’s first major highway, connecting  New Amsterdam with the island’s second-largest and newly founded village in the northern frontier (at 110th Street and the East River). The eleven- mile “road to New Haarlem” later became better known and remembered as Boston Post Road.

Slavery was a chief concern of Governor Stuyvesant, who cultivated the distribution of slaves into Virginia, Maryland and New England, but primarily throughout the Caribbean. Under Stuyvesant, the  WIC encouraged English and French planters in Barbados, St. Christopher and other islands to convert  from tobacco and cotton to the more lucrative sugar production. Island by island, planters were shown  how to consolidate their small island farms into large plantations, change to sugar and invest in slave  labor. The WIC invested heavily in all aspects of the cane production, providing credit, plant equipment  and enslaved African laborers. By the 1650s, Barbados, the first successful model for the exploitation of slave labor in the Caribbean, had revolutionized the demand for enslaved Africans into the West Indies.

Stuyvesant worked diligently from his base in New Amsterdam to Curacao to repeat the process in other  receptive islands.

In 1664, the English conquered the Dutch colony and New Amsterdam became New York. Named for

James II, the Duke of York, who was the principal investor in the “Company of Royal Adventurers

Trading to Africa”, the English slave-trading enterprise, the Duke soon afterward gave port privileges and warehouse priority in the New York colony to ships engaged in the slave trade.

The English imposed strict laws regarding slavery and rescinded many rights for free blacks, including the right to own land. During this period, New York’s African labor force–primarily skilled and  semiskilled and mostly enslaved–worked as carpenters, blacksmiths, primers, sailors, dock loaders, tailors, seamstresses, bakers and servants.

In 1711, a marketplace for the sale of slaves opened on a pier located at Wall Street and the East  River. By legislative act of the Common Council (City Council), the market became the city’s official  slave market where African men, women and children were sold or rented on a daily or weekly basis.

From 1711 until 1762, the market operated almost exclusively as a slave market–though it was not the  only place where slaves were bought and sold in the city. Records from colonial New York indicate the  city was a major hub for the slave trade in North America.

The Wall Street Slave Market was the principal marketplace but slave auctions were held daily and  weekly at other markets in Lower Manhattan, including the Merchant’s Coffee House, the Fly Market  and Proctor’s Vendue House. Although the city’s slave population ranged between 15 to 20 percent, most  slaves purchased through the New York market were redirected to other slave-holding territories in the

American South. Documents also note that the New York market sometimes received shipments of  African children under the age of thirteen.  Shut out of churchyards within the city, a burial ground for Africans was developed on a plot of land about a half-mile outside the city. The cemetery was in use by 1713, though the exact date of its founding is unknown. As the enslaved population grew, so did the burial ground, eventually covering five to six acres, or about five city blocks. Even here, harsh legal restrictions applied. No more than twelve persons were permitted in funeral processions or at graveside services and interment was not allowed at night, the customary time for many African burial rituals. Enslaved blacks were required to have a written pass in order to travel more than a mile away from home. For many, that was about the distance from their Lower Manhattan homes to the cemetery located outside of town.

Despite these restrictions, the African Burial Ground served as an important focus for African community identity. Archaeological excavations have shown that the dead were buried individually, most in wooden coffins, arms folded or placed at their sides and oriented with heads to the west. Bodies were buried in shrouds, fastened with brass straight pins and were sometimes buried with items such as coins, shells and beads. Over time, the burial ground became densely crowded with burials stacked three and four deep in some places. Some archaeologists estimate that 20,000 men, women and children were buried at the cemetery.

In 1795, the land of the African Burial Ground, which had been granted to the Van Borsum family in 1673, was subdivided and sold for house lots. The African Burial Ground was closed. Because it lay in a ravine, the land was leveled with as much as twenty-five feet of fill, ensuring the survival of many graves under the basements of later buildings.

In the twentieth century, the area where the African Burial Ground is located developed as New York’s government center. During these years the existence of the African Burial Ground, though recorded on old maps, was effectively forgotten. In 1999, nine intact burials (full or nearly complete human skeletons) were found on the southern edge of the historic ground during construction of the new sidewalk from  the Tweed Building on Chambers Street. Unmarked beneath the bluestone sidewalk, thousands walk by or over the burials daily, unaware that much of the cemetery still exists under the neighborhood’s sidewalks, roadbeds and buildings.

The African Burial Ground has since been designated a New York City Historic District and a National Landmark. Its rediscovery and the struggle to protect and recognize it have prompted an increased awareness of the early history of Africans in America. The African Burial Ground is a priceless testament to an important part of our city’s and nation’s history, one that cannot be allowed once again to slip into oblivion.

Note: After some ten years of study, the ancestral remains of the African Burial Ground were given a permanent resting place at the African Burial Ground Memorial Site on October 4, 2003. The Memorial was declared a U.S. National Monument in 2006.   (Historian, author, writer Christopher Moore  is the chief researcher at the Schomburg Center for Research in Black Culture.  He traces his personal ancestral history in New York City to Colonial-era enslaved and free Africans and to the Lenape Indians who lived 10,000 years in this area before the arrival of the Colonists.)