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Culturally Responsive Education for Black Youth

Remembering Dr. Jawanza Kunjufu

Dr. Jawanza Kunjufu, national educational consultant, publisher, and the author of over 30 books that address empowering Black youth through a culturally responsive curriculum, made his transition on April 25, 2025. His books include Countering the Conspiracy to Destroy Black Boys Vol 111 (1990) which is a sequel to his seminal book Countering the Conspiracy to Destroy Black Boys (1982) and Black Students, Middle Class Teachers (2002), Although Kunjufu wrote these books in 1990 and 2002 respectively and continued to give workshops for teachers, students, parents, churches, and community residents, his books and lectures are extremely relevant today as we witness inequities in public education, attacks on curriculum, and racial injustice policies that negatively affect Black youth.


Kunjufu issued a “Call to Action” which is based on the premise that we can improve the education of Black youth and close the significant achievement gap between White and Black and Hispanic students if we focus on developing a holistic curriculum that addresses what we know about the factors that affect the success of Black youth.

These include racism, teacher expectations, quality teaching, curriculum, peer pressure, self-esteem, diverse learning styles, income, the media, and parental involvement. It is also important to replicate and enhance models of student success presented by organizations such as the Council of Independent Black Institutions (Home – CIBI), the National Alliance of Black School Educators, Education is a Civil Right | National Alliance of Black School Educators (NABSE), and the Black Education Research Center at Teachers College, About | Black Education Research Center | Teachers College, Columbia University.

Dr. Jawanza Kunjufu


In Countering the Conspiracy to Destroy Black Boys Vol 111, Kunjufu dissects the developmental process of Black males by age: Infancy-Nine Years, Nine-Thirteen Years, Thirteen-Eighteen Years and Eighteen-Twenty-five years. He cites studies and books in psychology and education that support his recommendations and barometers for evaluating student success.


The premise of Kunjufu’s Black Students, Middle Class Teachers is that “The most significant characteristic of Master Teachers is not their race or gender but the expectations they have of their students.” Master teachers embrace the following concepts.


It is a teacher’s job to inspire students, especially if they lack the motivation to learn.
Telling is not teaching. If a student has not learned, the teacher has not taught.
Effective teachers use a relevant curriculum that involves critical thinking and pedagogy that will produce tomorrow’s leaders.


You can’t teach what you don’t care about to people you don’t care about.
Kunjufu is committed to empowering White teachers and raising awareness of the role that African American middle class teachers play in the classroom.

He argues that the future of African American children lies in those who teach them and that the majority of teachers in public schools in this country are White. Hence, although he acknowledges the need for more African American teachers in the classroom, this is not the reality.

Thus, it is important to examine the expectations of both White teachers and middle class African American teachers. If teachers have low expectations and limited goals for their students and present them with Eurocentric curricula and lessons that do not respect diverse learning styles, they are setting them up for failure.

He asserts that it is incumbent upon all teachers to understand that middle class values may not be in concert with the values of low-income students. Middle class culture and values are more self-centered and guided by “I have mine and you have to get yours.”

On the other hand, an African frame of reference encourages collaboration and community in the classroom. Students are encouraged to assist each other in learning. The teacher adapts the persona of a coach and is not simply an instructor, custodian, or referral agent.

Teachers as coaches are more concerned with bonding and intellectually challenging students. They understand that significant learning cannot occur until the teacher has established a relationship with his/her/their students.


David Banks, former Chancellor of the NYC Public Schools said this of Dr. Kunjufu.
“Dr. Jawanza Kunjufu was a trailblazing genius. I salute him for his lifelong dedication to lifting up the lives of Black children. His research about countering the conspiracy to destroy Black boys is the seminal work in the field. While we still have so far to go, the world was made a better place because Dr. Kunjufu passed this way.”


Banks was also the founding principal of The Eagle Academy for Young Men. The philosophy of The Eagle Academy draws from the work of Dr. Kunjufu.


There is a crisis in education that is disproportionally affecting Black youth. In view of the reality of inequities in reading and math scores, the push to dismantle the Department of Education, and the growing and politically motivated move to eliminate courses and lessons on Black history, literature, and culture, it is important to examine the legacy left by educators such as the late Dr. Jawanza Kunjufu.

He provided a blueprint for how we move forward. Teachers and parents should revisit his successful strategies outlined in his books on improving the achievement of Black youth. https://africanamericanimages.com

Dr. Brenda M. Greene is Professor of English and Founder and Executive Director Emeritus of the Center for Black Literature at Medgar Evers College, CUNY.

651 ARTS and with The Soapbox Presents Returns for 5th Juneteenth, June 21

We Outside: A Brooklyn Juneteenth
By Nina Flowers

(Brooklyn, NY – May 21, 2025) – For its fifth annual Juneteenth Celebration, 651 ARTS – Brooklyn’s premier institution for the African Diasporic performing arts – will once again team up with The Soapbox Presents, the popular performing arts platform celebrating the brilliance of Black and brown people, for the third year to mark the national holiday with “We Outside: A Brooklyn Juneteenth, Vol. III.” Held in partnership with the Downtown Brooklyn Partnership, this special commemoration of Freedom Day will celebrate culture and community and will take place outdoors at The Plaza at 300 Ashland in Downtown Brooklyn, on Saturday, June 21st from 2pm – 8pm.


Curated with The Soapbox Presents as part of their Juneteenth activations, this year’s “We Outside…” event centers the theme of building coalitions to build community –
drawing inspiration from the legendary Harlem-born artist Faith Ringgold whose art centers around expressions of Blackness and womanhood through a firm anti-racist, feminist lens.
With live performances, food truck offerings and a host of family and community engagement experiences, this celebration will include The Soapbox Presents’ signature Stoop Sessions.

Originally popularized on the stoops of Harlem, this performance will takeover “the stoop” at Ashland Plaza located in front of 651 ARTS’ new home in Downtown Brooklyn. With the music of Frankie Beverly, Earth Wind and Fire, and many more, led by Grammy nominated singer/songwriter Gordon Chambers and featuring vocal powerhouses YahZarah and J. Hoard, this Stoop Session will explore liberation and celebrate the genius of soul classics.

Additional programming highlights for the day are:
Young, Gifted & Black: A Celebration of HBCU Culture – Inspired by HBCU culture, YG&B celebrates the traditions born out of necessity at educational institutions made for African Americans by African Americans and the young people continuing the legacy. This segment will showcase a mix of marching bands, drumlines, and majorette squads.

Featured talent includes: Brooklyn United’s marching band and danceline, the majorette squad Brooklyn Gatorettes; Big Apple Leadership Academy for the Arts’ marching band and danceline; the ICE Cold Experience Drumline; Untouchable Movement Dance Company’s majorette squad and X-Factor Drumline. And this year we’re proud to feature presentations from Alpha Kappa Alpha Sorority and Alpha Phi Alpha Fraternity.

Additionally, “We Outside…” will once again host a unique Black Artisan Market – curated especially for this event by Brooklyn Pop-Up – showcasing Brooklyn’s finest Black makers and entrepreneurs. The marketplace will feature contemporary fashion, accessories, home goods, beauty and wellness and handmade jewelry.


Said 651 ARTS’ Executive Director Toya A. Lillard, “this year, it was really important for us to double down on the intent of creating an event commemorating Liberation Day for Black people in America by really reinforcing the ideals of unity, resilience and perseverance that continue to push us forward as a people through the lens of music, dance and community gathering as a generative way to respond to this moment in our nation’s history. We look forward to welcoming all to ‘come outside’ and join us for this special celebration.”


“As so many things shift for each and every person who calls this country home, it is of the utmost importance that we gather to collectively manifest freedom! It is our mission to create safe spaces where we can actively practice being liberated. Here, at “We Outside: A Brooklyn Juneteenth”, we will commune in the name of Black joy and freedom for all!” said founder and executive director of The Soapbox Presents Marija Abney.

Brooklyn Children’s Museum Hosts Juneteenth in Brower Park, June 19th

Juneteenth is… an annual commemoration of the end of slavery in the United States. Though the Emancipation Proclamation freeing slaves was signed January 1, 1863, enslaved African Americans in Galveston Bay, Texas learned of their freedom from the Union Army, June 19, 1865, after the Emancipation Proclamation was announced. Juneteenth is the longest standing African American holiday observed in the United States.

By Sandra Tharas
Brooklyn Children’s Museum (BCM) and community partners will host their annual Juneteenth celebration on Thursday, June 19 in Brower Park. The family-friendly event, themed “Still We Rise” in tribute to Maya Angelou’s powerful poem of resilience and determination, will feature live performances, interactive activities, and community engagement from 11:00 am to 3:00 pm.


The special commemoration will be presented in partnership with Brooklyn Conservatory of Music, Friends of Brower Park, Brooklyn Public Library – Brower Park Library, the Crown Heights North Association, Council Member Chi Osse, and Repair the World Brooklyn. Juneteenth offers the opportunity to acknowledge hard truths from U.S. history, celebrate the liberation of the enslaved ancestors of African Americans, and work together to advance racial healing, equity, and justice in our communities.


The celebration will take place at Shirley Chisholm Circle in Brower Park and is free and open to all. Brooklyn Children’s Museum will be open for regular admission from 10:00 am to 2:00 pm, and free starting at 2:00 pm as part of its weekly Community Access Thursday hours, sponsored by Amazon.

From 11:00 am to 3:00 pm, visitors can enjoy:

-Performances by Brooklyn United Marching Band and Brooklyn Conservatory of Music

-Line dance workshops led by STooPS

-Bookmobile and storytime from Brooklyn Public Library

-Free book giveaway from Brooklyn Book Bodega

-Planting activities with Field Meridians

-A special bookmaking and quilting project led by Brooklyn Children’s Museum, inspired by the historic African American quilting community of Gee’s Bend

-Choral performances by the Brooklyn Interdenominational Choir

“Juneteenth is about celebrating freedom, family, and the importance of our resilient communities,” says Atiba T. Edwards, President and CEO of Brooklyn Children’s Museum. “At BCM, we love bringing people together. Our annual Juneteenth celebration in Brower Park is exactly what community looks like – people learning together, sharing experiences, and creating the kind of connections that make our neighborhood stronger.”

“The Friends of Brower Park is so grateful to have the support of our community partners to be able to bring back Juneteenth in Brower Park,” says Marva Henry, President of Friends of Brower Park.

Tributes to My Father, Elombe Brath, and Uncle, Kwame Brathwaite

The “Batman and Robin” of The Black Arts Movement

by Cinque Brath
My father was not recognized for his unique parenting motif, except for the occasional Father’s Day card, but Elombe Brath was a loving man with strong and unique relationships. Yet, the public knows more about his relationships with his friends and comrades than with his family.


His public identity is based on his global Pan African work: Four of the five organizations he cofounded connected Black histories and were primarily concerned with the liberation of people of the African Diaspora everywhere on the earth.

This was augmented by his long-running WBAI 89.5 radio show called Afrikaleidoscope that provided weekly analyses on what was happening in Africa & The Diaspora.


Elombe Brath, is often cited or paired in association with his work with other leaders when we hear oral histories recanted. Elders in our community pair Elombe Brath with Sonny Carson, and Elombe & Gil Noble, Elombe and Samori Marksman, Elombe & Miles Davis, just to name a few of the numerous pairs or duos, but we don’t often hear about his relationship with his first best friend, his younger brother Kwame Brathwaite, the legendary photographer, my uncle.


None of the community elders tell the story of how Leslie Scott (aka Zaccariah Abdullah), the great dancer, actor & baritone singer of the original Porgy & Bess Musical, mentored the artistic and analytical talents of these brothers when they were 12 and 10, respectively, within his group, Shabazz. Their encounter with Brother Scott led to the brothers’ eventual pioneering role in the Black Arts Movement.

Elombe Brath, left, with Brother Kwame Brathwaite. photo courtesy of Cinque Brath


Carlos Cooks, the staunch Garveyite and leader of the African Nationalist Pioneer Movement (ANPM), was the next non-family member mentor.

As the story goes, Cooks happened to stroll into the record store where Elombe was working and made such a strong impression that my father eventually joined ANPM. Naturally, Kwame followed his brother and joined the progressive group.


They shared many experiences together, although not all of them happened at the same time. They once cofounded a graphic design company called Heiroglyphix, and collaborated on design projects daily.

From that experience, they were featured as two of the top 50 black designers in America. The collaboration is highlighted in a recently debuted book, “Where the Black Designers Are: A Life in Advocacy” by Cheryl Holmes Miller (2024).


My father and uncle were born in Brooklyn but reared in the Bronx by immigrant parents from Barbados. The brothers shared a fascination with local history, especially the untold stories of Black marginalized communities.

The creative gene was in the family; their father, Cecil T. Brathwaite, was a hard-working businessman who owned two dry cleaning businesses in Harlem, but his passion was art and painting.


He wanted his sons to be exposed to what the world had to offer, on one hand, but he believed working in the arts field was a luxury. This exposure began with taking the kids on weekend trips to Sag Harbor, but that was eschewed for community work and more socio-political education on the ground.

Their bond as brothers fueled their shared vision, and together, they transformed a teenage passion for studying history into a respected institution that preserved the past and inspired a more inclusive future.


Theirs was a passion fueled by family discussions, sometimes around the dinner, about everything that was on their mind, albeit conversations about Emmett Till being lynched or the troubles that their first cousin Clenell Wickham faced because he championed Black working-class causes against the white planter oligarchy in colonial Barbados. At the same time, Wickham was editor of The Herald newspaper.


The brothers knew that America’s rapidly changing landscape of the 1950’s would gradually shape their ideas and strategies for a deeper mission and purpose.


In 1956, Elombe (19) and Kwame (17), still teens but very mature established the Jazz Art Society, which would later become the African Jazz Art Society & Studio (AJASS), a nonprofit organization focused on preserving jazz as an African art form.

The initial goal was to promote jazz artists, rescue jazz from white interlopers, and preserve it as an African art form. They recruited other talented friends who also believed in the teachings of Marcus Garvey, including Bob Gumbs, Chris Acemandese Hall, and Frank Adu Robinson.


Within a few years, the brothers moved the organization out of their parents’ basement in a house on Kelly Street in the Bronx to a studio office near the Apollo Theater on 125th Street. Their ahead-of-its-time multi-layered organization included the AJASS repertory theater and the AJASS Griots.

Two of the most popular jazz artists of the day, Abbey Lincoln and Max Roach, came under their wings. They formed The Grandassa Models, bold, beautiful black women who would later become the engine of the Black is Beautiful movement, and the main feature of the “Naturally” shows.


In the end, the elders didn’t share enough stories about the brothers, but their heirs are proud to convey the stories of these men who jumpstarted so much, including the first Black Arts Movement Organization of the second interlude of the Black Arts Movement. (The Black Arts Movement’s first interlude was the Harlem Renaissance of the 1917 to 1930s).


One elder griot who did recognize the connection is Omowale Clay, the current chairperson of the December 12th Movement. In a May 2023 edition of The Amsterdam News, Clay, was quoted by journalist Herb Boyd emphasizing Kwame’s unbreakable connection to his older brother, Elombe, and their dedication to not only Black is Beautiful but “the struggle for self-determination.”


I remember Elombe

by David Greaves
Elombe was a communicator, and it wasn’t until I began listening to him on WBAI, 99.5 FM, that I came to appreciate the depth of his knowledge, his analysis of the issues facing Black people and the work he was doing to bring information to those of us who needed it so desperately.


In 1999, I had written an article titled “Stolen Land, Stolen Labor: The Case for Reparations,” and Elombe had seen it and honored me with an invitation to speak on the radio show and share information, where before I had been just a listener.


He also invited me to his weekly Harlem forum to present the article to the group. After the lecture, Elombe took up a collection and gave me $36, which may not sound like much, but at that time, it was manna from heaven and a joy to my spirit as I did not think I had enough gas in the car to get Bernice and me back to Brooklyn.


Later, he was instrumental in having me on Gil Noble’s “Like It Is” weekly show on WABC to discuss our article Graham Weatherspoon and I did on the Amadou Diallo shooting and the images we had of dowels in the bullet holes showing the trajectory of the shots.
Elombe was an unselfish source of information, inspiration, and support, and we are fortunate to have known him and benefited from the life he lived.

Spirited City Council Debate Shines Spotlight on District 41 Hopefuls – Minus the Incumbent

By Lyndon Taylor
In a packed room filled with civic-minded residents and community advocates, the District 41 City Council Primary Elections Debate offered voters a first-hand look at the eight candidates vying for a pivotal seat in Brooklyn politics.

Hosted by the Atlantic Plaza Towers Tenants Council, Inc., the event was as illuminating as it was impassioned—though notably absent was the incumbent, Councilmember Darlene Mealy.


Held just weeks ahead of the Democratic primary, the forum was moderated by Sandra Eddie, Community Outreach Chairperson, who guided the candidates through a structured format that included opening remarks, a series of questions, and closing statements.

With ranked choice voting being introduced for the first time in District 41, the debate provided a crucial platform for each candidate to outline their vision and distinguish themselves in a crowded field.


While Mealy’s absence loomed large, it also galvanized her challengers, many of whom used the opportunity to argue why the current councilmember should not be among the ranked choices on the ballot.

Voices for Change
Jammel Thompson, branding himself as “the change candidate,” wasted no time in asserting his platform, declaring his intent to bring “real change and bold leadership” to the district.
Bianca Cunningham, a seasoned union leader and organizer of the largest retail strike in recent history, emphasized her grassroots approach. “We’re bringing the fight from the streets to City Hall,” she said, drawing enthusiastic applause.


Educator Lawman Lynch declared that District 41 “deserves better,” positioning himself as a champion of a people-centered campaign rooted in transparency and community empowerment.


Current District Manager of Brooklyn Community Board 9, Dante Arnwine, emphasized his track record in public service. “I’m bringing presence, communication, strategy, and experience,” he noted, underlining the skills he believes are needed to uplift the district.

Energy, Education, and Engagement
Perhaps the most animated of the candidates was Clifton Aaron Hinton, whose electric delivery and catchy wordplay kept the audience engaged. “I’m the Clif that won’t leave you hanging, the double A that keeps on going—get the Hint, because now it’s On,” he proclaimed. Hinton emphasized the need for new leadership and said he was figuratively “taking up two seats” in the absence of the incumbent.


Eli Brown, a proud graduate of Boys and Girls High School and Columbia University, made education a central theme of his campaign. He shared plans to engage Brooklyn’s youth more deeply and meaningfully in civic life.


Brooklyn native Jamell Henderson told a moving personal story of growing up in foster care and how education changed his trajectory. “I’m here to change the narrative,” he said. “I’ll work tirelessly for your future.”

Tackling the Big Issues
The two-hour debate touched on critical topics affecting the district, including affordable housing, public education, and safety. While the candidates offered varied solutions, all agreed that stronger leadership and deeper community engagement are essential to District 41’s future.


Sandra Eddie praised the candidates for their thoughtful contributions and thanked the Atlantic Plaza Towers Tenants Council, Inc. for facilitating a meaningful civic dialogue.


As the primary election nears, residents of District 41 now face an important decision—one that could chart a new course for the community, and with ranked choice voting in play for the first time, every voice, and every ranking, will count.