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Lindsay Greene Heads Brooklyn Navy Yard: The Hub for Innovative Tech and Art

Fern Gillespie


Beginning in 1801, the Brooklyn Navy Yard became established as America’s premier naval shipbuilding facility where it launched powerful warships for over 165 years. Today, the Brooklyn Navy Yard, owned by the City of New York, has transformed into a renowned dynamic, innovative industrial park located on the East River waterfront.


Under the direction of Lindsay Greene, president and CEO of the Brooklyn Navy Yard Development Corp, the 300-acre complex is home to over 13,000 employees working across over 550 unique businesses and sitting on 6.3 million square feet of industrial space. As the organization’s head, Greene balances a myriad of responsibilities including economic development, education programs, innovative workforce initiatives, real estate accessibility and business advancement support.


“In some ways we joke internally that the Brooklyn Navy Yard is like four nonprofits in one. I like to think of it as a manufacturing innovation ecosystem that really is about doing that in an inclusive way,” she told Our Time Press. “There are companies that are here working on all sorts of stuff that address either healthcare challenges or climate challenges and they’re doing it with this interesting new technology. So, it feels like people are making the future here.

We’re doing that in such a way where we’re kind of bring along the rest of the community.”
The Brooklyn Navy Yard is acclaimed as a hub for technology, design, manufacturing and innovation. Occupants range from artists spaces to institutions.

It’s also home to Pratt Institute’s Research Yard, a 20,000 square foot research and fabrication facility. The Pratt dedicated space is for creative research for students, professors, and industry practitioners to discover new approaches to address complex challenges.

The Brooklyn STEAM Center offers career and technical education to New York City public school high school students in culinary arts, hospitality management, construction technology, film and media, cybersecurity, and design and engineering.

The employment center helps people get jobs at Brooklyn Navy Yard. In addition, the workforce training program focuses on upskilling manufacturing employees to become computer numerical control (CNC) machine operators for careers in this digital age.


“What it looks like to have a manufacturing job now is different from what it was like from 15 to 20 years ago,” she said. “It’s called a computer numerically control (CNC). It’s using either laser cutter or router. What you would have done by hand before, you can put the basic design into a computer system and the computer will do a lot of the bigger finer cuts.”


The Brooklyn Navy Yard also reaches out to local Brooklyn community grassroots organizations to create job pipelines for underserved communities. Also, for involvement celebrations like festivals and special events. “We’ve expanded our relationships with different community organizations for workforce activities. We do that regularly and try to open the campus and have open house events for rebuilding our relationships,” she said.

“We also reinstituted and revamped our educational programs so that middle school students can come, and they get exposed to everything that’s happening here at the Brooklyn Navy Yard. They’re learning what the careers of the future are –so they get that exposure.” In addition, Brooklyn Navy Yard has a major internship program with CUNY institutions.


This January, Senators Chuck Schumer and Kirsten Gillibrand joined Congresswoman Nydia Velázquez, to announce that Brooklyn Navy Yard will receive more than $28 million in FEMA funding. It will be used to replace boilers and fuel tanks damaged by Hurricane Sandy and fortify new and existing infrastructure against future storms. Greene told Our Time Press that contractors will include WMBEs. “DEI is a core part of our DNA,” she said. “It’s in our charter with the City and its also what the Navy did when they were here.”


Prior to joining Brooklyn Navy Yard, Greene specialized in economic development. Her positions in the New York City government included Chief Strategy Officer of the New York City Economic Development Corporation and Chief Strategy Officer for Economic Development & Housing in the New York City Mayor’s Office.

Her career includes management positions at food startups and six years working at Goldman Sachs. She holds a BA in economics from Harvard and an MBA from Yale School of Management. Greene is part of the rise of Black officials who are heading major Brooklyn institutions in arts, business, healthcare, philanthropy and social services. Greene, the first Black woman and openly LGBTQ person to hold the top position at Brooklyn Navy Yard lives in Brooklyn with her wife and two daughters.


At the Brooklyn Navy Yard, the public is invited to check out socializing opportunities. There is The Market @77, a vibrant food hall located on the ground floor of Building 77. It’s a culinary destination that offers a diverse array of eateries, freshly baked bagels with lox to piping hot pizza and delicious tacos. There are art galleries at Brooklyn Navy Yard. In Building 92, there is an exhibit that tells the story of the Brooklyn Navy Yard from its origin in 1801.
For more information on the Brooklyn Navy Yard, visit www.brooklynnavyyard.org

Tribute to Angie Stone

Queen Mother of Neo-Soul and Beloved SisStar

by NZINGHA CEO,
QUEENNZINGHA Entertainment LLC


As I write this tribute, I am devastated and in a state of disbelief about the passing of my Beloved Soul SisStar Lady, the great Angie Stone. Not only was she a client of mine, but she was also my spirit SisStar and friend.


The world’s musical journey with Lady Stone began during the ‘70s with the number one hit, “Funk You Up.” Performed by The Sequence featuring Angie B (Stone) who penned the chart-topper, Blondie and Cheryl the Pearl, that song also became the anthem of the early years of Hip Hop movement.


The Sequence also enjoyed a golden place in music history, too, as the first female rap group to ever hit the music charts, and it was in 1979 with Angie ‘s song. Sequence was the first female rap artists group signed to a major record label — the iconic Sugar Hill Records founded by recording artist Sylvia Robinson (now record label owner), who gave us the R&B classic tune “Pillow Talk.”


The Sequence shared great success with their Sugar Hill label mates, The Sugar Hill Gang who had the hit song “Rappers Delight.” which sampled the song “Good Times” originally recorded by the R&B group CHIC. The Sequence also ghost wrote the rap song “Apache” for The Sugar Hill Gang. The rap scene was founded in The Bronx, NY and was predominantly male, at the time, but these beautiful, stylish super-talented belles came with the southern funk!
I was a little girl, 12 years old, who loved the music that was coming through my graffiti painted yellow boom box. I was 12 years old. Who knew that years later I would wind up working with Angie, one of the founders of this history-making group that influenced and shaped my young musical taste.


The music that was playing on my radio was the beginning of a genre of music that some wanted to go away but, little did they know, it was just the beginning.
“Funk You Up” was so impactful because it was performed by a girl group! A first! Pioneering! A blueprint! Unique! It was the foundation on which women of the genre would later stand and build their own careers!


Angie was a pioneer. She gave us great songs that became anthems that we sing along to and identify with, to this day. She was the first of firsts in her field. We can’t and won’t overlook her legacy and her gifts.


After parting from a sketchy record deal The Sequence, Angie continued to expand her musical gifts by gracing us through the groups Mantronix and one of my favorite 90’s groups, Vertical Hold.


Nineties groups like The Brand-New Heavies featuring lead vocalist N’Dea Davenport and the group The Family Stand featuring lead vocalist Sandra St. Victor had strong lead vocalists as well. All these ladies would later have solo albums.

But Vertical Hold definitely had the rhythm that laid the groundwork for what would later become a musical genre we now call Neo Soul.
Vertical Hold had a major hit that was played in heavy rotation on radio called “Seems You’re Much to Busy” also written and sung by Angie about unrequited love.

It was released in 1992 on the A&M record label. Angie, as the lead vocalist for the group, gave them that bop that only Angie brings to a song. I distinctly remember the music video because the tune had a similar vibe to the music group out of the UK in the 80’s called Loose Endz.

With this video I was a bit upset because they strangely filmed the lead vocalist Angie in the shadows. Her solo vocals that were the verses of the song were inserted as vignettes during the song.


Angie performed “Seems You’re Much Too Busy” live at The Apollo Theater in Harlem and, yes, again the irony. I was in the audience never knowing we’d meet some years later and that I would become her Makeup Artist for her first solo project. I was blown away, that evening, by the performance and Angie’s unique voice and vocal styling.


Fast forward. The first time I met Angie Stone was on the day of the photo shoot for her first solo album called “Black Diamond”. Now, she and I spoke on several occasions prior to the photoshoot, and I was privy to the music as it was in its final mixing stages.

Her speaking voice was thick and rich with a bounce to it much like her singing voice. She spoke with confidence about her project. She called it her baby “Diamond”. I knew it would be an album that would split the sky! It was pure musical genius.


I have the privilege to say that Angie chose to work with me out of all the make-up artists out there. I was honored that she trusted me. In our corporate meeting with the record label executives, I presented the concept that Neo Soul has a sound indeed AND an aesthetic and I wanted to build that Feminine Aesthetic with Angie Stone.


I presented “Black Is Beautiful,” my family’s mantra and lifestyle ethos. The working title for her album title was “Black Diamonds and Blue Pearls”. I loved it!! What an amazing title! We both said it at the same time; we were in perfect synch from the beginning. We understood that both jewels are the most expensive jewels on the market and rare to mine. I thought to myself, this lady is really an unsung GENIUS!


I assured her that my glam squad team would pull together top-shelf artists – make-up, photography, hairstylists and others — who were in high demand. Chuckie Amos (hairstylist), Michaela Angela Davis (wardrobe stylist), Ruven Alfanador (photographer) and I (makeup designer), were among them. She told me she wanted me because I understood her project and she trusted me implicitly.


I got the official call to work with Angie from her management to my agent. In those days, my schedule was double-, and triple-booked, some days, but all else I had to do Angie’s project. This was a personal project that I knew in my spirit was going to really solidify Neo-Soul and anyone else who would come in after.


So I am preparing for my shoot with Angie in my makeup studio and I’m listening to the final mix of the music and I’m in love with this album. It was raw and emotional and a total vibe. I’m playing track after track, over and over, I hear something familiar in the sound, something I had heard before, somewhere. It was the similar groove musician D’Angelo has. (D’Angelo was also a client of mine, so this was naturally familiar and what I call family.)


The day of the shoot I set up my station to do the makeup and waited for my beloved Artist to arrive. When Angie entered the room, we immediately hugged each other as if we were sisters and hadn’t seen each other in years. The first thing I noticed about her was how clear, glowing and smooth her skin was! She looked like family to me.


I thought this will be such an easy application: look at her eyes, her nose, her beautiful smile. She is so beautiful as is. But I’m paid to do makeup so I have to put some on but she was naturally beautiful. I wanted to keep her makeup look glowing and dewy with pops of color in strategic fashion.


Our shoot day was just like yesterday in my mind because our bond was instant. She knew my work, I knew hers; we talked about everything from cooking to our love for GOD. The first click of the camera started going and we were on a roll. Ruven, the photographer, a quiet man, was listening, like the rest of us, to the music and even he was excited about what he was seeing through the lens!


We got to look at the first few Polaroids and I almost fell on the floor because Ruven captured what I saw when Angie walked in the door and sat in my chair…he saw her, he saw, Angie! He caught the beauty of her skin, hair, eyes, mouth, face…he got it! Black Is Beautiful! Indeed!
I was right as usual this was incredible to work on at the release of the album and the music video drop.

The first song released was “No More Rain” directed by Andrew Donsomu, a visionary art house director who was in love with the album’s artwork. Andrew caught the vibe and created and established a look for the song. We immediately went into work on the second track released titled “Everyday”.


My place with Angie was set. We went on to ultimately do it again with her sophomore solo project called “Mahogany Soul” and we did it again! The images from this shoot are my favorites. She was radiant. It showed in every click of Ruven’s camera. Angie was again about to ride a wave she created — with the release of the anthem “Brotha.”


Are you noticing a theme in Angie’s music? Her songs are all anthems! What is an anthem? An anthem is a musical composition of celebration, usually used as a symbol for a distinct group. Angie wrote songs not only for herself but also wrote songs for and with other outstanding Artists: Prince, Mary J Blige, Toshinobu Kubato, Lenny Kravitz. And more.


Now, many may not know this, but Angie knew how to play instruments as well as sing. She played saxophone for superstar Lenny Kravitz (also a client of mine) on his Let Love Rule tour. Angie was a songwriter, singer, instrumentalist and actress she hit all cylinders and definitely the musical trifecta that is so rare to find.


She was a true collaborator and generous with her time and gifts. And every tune she worked on was a hit! But she was humble and generous in everything she did within the entertainment industry.


She wrote a song called “Freedom” for the film “Panther” released in 1995 directed by Mario Van Peebles. This was around the time she was writing and working with D’Angelo. The song featured over 60 of my SisStars in Hip Hop and R&B who came together to record “Freedom”, the theme song for the 1995 PANTHER film.


The anthem features a chorus of popular hip-hop, pop and R&B artists and groups including; En Vogue, Aaliyah, Vanessa L. Williams, Mary J. Blige, MC Lyte, SWV, TLC, Monica, Felicia Adams, May May Ali, Amel Larrieux, Az-Iz, Blackgirl, Tanya Blount, Brownstone, Casserine, Changing Faces, Tyler Collins, N’Dea, Davenport, Da 5 Footaz, E.V.E., Emage, Eshe (of Arrested Development) ,For Real Penny Ford Lalah Hathaway, Jade Laurneá *Jamecia, Jazzyfatnastees, Queen Latifah, Billy Lawrence, Joi Brigette McWilliams, Milira, Miss Jones, Cindy Mizelle, Me’Shell NdegéOcello, Natasha Nefertiti, Patra, Pebbles, Pure Soul, Raja-Nee, Brenda Russell, Salt-N-Pepa, Chantay Savage, Sonja Marie, Tracie Spencer, Sweet Sable, Terri & Monica, Vybe, Crystal Waters, Caron Wheeler, Karyn White, Vanessa Williams, Xscape, Yo-Yo, N-Vee and Zhané.


Yes, I did the makeup for the music video, and, thanks to Angie, worked on ALL of the women in the video! And in the video, you will see Angie leading this choir of beautiful Ladies and all are in synch.


Angie was loved and respected by her peers who knew her gifts and talents.
Angie was a hit maker from her first album in 1979 to her last single in 2024 with “Music Soul Child.”


Lady Angie, you and your music will be missed, here on earth but, we all know you’re now singing with the holiest choir before The Lord in heaven.
Rest In Rhythm

Queen Nzingha Gumbs is an author, writer, magazine editor, graphic designer, make up designer, with 3 decades of experience in visual communication, branding, and multimedia design. She was born in The Bronx, New York, and grew up in a family of artists. Her father was Charles Peaker, leader of the African Nationalist Pioneer Movement; her uncles were Bob Gumbs, one of the first Black graphic designers, and photographer Kwame Brathwaite. Her godparents were Max Roach, Miles Davis, and Abbey Lincoln. Jean Gumbs, her mother, was a working model, and a Grandassa. “I didn’t know anything else; I had to be an artist,” Nzingha told Cut Magazine.

Black Rose: “A Goddess of African Culture”

By Maitefa Angaza

Reprint from March 10, 2022


Black Rose’s instinct for style was a homegrown asset. “My mother was an expert dressmaker,” she said. “She taught us how to make dresses and hats. We modeled our fashions at church, community centers and then some clubs in Harlem.”


Along with her sister and two friends, all talented “seamstresses” as they were called then, she produced a series of well-received fashion shows featuring their designs. She would soon combine her love of fashion and growing love for her cultural legacy in a way that would forever impact her life.


“Kwame Braithwite asked if I wanted to be a Grandassa model,” said Black Rose. It fit in with what I was doing, but being a Grandassa Model took it to the next level!”


The Grandassa Models’ hairstyles represented authentic pride in their heritage along with the clothing. Fascinated by the texture and artistic possibilities of Black people’s hair, Black Rose chose barber training in order to work with this texture because cosmetology schools taught that pressing or perming were the only options.

Still a hairstylist today, she graces Black women with beautiful hair in its natural state — although she doesn’t use that term for it.
“I don’t so much say, ‘natural hair.’ Everybody has hair that is natural to them, African people have African hair. Our hair is unique and our beauty is unique.”


A dream came true for Black Rose when she was invited to visit Africa for the first time.
“In 1977 I went home to Nigeria as an artist participant at Festac,” she said. (She’d later visit an additional eight African nations.) “I was chosen to produce an African hairstyles extravaganza at Lagos City Hall, a really fabulous place!”


She was featured on the front page of a leading newspaper there, with the headline “Goddess of African Culture.” In the U.S. she was also featured on the cover of The Liberator magazine and on a Lou Donaldson’s Good Gracious! album cover.


Black Rose has always had several things going on. She worked at Revlon as a quality-control inspector with on-the-job training as a chemist. The latter discipline is among those she still nurtures, as she does in the production of her Aromas of Dignity essential oil blend, sold at shops in several states and at Namaskar here in NYC. Her life has been an adventurous and rewarding journey and Black Rose has been honored to take.


“I became aware of how much we have given the world and how much we still have to offer,” she said. “We will continue with our legacy and reach higher heights. There’s no valid reason not to continue on that path.”

Cookie Entrepreneurs!

My goal is to sell at least 500 to 800 cookies. I am doing this to go on trips and to sell people cookies for the funds to support our trips. I also want help with my accounting and money skills and overall help my communities learn more about Girl Scouts of Greater NY, and my troop 2413. – Elaina, 10

Hello, my name is Melina from Troop 2413. My goal is to get at least 500 and more so my troop can go on trips and do extra Girl Scout activities such as going to Camp Kaufman and going to Fordham University to learn how to incorporate AI technology and STEM activitiess. I also like selling because it helps me with my entrepreneurship and teaches me how to be a business worker and helps me develop the skills for money and business management. – Melina, 12

Adrienne Adams Kicks Off Mayoral Campaign With Lively Rally in Southeast Queens

Sunday, March 9, 2025 – ROCHDALE VILLAGE, NY – Democrat Adrienne Adams joined elected officials, family, residents and supporters at an electrifying rally on Saturday to officially kick off her campaign for mayor on International Women’s Day.


Replete with music and stirring speeches, the event was held inside an open shopping center located inside Rochdale Village, a housing co-operative in Southeast Queens, in the heart of her council district.


Adrienne said: “The neighborhoods that New Yorkers call home may vary, but the problems and possibilities New Yorkers face are the same. We all want to have enough to live in New York. We all want to be safe. And we expect our leaders to be accountable to the people.

Too many New Yorkers can’t raise a family in our city.

Too many lack opportunity and safety. The trust in city hall and the focus on public service to New Yorkers has been weakened. Donald Trump’s corruption of our city’s independence is growing and every single day he is spreading chaos that is harmful to our city and families. New Yorkers are fed up, so it’s time for us to stand up.”


Chants of “run, Adrienne, run!” could be heard over music as supporters danced, waved signs and cheered as over a dozen elected officials and community leaders stood up to pledge their support for Adrienne’s nascent campaign.


“Adrienne is the type of mayor our city deserves with so much chaos at this moment,” said New York City Council Deputy Speaker Diana Ayala. “Leadership that puts New Yorkers first, brings stability and doesn’t come with scandal or make everything about themselves.

I have seen this firsthand with how she has empowered and worked with me as someone who knows what it’s like to be homeless or lose a loved one to gun violence.

I look forward to working to elect Adrienne as the first woman to be our mayor and to move this city forward.”
A steady leader known for her ability to unite diverse members of the city council as its speaker, Adrienne was drafted to run by community leaders and city stakeholders to deliver the effective, drama-free leadership the city needs.


Born and raised in Queens by union-working parents, Adrienne proudly wears her outer-boroughness as a badge of honor.
“Where I’m from is who I am; Adrienne, from Queens,” she said to applause.
In that spirit, her campaign will focus on issues that affect New Yorkers but she says have too often been cast aside.


At the same time, Adrienne plans to utilize her positive relationships with state and federal elected officials to fight for the city against draconian policies arising from the White House that affect everyday New Yorkers.


Adrienne said: “Since last November, New York City has been clouded by fear and despair. Crisis requires strong leaders who unite. Governance guided by values. Management steered by vision. We need leaders who stand up for us. They truly care about us because they are one of us. They live in the neighborhoods of New York City with us, not those who now come around to exploit us.”


This weekend, the campaign also began collecting petition signatures to get Adrienne on the Democratic ballot. Green sheets for residents to sign were seen during the event and throughout the shopping center. To appear on the June ballot, candidates must collect 3,750 signatures from registered Democratic voters by April 3.


As the campaign builds quickly, a webpage, www.AdrienneForThePeople.com, was launched to receive contributions. Adrienne will participate in the city’s matching funds program.
Adrienne said: “New Yorkers deserve a government that is accountable to them. I think I speak for every New Yorker when I say we are so done with the drama. The people of this city can’t afford more of it at their expense. It’s embarrassing.


“I will bring a competent, ethical, and results-driven team to city hall that puts the people first. No drama, no scandal, no nonsense – just competence and integrity.”

Endorsements on site Saturday included:
Deputy Speaker Diana Ayala (Upper Manhattan/Bronx)
Majority Leader Amanda Farias (Bronx)
Assemblyman Andrew Hevesi(Queens)
Senator James Sanders (Queens)
Former Manhattan Borough President C. Virginia Fields
Former Council Member I. Daneek Miller (Queens)
Council Member Kevin Riley (Bronx)
Council Member Althea Stevens (Bronx)
Council Member Sandy Nurse (Brooklyn)
Council Member Yusef Salaam (Harlem)
Council Member Chris Banks (Brooklyn)


Adrienne Adams currently serves as Speaker of the New York City Council. A woman of many firsts, Adrienne was elected in January 2022 by her colleagues as the first Black speaker and leads the most diverse and first-ever, women-majority council in New York City history.

Elected to the city council in November 2017, Adrienne is also the first woman to represent District 28, which encompasses the Queens neighborhoods of Jamaica, Richmond Hill, Rochdale Village, and South Ozone Park.
For more information on the campaign, visit www.AdrienneForThePeople.com.