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Tapping into Brilliance Can Bring More “Little Mozarts”

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Anaya Torrence

Anaya Torrence is seen as a wonder for some people. Anaya started taking piano classes at Mrs. Robinson’s Music School at age 3. By age 5, she was playing Bach. Patricia Robinson, the music school’s director, believes “the sky’s the limit” for Anaya—her “Little Mozart”. Attika Torrence, her father, believes Anaya is one of many brilliant minds.

“I think my daughter is brilliant and I think many of our children are brilliant. Because [my wife and I] have invested in our family, it shows in our daughter.”

This investment is in the form of exposure to several arts and sports programs. Migdalia Torrence, Anaya’s mother, first visited Mrs. Robinson’s Music School when she was pregnant and returned two years later to hear that her daughter still had time before starting classes. At age 3, Anaya was given a test to judge her ability to follow directions and recognize shapes, which she passed. By 4, she played “Princess Waltz” at her first recital.

Ms. Torrence enrolled her daughter also in a performing arts program for children at Brooklyn College for instruction in ballet and musical theater. When Dwana Smallwood opened her performing arts center in 2015 on Lexington Avenue in Bedford-Stuyvesant, she had her daughter involved in the Summer Arts Intensive. The two also go to Prospect Park to play tennis and Kensington Stables for horseback riding.

Migdalia Torrence, previously the education director of a day care center, sold the business to be a full-time homemaker. She reasoned, “If I can be what I was to all those children, I can be all that for my child”.

This family tapped into the resources found in and out of Bedford-Stuyvesant to provide a fertile environment for themselves. “Don’t be afraid to let our children try different things. We have been searching for her talent, her brilliance. We’ve arranged for Anaya to do gymnastics, soccer, ballet, swimming, tennis, horseback riding and karate. All we’re doing is giving her the opportunity to exercise her ability”, explained Attika Torrence.

It is true that Anaya is not alone in her brilliance. She does not sit in an empty classroom at Success Academy in Bed-Stuy, at Brooklyn College, at Dwana Smallwood Performing Arts Center, nor other programs she attends. She is with other children, being a young girl. It is during recitals that her competitive side reveals itself. Mrs. Robinson declared, “In fact, she’s competitive with others. She doesn’t want anyone to be better than she is”.

The next opportunity to see “Little Mozart” compete with other bright stars is Sunday, February 21, 2016, 4:00 PM at Berean Missionary Baptist Church, 1635 Bergen Street in Brooklyn for the Mu Te Or chapter of the National Association of Negro Musicians Black History Concert.

One House, Two Women, A Vision Realized

Bernice Elizabeth Green
When a house on Cambridge Place in the Clinton Hill Historic District recently went up for nearly $4 million, a record for the block, I couldn’t pass up

Photo: Spencer Lasky

the chance to see it.
It opened the door to an opportunity to answer a decades-old question: what if I had purchased the property for the $22,000 offered then.
This particular house was the best of the ones that got away.
Times have changed: From the market value of houses to the presence of FOR SALE signs in windows inviting casual passersby to call, not to mention the sign makers.
More importantly, back then there were no cell phones. No wireless internet service to prowl real estate information. No Property Shark.
But after about a week of telephone calls, we learned some particulars about the rowhouse with its weed-filled front yard: it was heir property, and the heirs wanted cash for the three-story brick Italianate rowhouse.
But there was more to the house: a church held services on the parlor and ground floors for many years. Remnants left behind included a large, dusty piano; aging Bible and Sunday School books, and what might have been a Sunday School room part of an extension off the back parlor room that was reached by walking up two stairs where the window had been converted into a doorway.

Photo: Spencer Lasky

The stained glass, mahogany entry way and original built-in bookcases were stunning..
My romancing the house was for just that one day, somehow within the two months that we worked on a plan to save up more money (the heirs wanted all cash) and what to do about the intact but faulty sprinkler system throughout – the property was purchased.
Thankfully, it was a woman we knew — Mrs. Kennedy who fell in love with it and held on to it through the thinnest times for many years.
I wondered about the piano and the room at the back. And the house that got away for some time. Just wondered what would have happened if ….
Fade out: Years later, Mrs. Kennedy sells her property. Fade in: buyer Katherine Glynn, COO, Diana Vreeland Parfums, purchases it, for a good deal, but not as sweet (I was thinking, then) as my coulda-woulda-shoulda would-be deal.
I knew it had been sold, and that was enough. I had my own properties to care for.
The summer of 2015 I met Kathy for the first time. She had been on the block several years by then.
Fast forward to six weeks ago: she’s moving on, selling the property. I assume the property has undergone extensive cosmetic surgery with steel, glass and the trendy accoutrements. I would soon discover that she had done better, mixing the traditional with contemporary conveniences. It still retained its soul.
Enter real estate pro Emerson Atkins, who was, unknowingly, part of the story all along.
Turned out he and his wife were Kathy’s friends; he had known the Kennedy family, before they left Brooklyn; and he was a good friend of realtor Barbara Haynes. He also was a supporter of Barbara’s and my New York Real Connection newspaper, circa 1999, the precursor of OUR TIME At Home (born seven years later in 2006). Atkins brokered the deal that brought Kathy the house.
So it seemed easier to ask him: what makes a house $4m. He invited me take a look not knowing I had any connection to it.
Fabulous indeed; the parlor mahogany doors were still in place, and still magnificent. In the parlor living room was the once-orphaned piano, moved from the ground floor, repaired and restored to its original essence.
When Kathy first saw it, she decided it deserved care. “And there was a feeling that it was the right thing to do …”
In the parlor was the massive wood mantle with its gas fireplace and the built-in cabinets that once held Bibles and song books. They were restored to their original refinement.

Photo: Spencer Lasky

Gone was the one-room extension to the house that was entered by walking up two steps then through the parlor window on the east side of the house.
I had envisioned it back then as a writing space or library. Kathy said the wood-paneling was loose and the extension was actually held together by weak, collapsing stilt-like structures. She replaced it with a sturdier extension that contains her stainless steel chef’s kitchen, fully appointed with book shelves for cookbooks and a hideaway laundry. Didn’t have those kinds of things way back in the day when I saw the house.
But in the center of her kitchen – my writing-space defunct, stood an antique medium-sized dining table that belonged to Kathy’s grandmother. It was apparent from Kathy’s stories that the table is comfortable there with its other woodmates.
Late Tuesday night, Atkins informed me that an offer on Kathy’s property had been accepted.
A chapter in the life of a house ends; another begins. The house no longer belongs to me in my mind; I can close the door, and someone will open – or build — another.
Tip from Emerson Atkins
“A good deal, these days, is hard to come by in these tough times, and there is one key ingredient to being as successful as you can be in looking for a property: relationship-building. After identifying the neighborhood you want to live in, get to know your neighbors and contribute to the building of the neighborhood. Word of mouth can equal the odds of your finding a prospective seller.”
He also says, ”Sometimes, a house may not be meant for you, but you should not blow an opportunity if it is or miss out on a chance to make it your own.”
For information on this and other properties, contact Emerson Atkins at: 347.404.5686 or 917.249.5029, emersonatkins@gmail.com

Preservationist’s Spirit

 

ENY Savings Bank Headquarters, 2644 Atlantic Avenue, stood at the southeast corner of Pennsylvania and Atlantic Aves. It operated from 1868 to 1967. (picture from circa 1938-East New York Project)

This structure, former headquarters for the East New York Savings Bank, was demolished last year. But from its remains, a phoenix of a movement is on the rise with preservationist Zulmelena Then, founder of PENY, providing the wings.

Zulme (pron. Zumi) admits that preservation may not be at the top of the concerns list for longtime residents. The mayor is proposing an “upzoning” of the area for developers to create taller structures which, he says, will increase affordable housing.
“East New York will be the first of 15 neighborhoods to be rezoned, and what happens will set the course for future rezoning efforts. The community should have a say in everything that impacts it – even displacement through demolition,” she says.

“Preserving landmarks is a political act and a community service, and I want to send the message out that the community cares about everything that impacts it and should have input in all revitalization efforts.”

So far, through her PENY movement, the Bushwick-born and raised junior architect has gotten the attention of city agencies, real estate media, the community board and the “right people” in New York City preservation.

A graduate of Pratt, Zulme started her career at Michael McCaw Architects in Stuyvesant Heights, where she first worked as an intern. In her free time, Zulme bikes all over the neighborhood delivering the word to whoever will listen, and her movement is picking up steam. For more information: (BGreen)

Beyoncé, Sanders and Trump: Challenging the Establishment

By David Mark Greaves

Donald Trump and Bernie Sanders winning the New Hampshire primaries and Beyoncé’s “Formation” performance at the Super Bowl have this in common: they all point to changing times and the ruling establishment losing control of the national narrative. On the Republican’s side, they have the bilious Trump, the oily and neo-Fascist Sen. Ted. Cruz and have to pin their hopes on Sen. Marco Rubio, revealed as a robot in suit by New Jersey Governor Chris Christie who went Tony Soprano on him at the New Hampshire debate and exposed his loop of programmed lines.
For the Democrats, they are watching a 74-year-old self-proclaimed Democratic Socialist Sen. Sanders, railing against Wall St. and the greed of the rich, going toe-to-toe with the deeply experienced and heavily funded, former First Lady, Senator and Secretary of State, Hillary Clinton.
And then there is Beyoncé at Super Bowl 50, celebrating the Black Lives Matter Movement and the Black Panther Party’s 50th Anniversary with choreography, berets and a giant X. These are images that would have been unthinkable to present 50 years ago in a like venue, but that “break the Internet” today with the speed of their download into the national subconscious.
With any of the leading Republican candidates as the nominee the nation will hopefully be frightened into keeping a Democrat in the White House. (The second-place finish of Republican Gov. John Kasich in New Hampshire was a small sign of sanity that I don’t think will last.) However, if there is a clamor for Hillary Clinton’s speeches to Goldman Sachs to be released and something slips out, it is doubtful she says the assembled “Masters of the Universe” are pathologically greedy and deserve to be better taxed and aggressively regulated. If instead she tells them she can be trusted to understand the need for capital to grow and be flexible in the global marketplace, yadda, yadda, yadda, then Bernie Sanders will start to look like the Democrat’s nominee and the country will have a real either/or choice to make about the direction to go.
This brings us back to the cheering of Beyoncé’s very political performance as a hopeful sign of a changing national consciousness and maybe a nation that’s ready for a new day.

Thomas Jefferson H. S. Boys Varsity Basketball #1-Ranked Team Continues Winning Ways

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Thomas Jefferson 68
Christ The King 64

Thomas Jefferson’s Shamorie Ponds makes an end-of-game shot, while pressed with a Christ-The King double-team. Photo: Nathaniel Adams

Coaches’ Assessment:
Thomas Jefferson Coach Lawrence Pollard– “It was a tough game but we executed and made plays. We knew we’d have a tough job on the road but we did what we had to do to win. Offensively, we could have made shots earlier but we made them at the end of the game when it counted. Our defense was excellent, we got the stops we needed at the end of the game on the road and we were able to get away with the win.”

Christ The King Coach Joseph Arbitello– “Good game, they executed down the stretch and that’s why we lost. It came down to a couple of plays as basketball usually does and we didn’t make them.”