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Estate Prompts Investigations of Brooklyn Supreme Court Guardianship Program and the Real Lowdown on the Slave Theater

Questions about the future of the Slave Theater have been raised to a higher level with the current photo exhibit at Five Myles Gallery.  The theater is a part of what’s left of the estate of Judge John L. Phillips after passing through the hands of four court-appointed guardians.
We spoke with Reverend Samuel Boykin, the court-appointed administrator of the Phillips estate and a nephew the eldest of Judge Phillips on the status of the estate.
He is the only member of the family the court has given permission to make financial decisions regarding the estate.   However, Synphonie Moss, a cousin, was able to make personal decisions a regarding the person of Judge Phillips.  But had overruled Moss and Boykin in placing Phillips in the Castle Senior Living at Prospect Park residence, rather than allowing him to stay at home.  Boykin is now suing the residence for wrongful death negligent health care.
As we go to press, Reverenc Boykin told us that he spoke with  the state comptroller’s office on Tuesday, and they said  they are actively considering doing an audit of the Brooklyn Supreme Court Guardianship program.   Boykin has charged that the illegal handling of the estates of elderly people, the misappropriation of funds and in some cases embezzlement and mortgage fraud should be a part of that probe in the handling of the Phillips estate.
He also told us that he has spoken with a representative of the NYS Unified Court System Office of Administration who said they were investigating some of the activities of the court-appointed guardians in the Judge Phillips case.   DG

Boykin: “Judge John L. Phillips had 13 properties listed with the Brooklyn Supreme Court Guardianship program.  Of those 13 properties listed, there was only rent recorded being collected for two months for two properties at 563 & 565 Nostrand Avenue, no other property has paid rent in 13 years. 
OTP:  The people in the Slave Theater now, what is their status? 
Boykin:  No one has paid rent in the entire time they’ve been there and all are there in a state of trespassing.  
OTP:  But they have access.
Boykin:  That’s because they won’t leave voluntarily.  I have an eviction notice that has been going on for 5 months, and I’m waiting on the court’s decision to evict.  We’re having a hard time selling the buildings because people want a building empty.  Not with tenants who have not paid rent in ten years. 
OTP:  But what about the electric?
BOYKIN: Dr. Paul Lewis of the Messengers for Christ World Healing center on the second floor is paying the utilities.  It’s an international church.  His church has been there for eight years and he is not paying any rent.  Mr. Hardy (downstairs) uses the church’s utilities and is paying zero bills.   People assume he is the spokesman for the family because he happens to be there. 
OTP:  And the status of the Slave Theater?
Boykin:  I’ve terminated my agreement with Massey and Knakel.  I put a “For Sale” sign on both theaters, “For Sale by Owner”.  I’ve received over a hundred calls.  We’re accepting bids and those that are authentic and qualified I will turn over to the attorneys.
What’s next for the Slave and the Black Lady Theater is that they must  be sold because we owe over $2 million dollars in back taxes and liens.  No property taxes on any of the properties have been paid in ten years. 
OTP: Whose responsibility is it to have paid those taxes?
Boykin:  These past guardians sold all the property and paid no taxes and filed no taxes. 
OTP: Where did that money go?
Boykin: A lot of that money we can’t find.  It’s been a continual embezzlement against the estate of Judge John L. Phillips non-stop by court-appointed guardians, by people who were close to Judge Phillips and say they loved him, but remain in the buildings without paying rent or taxes and others. 
OTP:  When you say that past guardians have been guilty of breaking the law, specifically, which laws are you talking about? 
Boykin:  Failure to file taxes.  Estate taxes, state and city taxes.  Selling property way undervalue.  Waiving of the guardianship law.  Failure to advertise property they were selling.  Paying off illegal mortgages.  Mortgage fraud was committed against 68 Cumberland Street for  $391,500.  Instead of the court reporting these people to the District Attorney’s Office and sending them to prison, they allowed Imani Taylor to pay off the loan from Judge Phillips’ account.  I couldn’t get anyone to respond until recently.  I sent information to the Departmental Disciplinary Committee of the Supreme Court Appellate Division,  State Attorney General, NYS Commission on Judicial Conduct.  Judge Phillips’ case is not isolated.   Anyone in the guardianship program is at the mercy of court-appointed attorneys and others who collaborate in mismanaging the estates.
OTP:  And the longer it takes, the more money everybody makes.
Boykin:  That’s correct.

The Forgotten Black Fishermen in the Gulf Oil Spill

The news coverage of the Gulf oil spill might lead you to think black fishers did not exist or were not affected.  That is not true, although they are a dwindling breed.

Correspondent Brentin Mock and photographer Shawn Escoffery ferreted them out and listened to their stories.

Black Gulf Fishers Face a Murky Future

By: Brentin Mock

Endangered Living: Fisherman Rodvid Wilson, 37 said to writer Brentin Mock, “You barely see our people out here anymore. This is a dying breed.” Photo: Shawn Escoffery

The African-Americans who make their living from shrimp and oysters on the Louisiana Gulf Coast have long been an endangered breed. The oil spill may be the final blow to their way of life.
“I am not tragically colored. There is no great sorrow dammed up in my soul, nor lurking behind my eyes. I do not weep at the world – I am too busy sharpening my oysterknife.” – Zora Neal Hurston
As Rodvid Wilson boards close the sides of his uncle’s boat he hums Erykah Badu’s “Window Seat” while preparing for a voyage through the Louisiana bayou into the bays above the Gulf of Mexico.  In the cabin behind the wheel sits Judge Williams, 67, an oystermanfor over 40 years. Behind him is a bunkbed, where he and his nephew Wilson often sleep. By the bed is a small gas stove. The smell of neckbones and hot metal mix as a pot of beans burns on one eye, and a small hatchet burns on the other.  Sitting next to the stove is half an oyster shell with cigarette ashes in it. A half-empty pack of Newports rests close by.

Judge Williams,67, is just how one would imagine a black fisherman described in a fairytale: weathered skin, soiled fishing cap, and a white beard that stretches down and across his upper jawline, connecting with his mustache. Photo: Shawn Escoffery

Riding with his good friend Ameal Wilson, Williams steers out into an open-water area near the Fucich Bayou wetlands, which sprout  around Louisiana’s southeastern coast. Just beyond this area are the Black Bay and American Bay, where oil from BP’s Deepwater Horizon spill have begun to encroach, threatening fish, birds and protective marshland. If the crude oil gets too deep, it’ll kill off the seafood from which Williams and his crew make a living.
Back in Pointe a la Hache, a town on the east bank of the Mississippi River, is where Williams docks his boat, as do dozens of other African-American oyster harvesters, shrimp trawlers and fishers. It is, in fact, the area from which much of Louisiana and the rest of the United States get their oysters and shrimp; where Antoine Dominique “Fats” Domino hung out, and his lead guitar player Jimmy Moliere was born and raised; and, it’s where black self-sufficiency has been more reality than slogan.
African Americans in lower Plaquemines Parish, where Pointe a la Hache and other black towns such as Davant and Phoenix are found, have raised their families and communities on this seafood for generations. Fishing in this area,  about 50 miles south of New Orleans, has also been a steady source of income and employment for them since the early 20th century.
At peak, hundreds of black fishers occupied this area, but their numbers have dwindled. Hurricane Katrina, which entered Louisiana through this region in 2005, retired many fishers early by destroying their boats and homes. Now, the question asked with dread is: Will the BP oil spill finish off what Katrina started: the vanishing of a proud, historic black fisher community?

Spoils of War At the end of the day, Rodvid Wilson and Ameal Wilson shovel the oysters they’ve caught into coffeebean sacks, to be hauled off by buyers and wholesalers back at the Pointe a la Hache marina. Photo: Shawn Escoffery

As oil invades deeper, it could be that soon the oyster shells won’t even be good enough to catch cigarette ashes in.
Standing in front of a trailer with BP posters taped on the door is Byron Encalade, president of the Louisiana Oystermen Association, who has called a meeting one Saturday afternoon to discuss their futures. One by one, black men and women of all ages step into the assembly area, their chief concern being how they’ll be compensated for their losses. The levees maintained by the U.S. Army Corps of Engineers to protect them from hurricanes and floodshave been literally failing them left and right.
“We should take the Army’s name off the Corps of Engineers,” says Encalade, a vet. “They should be called the Political Corps of Engineers. They have been working for the politicians and the oil companies. They are not working for the people.”
Under BP’s claims process, for those losing revenue due to the spill, each fisher is entitled to $5,000 per month — just a fraction of the $10,000 to $40,000 many collect monthly from their catches.  As for BP’s “Vessels of Opportunity” program, where fishers can get trained to take their boats and crews out to deploy boom and skim oil, only a few of them have been called for work.  The black fisher community is so small and tight-knit – by their own estimates, only about 50 to 75 — that they all know each other, and can name the handful presently working for BP.  
The west bank of the Mississippi River holdsall the action. That is where the Venice, La. command center is, where BP, the Coast Guard, the Army Corps of Engineers, EPA and other government agencies huddle to produce oil containment plans, which have been mostly failures. Venice is at the tip of the Louisiana coastal peninsula, and every day dozens if not hundreds of news reporters dart down the highway looking to find oil leaking onto shores and marsh, and for officials leaking information for their stories.
But the oil threat first headed east of the river, where it continues to infiltrate, long before winds took some of the oil west.  The state’s Fisheries and Wildlife department first closed down the fishing areas on May 1. They were opened again on May 15, for limited trawling and fishing, but the people here know that the fishing areas might not be open much longer. They’ve already had more than their fair share of struggles.
“Through the years, due to unfair policies from both the state and federal governments, we’ve lost about 90% of our oyster farms, and probably the same amount of boats,” says Encalade. “There are probably just a few black families left with oyster boats that support the rest of what’s left of the small black fisherman community here.”
The oyster farms, or oyster beds, are sea-bottom areas that can be privately leased for harvesting oyster seeds picked up from government-owned sea areas in the winter and spring. African Americans began owning their own boats in the 1960s and 70s, and soon after began owning oyster beds. However, says Encalade, these black owners were limited by government as to where they could fish and harvest.
In the late 70s, a group called The Fishermen and Concerned Citizens of Plaquemines Parish, led in part by Rev. Tyrone Edwards, helped reverse laws that prevented the use of hand dredging, or what’s called “coonin’,” used by small-time oystermen, usually black. The ban would have favored the larger industrial companies whose vessels could scoop up oysters in bulk.  
And then there was  Katrina, which made its debut in Louisiana by cresting the eastern levees surrounding these communities, demolishing virtually every home in this area. Fishers whose houses were boats lost their homes and businesses simultaneously.  Edwin “Peewee” Riley, an 84-year-old ex-fisher – one of the oldest standing — lost his $150,000 boat in the hurricane, while Encalade lost three boats.
Those still in the fishing game have few other options. Many of them have been fishing since they were teens — “Peewee” Riley since he was 14. It’s all they know how to do. Few have diplomas beyond high school and some cannot read.
Judge Williams snakes his vessel through the bayou without the use of GPS, navigation devices or even a map. Back in Magnolia, Mississippi, where he’s from, he graduated from the 8th grade to the fishing boat and hasn’t looked back. The entire water-scape is in his head, and he doesn’t “fool with no maps.”
His nephew Rodvid Wilson, an ex-convict, was sent down South by his mother from New York to learn hard work and discipline from his uncle. Wilson admits his family job corps trip is paying off, not only in money but in character. He was cited last August, though, for illegal oyster dredging in unleased water bottoms – fishers still can only collect oysters where the government tells them to. He was cited that day along with five others whose last names suggest South American descendancy.
If the oil spill shuts them down, both groups are faced with entering a society where the face of unemployment, poverty and incarceration is too often theirs. What else can they do but cast down their buckets where they are?
After a long day in the bay, Wilson lays down his hatchet, used earlier for breaking down clusters of oysters. Pulling off his rubber gloves, which have minces of oyster guts all over them — as does his face —  he goes in the cabin for a plate of blackeyed peas and rice. After eating only a portion, he stops, complaining that he hasn’t been able to eat or sleep in days. From the pack of Newports he pulls a cigarette, lights it, and takes a couple drags before ashing on the deck, not far from piles of oysters.
“You barely see our people out here anymore,” he says. “This is a dying breed.”
Brentin Mock is a reporter for the New Orleans investigative reporting news Web site The Lens.

HAMPTON W. ROOKARD, Freedom Fighter and an Original Man

Hampton Woodward Rookard, the son of Ruth Woodward and Walter Rookard, was born January 29, 1929 in Rembert, South Carolina. Hampton migrated to the North with his mother and his sister Margaret. Their first stop was Harlem, then Brownsville, followed by Williamsburg before finally settling in Bedford-Stuyvesant. His early influences towards education and reading were his mother, an elementary schoolteacher, and his loving “Aunt Mae”, Marion McLester, who had remained in the south. Aunt Mae was a principal of her own school for 47 years. Hamp knew early on what he wanted out of life. He became a Merchant Marine by age nineteen and he had been around the world three times over.
Known by many names, Hamp, Prof. Aladjo Akem-Wume or Rolling Black Cloud, was a scholar, an avid reader, motorcycle enthusiast and later a talk show host on WBAI.
He aligned himself with revolutionary groups due to his belief in having the right and capability to defend himself.  Hampton was with Malcolm X when he started the Organization of Afro-American Unity in the Audubon Ballroom. He traveled to Africa with Cedric Sandiford, Nana Imhotep Gary Byrd and Dr. Barbara Justice Muhammad for the Kemron Investigation.

 He was a familiar sight in his jumpsuits & sea shelled headband. As a Stationary Engineer at several Board of Ed. schools, he was often spotted racing by in one of his signature cars or heard from blocks away on his Harley Davidson motorcycle. After his retirement, he enjoyed dividing his time between broadcasts at WBAI, volunteering his audio visual skills for important causes, traveling and keeping in touch with family and close friends.
Up until his final days, Bro. Rookard was an active warrior in the struggle for African Liberation and human rights. On May 27, 2010, Hampton was called home to rest.
Hampton’s only sister Margaret preceded him in passing. He also leaves to mourn: his son Antonio, daughter Antoinette and their mother Mildred, daughter Vicky, niece Donzia, cousins Dorothy, Thomasina, Celess, Margaret, and Lil Thomasina. He also leaves behind a legacy of four grandchildren and five great-grandchildren. Hampton and his words of wisdom will be missed by his many close friends and the love of anyone who was fortunate to meet him and listen to the words that he enjoyed sharing.

Through The Night Will Touch You!!

If you ever wondered what Black men struggle with in our communities, wonder no more. Go and see Through The Night at the Riverside Theatre. This newest play written and performed by the talented, versatile Daniel Beaty, is a story that lets you know some of the plights that Black men live through on a daily basis.
Beaty portrays six Black men and four Black women and does each character with such a heartfelt realism you will surely be touched by the problems and distress which plague their hearts. Beaty decided to write this play after reading a National Urban League report about the “State of Black Males in the U.S.” The report painted a bleak picture of a future filled with failure and incarceration. Beaty’s characters have issues, but also find ways to survive through their issues. The beauty of Beaty’s writing is that all his characters are intricately connected. There’s Mr. Rogers, an owner of a health food store in the ghetto; his intelligent and sensitive 10-year-old son Eric; his wife Sarah who believes in his dram of this business; his ex-con employee Dre; Dre’s pregnant girlfriend Kim; Twon, a neighbor who is graduating from high school and is going to Morehouse; his mother; the neighborhood church  pastor Bishop, his wife Ellen, their son Isaac and his boyfriend-Allen.
The story that Beaty weaves so well will have you mesmerized. From the opening scene, this incredible playwright creates characters that are so layered. As he changes persona, everything transforms into the specific character-body language, tone, voice, use of language and facial expressions. Now, some may say this is a given for any actor, but when you experience Beaty’s delivery you will realize he takes creating and performing characters to an elevated level.
I’ve tried to whet your appetite, but haven’t shared the meat of the production because the flavor of his poetry, singing and acting is a theatrical fare you need to savor first hand. Just know you will laugh a lot, you will cry some, but you will be completely engrossed from the beginning to the end.
The show is playing four more performances on June 6, 7 and 8. This is a show that not only shares the struggles of Black men, but their triumphs and the extremely critical role that a strong, loving, supportive Black mother or wife can play in the life of a Black man.
To buy tickets call 212-870-6784. This show is appropriate for teens and older. This play is powerfully directed by Charles Randolph-Wright. The show is being presented as part of the 50th Anniversary Celebration of the Riverside Theatre and the 46th Anniversary of the New Heritage Theatre Group.

Black Shows And Performers Grab Tony Nominations
The Tony Award nominations are out and African-American productions and performers are faring very well. FELA, the musical produced by Jay-Z, Will and Jada Pinkett Smith and Alicia Keys is up for Best Musical; Best Book of a Musical-Jim Lewis and Bill T. Jones; Best Direction of a Musical-Bill T. Jones; Best Choreography of a Musical-Bill T. Jones; Best Performance by a Leading Actor in a Musical-Sahr Ngaujah; Best Performance by a Featured Actress in a Musical-Lillias White; Best Scenic Design of a Musical-Marina Draghici; Best Costume Design of a Musical-Marina Dragnici; Best Lighting Design of a Musical-Robert Wierzel; Best Sound Design of a Musical-Robert Kaplowitz; and Best Orchestration of a Musical-Aaron Johnson.
Fences got 10 nominations which included: Best Revival of a Play; Best Performance by a Leading Actor in a Play-Denzel Washington; Best Performance by a Leading Actress in a Play-Viola Davis; Best Performance by a Featured Actor in a Play-Stephen McKinley Henderson; Best Direction of a Play-Kenny Leon; Best Costume Design of a Play-Constanza Romero; Best Scenic Design of a Play-Santo Loquasto; Best Lighting Design of a Play-Brian MacDevitt; Best Sound Design of a Play-Acme Sound Partners; and Best Original Score Written for the Theatre-Branford Marsalis.
Memphis-received eight Tony nominations: Best Musical; Best Book of a Musical; Best Original Score Written for the Theatre; Best Direction of a Musical; Best Performance by a Leading Actor in a Musical-Chad Kimball; Best Performance by a Leading Actress in a Musical-Montego Glover; and Best Orchestra.
In the plays Race and Superior Donuts African-American actors David Alan Grier and Jon Michael Hill respectively both received Tony nominations in the Best Performance by a Featured Actor in a Play.
The Tony Awards will air live on CBS, Sunday, June 13 from 8pm-11pm. Watch and root for your favorites.

New York Architects Design "Soft House" for Haitians Facing Hurricane Season

Funds Sought to Build and Distribute Units to Not for Profits and Individuals in Haiti

 
HaitiSOFTHOUSE is a flexible and sustainable approach to shelter that provides immediate transitional housing, community development and reconstruction solutions.
The shelter is designed to resist tropical storms and hurricane conditions, resist earthquakes and provide a healthy, well- ventilated environment. The flexibility of the structure allows for multiple-unit combinations, addressing domestic space needs, institutional needs and community needs.
The design features a lightweight and easy-to-assemble structural steel frame that receives high-performance fabric with excellent weather capabilities. The structure can be anchored directly into the ground using high-strength earth anchors in a variety of soil conditions. Additionally, the structure can be mounted on a prefab concrete foundation tile system that is manufactured locally from recycled concrete rubble. The structure is designed to be assembled with a few people in one day or less.
The SOFTHOUSEgroup was conceived and initiated by a group of designers with unique complimentary expertise and a commitment to bringing high quality, sustainable design solutions to the current demands of the recovery and reconstruction efforts of Haiti. The SOFTHOUSEgroup is currently working in conjunction with The Rural Haiti Project to combine creative and professional expertise with local and cultural knowledge in addressing the intermediate needs of Haiti in the aftermath of the 2010 earthquake.
The SOFTHOUSEgroup has established a association with Fabric Images, a Chicago-based manufacturer of lightweight deployable environmental structures. Fabric Images has international manufacturing locations with expertise in mass production under highly demanding delivery schedules.
The SOFTHOUSEgroup, LLC, in conjunction with The Rural Haiti Project, have secured the use of a site in Jacmel, Haiti for the initial construction of prototypes for field testing in June of 2010. The initial deployment of HaitiSOFTHOUSE units is intended to expand and evolve into the Jacmel SOFTVILLAGE in 2010.