Green Movements Grow in Central Brooklyn

Last weekend, November 19-21, the first annual conference to forge food, farming and policy solutions for the Black Community convened at Brooklyn College in New York City, convening farmers, gardeners, activists, students and community leaders from across the nation and around the world.
The 3-day conference, attended by more than 500 people, was hosted by Karen Washington of La Familia Verde and sponsored by Black Urban Growers (BUGS), an alliance of predominately Black urban farmers and food activists.  Farmer Devanie Jackson, who founded with her husband Rev. Robert Jackson the 5,000-square-foot Bed-Stuy Farm facility on Decatur Street in 2004, proudly represented the community in workshops and as a keynote leader.
Participants spent the first day mingling and the last day on a tri-borough tour of community gardens in the City, including the globally known Hattie Carthan Community Garden on Lafayette Avenue.  Other Brooklyn organizations represented at the conference included Weeksville Heritage Center and East New York Farms, among many others.

Participants and presenters came from far and wide to hear Will Allen, an urban farmer, founder and CEO of Growing Power, Inc in Milwaukee, WI,  and a MacArthur genius grant awardee, who opened the conference.  They also gathered to learn from the distinguished Ralph Paige, Executive Director of the Federation of Southern Cooperatives of East Point, Ga., whose keynote closed the conference.

According to Ms. Washington, The conference, aimed to strengthen networks and inspire new ideas among people working across disciplines to address food-related issues that contribute to inequities in health, wealth and justice in black communities.  So why are we compelled to focus on food, farming and justice now, in these embattled times?  Allen and Paige both said in so many words, “we can not afford not to be concerned “about the inequities in a food system that is increasingly alienated from the needs of African Americans and dismissive of their demands.”
NBFC’s shared statistics that also answer the question:
· Our farmers are in peril:  ninety years ago, over 14% of U.S. farmers were African American. It’s now dwindled to about 2%.  In New York State alone, there are only 110 African-American farmers in 56,000.
· Our communities are malnourished and our collective health is suffering.  Nationally, the typical low-income neighborhood has 30 percent fewer supermarkets than higher-income neighborhoods. Nearly 50% of African American children will develop diabetes at some point in their lives. About four out of five African American women are overweight or obese.

· Our communities are dying: Deaths from heart disease and stroke are almost twice the rate for African Americans as compared to Whites.
But the beauty of the 3-day conference is that it offered proactive solutions, the kind that get your hands dirty. Some examples follow:
· Paula Thompson and Trineka Freeman from 42nd and Steele St Parking Lot Farm in Denver shared the story of how they took a parking lot back and made it their paradise.

· In ‘By Any Greens Necessary: Food as a Tool of Colonization and Joining the Resistance’, Jade Walker from the Mill Creek Farm and Chris Borden-Newsome led a discussion on the interconnectedness of oppressions.  They also taught participants how to challenge these negative systems.

· Youth from Brooklyn’s East New York Farms! Joined the conversation on ‘The Next Generation’ along with folks from Real Food Challenge.

·Tanikka Cunningham from Healthy Solutions led the discussion on increasing access to affordable food in communities of color.

· Dr. Ridgely Abdul Mu’min (Muhammad), Minister of Agriculture and Farm Manager, Muhammad Farms of Albany, Ga., talked about the effect of USDA and other goverment policies on Farming and Urban Gardening.  He was joined by Gary Grant, President, Black Farmers and Agriculturists Association of Tillery, N.C.; Spencer D. Wood, PhD, Kansas State University in Manhattan, KS; and Barry Crumbley of the Intact Community Development Corporation in Mt. Vernon, NY.
· Michelle Hughs, Director, GrowNYC: New Farmers Development Program, presented some resources and support services available for all farmers on the local level.
Urban gardeners from Upstate New York and New Jersey, Black farmers from across the country representing the states Wisconsin, Michigan, Mississippi, California and and the nation of Canada learned how  a $5 per foot investment could convert an abandoned parking lot into rich farm land.
To a captive audience, Allen broke his success down to one phrase, “If you’ve got good soil, you can do anything.” Allen then detailed how soil was derived from composting dirt and garbage. “The key to good soil is garbage and access. I was walking yesterday and saw you all have a lot of garbage. For composting, it’s like a smorgasbord.”
The conference  – which featured over 20 breakout sessions on other topics like ending racism in the food industry and the resurgence of the urban black farmer in Denver and Detroit – came on the heels of the FDA Food Safety Modernization Act which passed in the U.S. Senate a day before. Among other changes of note, the bill would make public a National Agriculture and Food Defense Strategy that may give opportunities for black farmers.
“This is just the beginning,” said Paige of the need to continue the talk around black and urban farmers.
At the conference, the 2010 Black Farmers & Urban Gardeners George Washington Carver Awards were announced.  Workshop subjects were compelling.  They included: Scaling Up! Creating 100,000 New Farmers: Local and National Resources for Rural and Urban Farmers, Designing Linkages between Upstate Farmers and Downstate Food Desert communities, Undoing Racism in the Food System:  Lessons from the Detroit Struggle, Urban Farming as a Framework for Wholistic Community Development, Young, Black and Gifted: Creating Niche Food Communities, The Next Generation: Youth Creating Food Change, By Any Greens Necessary: Food as a Tool of Colonization and Joining the Resistance and a Place for Us: Black Farmers in the Organic Movement.
For more information, visit: www.blackfarmersconf.org
(Publishers note:  Bernice Elizabeth Green contributed to Mr. Kene’s article.)

Lena Horne Passes Late Sunday Night

 
Singer, dancer and actress Lena Horne died at New York-Presbyterian Hospital on Sunday night, a hospital spokeswoman said. Horne was 92.

She was one of the first African-Americans to sign a long-term movie contract with a major Hollywood studio when she joined MGM in 1942.
Horne’s expressive voice made her a singing star after Hollywood failed to give her roles that might have made her a big screen starlet.
Horne complained she was used as “window dressing” in white films, mostly limited to singing performances that could be easily edited out for play in southern theaters.

The light-complected Horne refused to go along with studio plans to promote her as a Latin American.
She later said she did not want to be “an imitation of a white woman.”
Her childhood was nomadic as she traveled with her actress mother, but much of her time growing up was spent in Brooklyn, New York, where she was born in 1917.

Horne was 16 when she began her show business career as a dancer at Harlem’s Cotton Club. She later became a singer there, playing to packed houses of white patrons, with band leaders Cab Calloway and Duke Ellington.

She toured as a featured singer with a white band in 1940, a first for an African-American, according to her official biography.
Her first film role came in 1938 in “The Duke is Tops,” but her next movie didn’t come along for another four years.

She was given a screen test by MGM and signed to a movie contract after a studio scout saw her performing in a New York club.
“I think the black boy that cleaned the shoes and me were the only two black people except the maids who were there working for the stars,” Horne said in a CNN interview. “And it was very lonely, and I wasn’t very happy.”

Still, Horne said she was grateful that her World War II-era films — including “Cabin in the Sky” and “Stormy Weather” — were seen by black and white soldiers.
“But after I realized I would only go so far, I went on the stage,” Horne said.
With only subservient roles available for a black actress in Hollywood in the 1940s, Horne turned to recording top-selling songs.
Horne said performing for live audiences was what she loved most.
“I’m always happy when I’m surrounded by people to react and feel and touch,” she said.

She has a son and daughter from a first marriage that ended in 1944.
Horne married again in 1947 to Lennie Hayton, who was then MGM’s music director.

She was an active supporter of the Rev. Dr. Martin Luther King Jr.’s civil rights movement. Horne was there when King delivered his “I Have a Dream” speech on the Lincoln Memorial steps in 1963.

(From: NOLA.Tv – New Orleans innovative web based News, Entertainment and Local television broadcasting.)

 

LENA HORNE, SINGER, ACTRESS AND CIVIL RIGHTS ACTIVIST, DIES AT 92
 
HORNE WAS AWARDED NAACP’S SPINGARN MEDAL FOR AFRICAN AMERICAN ACHIEVEMENT IN 1983, NAACP IMAGE AWARD IN 1999
 
WASHINGTON DC – The NAACP is saddened by the loss of singer, actress and civil rights activist Lena Horne.  Horne died on May 9 at the age of 92.
 
“We mourn the passing of Lena Horne, an outstanding, groundbreaking entertainer and a staunch civil rights activist who stood on the side of justice and equality,” said NAACP President and CEO Benjamin Todd Jealous. “Lena Horne won the hearts of millions of Americans of all backgrounds as a glamorous and graceful actress and singer. She courageously broke many color barriers and fought valiantly to bring down the institutionalized racism that plagues our society and prevents all Americans from an equal opportunity to pursue the American dream.”
 
An accomplished singer and actress, Horne became the first black performer to sign a long-term contract with a major Hollywood studio, signing with MGM in 1943, but became disenchanted with Hollywood by the mid-1950s. She increased her focus on her singing career, solidifying herself as a premiere nightclub performer and starring in several musicals. Horne later returned to acting, appearing on several television shows such as Kraft Music Hall, The Ed Sullivan Show, The Dean Martin Show and The Bell Telephone Hour. She later co-starred with prominent actors Harry Belafonte and Tony Bennett in Harry and Lena and Tony and Lena, and starred in the classic African American musical The Wiz. The singer also performed on dozens of albums featuring the likes of Belafonte, Sammy Davis, Jr., Joe Williams, and Gábor Szabó, and received an NAACP Image Award in 1999 for Outstanding Jazz Artist.
 
In addition to her legacy as an entertainer, Horne was also known for her advocacy and contributions to social justice. At an early age, Horne displayed a passion for civil rights, and she first became a member of the NAACP as a student at Atlanta’s Washington High School. Later, while singing for troops during World War II, she refused to perform “for segregated audiences or for groups in which German POWs were seated in front of African American servicemen.” She was in attendance at an NAACP rally with Field Secretary Medgar Evers in Jackson, Mississippi on the weekend before Evers was assassinated, and spoke and performed at the March on Washington on behalf of the NAACP, SNCC and the National Council of Negro Women.
 
“Lena Horne’s spirit and willingness to stand for what is just transcended her accomplishments in the arts, and we are extremely grateful for her commitment to civil rights and the mission of the NAACP,” said NAACP Chairman Roslyn M. Brock. “Her long-standing relationship with the NAACP dates back to high school, while her service to the Association as a member and public advocate was invaluable. Lena Horne was an excellent example of someone who used her platform as an entertainer to advocate for equal rights for African Americans and give a voice to the voiceless, and she will be missed” added Brock.
 
Founded in 1909, the NAACP is the nation’s oldest and largest civil